Other editions of book The Lost Stradivarius

The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of the violin's previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature. Preceding M.R. James's ghost stories by several years, it has been called the novel James might have written, had he written novels.

The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature. Preceding M.R. James's ghost stories by several years, it has been called the novel James might have written, had he written novels. John Meade Falkner (8 May 1858 – 22 July 1932) was an English novelist and poet, best known for his 1898 novel, Moonfleet. An extremely successful businessman as well, he became chairman of the arms manufacturer Armstrong Whitworth during World War I.Life and works: Falkner was born in Manningford Bruce, Wiltshire, and spent much of his childhood in Dorchester and Weymouth. He was educated at Marlborough College and Hertford College, Oxford, graduating with a degree in history in 1882. After Oxford, he was a master at Derby School, then went to Newcastle as tutor to the family of Sir Andrew Noble, who ran Armstrong Whitworth Co., one of the largest arms manufacturers in the world. Falkner eventually followed him as chairman in 1915. In his business travels round the world, Falkner brought back antiquarian treasures of all kinds. After his retirement as chairman in 1921 he became Honorary Reader in paleography at the University of Durham, as well as Honorary Librarian to the Dean and Chapter Library of Durham Cathedral. Falkner fell in love with Durham and, although he spent his later years travelling frequently, he called Durham his home, living in the Divinity House (now the University Music School) on Palace Green in front of the cathedral from 1902 until his death. There is a commemorative plaque there, while his monument is in the south cloister of the cathedral. In addition to his three novels and his poetry, he also wrote three topographical guides (Oxfordshire, Bath and Berkshire) and a History of Oxfordshire.

The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature. Preceding M.R. James's ghost stories by several years, it has been called the novel James might have written, had he written novels.

The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature. Preceding M.R. James's ghost stories by several years, it has been called the novel James might have written, had he written novels.

The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature. Preceding M.R. James's ghost stories by several years, it has been called the novel James might have written, had he written novels.

"The Lost Stradivarius", written by John Meade Falkner in 1895, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession.(Source: wikipedia)

Your father, John Maltravers, was born in 1820 at Worth, and succeeded his father and mine, who died when we were still young children. John was sent to Eton in due course, and in 1839, when he was nineteen years of age, it was determined that he should go to Oxford. It was intended at first to enter him at Christ Church; but Dr. Sarsdell, who visited us at Worth in the summer of 1839, persuaded Mr. Thoresby, our guardian, to send him instead to Magdalen Hall. Dr. Sarsdell was himself Principal of that institution, and represented that John, who then exhibited some symptoms of delicacy, would meet with more personal attention under his care than he could hope to do in so large a college as Christ Church. Mr. Thoresby, ever solicitous for his ward's welfare, readily waived other considerations in favour of an arrangement which he considered conducive to John's health, and he was accordingly matriculated at Magdalen Hall in the autumn of 1839.

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The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. It has been described as "one of Falkner's three celebrated novels" and as a "psychic romance". After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of the violin's previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature. Preceding M. R. James's ghost stories by several years, it has been called the novel James might have written, had he written novels.

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The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature.