Other editions of book The Sea-Hawk

The Sea-Hawk by Rafael Sabatini - The Sea Hawk is a novel by Rafael Sabatini, originally published in 1915. The story is set over the years 1588–1593, and concerns a retired Cornish seafaring gentleman, Sir Oliver Tressilian, who is villainously betrayed by a jealous half-brother. After being forced to serve as a slave on a galley, Sir Oliver is liberated by Barbary pirates. He joins the pirates, gaining the name "Sakr-el-Bahr", the hawk of the sea, and swears vengeance against his brother. Sir Oliver Tressilian lives at the house of Penarrow together with his brother Lionel and his servant Nicholas. Sir Oliver is betrothed to Rosamund Godolphin, but her brother Peter, a young hothead, detests the Tressilians, as there had been a feud between their fathers, and therefore tries to drive a wedge between his sister and Sir Oliver. Peter and Rosamund's guardian, Sir John Killigrew, also has little love for the Tressilians. One day, Peter's actions lead to Sir Oliver dueling Sir John, whom he deems to be the source of the enmity. Sir John survives the duel, but is badly wounded, and this only serves to infuriate Peter. One day, he insults Sir Oliver in front of a few nobles. Sir Oliver sets in a furious pursuit, but then remembers a promise to Rosamund to refrain from engaging her brother, following which he returns home. Later that evening, however, his brother Lionel stumbles in, bleeding. He has been in a duel with Peter Godolphin over a woman they both loved. Lionel killed Peter in self-defense, but there were no witnesses. Circumstances make everyone believe Sir Oliver is the killer, and Lionel does nothing to quench that rumor. He even goes so far as to have his brother kidnapped for sale as a slave in Barbary to ensure that he never reveals the truth. The ship gets boarded by the Spanish, and Sir Oliver and his kidnapper, Captain Jasper Leigh, both become Spanish slaves. Barbary pirates, Spanish slaves, The Sea-Hawk

is a novel by Rafael Sabatini, originally published in 1915. The story is set over the years 1588–1593 and concerns a retired Cornish seafaring gentleman, Sir Oliver Tressilian, who is villainously betrayed by a jealous half-brother. After being forced to serve as a slave on a galley, Sir Oliver is liberated byBarbary pirates. He joins the pirates, gaining the name "Sakr-el-Bahr" (the hawk of the sea), and swears vengeance against his brother.

One in a series of Sabatini's historical romances published by MxKinlay, Stone and Mackenzie. All volumes have red boards, indented design around edge of front boards, silver lettering and design with shield on spines, and a frontispiece. This volume's frontispiece shows a man standing on the edge of a galley with the insciption "That unspeakable existence, that living death of the galley-slave (page 103)". 366 pages, including a note by Sabatini, and two parts, Sir Oliver Tressilian and Sakr-el-Bahr.

Oliver Tressilian, a Cornish gentleman who helped defeat the Spanish Armada, is betrayed by his jealous half-brother. When the ship he is on is captured by the Spanish, he is made a galley slave. Freed from slavery by Barbary pirates, he joins up with them and becomes a follower of Islam and the scourge of European ships. Taking the name "Sakr-el-Bahr," or "The Hawk of the Sea," he swears vengeance against his brother. It is this desire for revenge that brings him back to the British shores where he is a wanted man.

Lord Henry Goade, who had, as we shall see, some personal acquaintance with Sir Oliver Tressilian, tells us quite bluntly that he was ill-favoured. But then his lordship is addicted to harsh judgments and his perceptions are not always normal. He says, for instance, of Anne of Cleves, that she was the "ugliest woman that ever I saw." As far as we can glean from his own voluminous writings it would seem to be extremely doubtful whether he ever saw Anne of Cleves at all, and we suspect him here of being no more than a slavish echo of the common voice, which attributed Cromwell's downfall to the ugliness of this bride he procured for his Bluebeard master. To the common voice from the brush of Holbein, which permits us to form our own opinions and shows us a lady who is certainly very far from deserving his lordship's harsh stricture. Similarly, I like to believe that Lord Henry was wrong in his pronouncement upon Sir Oliver, and I am encouraged in this belief by the pen-portrait which he himself appends to it. "He was," he says, "a tall, powerful fellow of a good shape, if we except that his arms were too long and that his feet and hands were of an uncomely bigness. In face he was swarthy, with black hair and a black forked beard; his nose was big and very high in the bridge, and his eyes sunk deep under beetling eyebrows were very pale-coloured and very cruel and sinister. He had—and this I have ever remarked to be the sign of great virility in a man—a big, deep, rough voice, better suited to, and no doubt oftener employed in, quarter-deck oaths and foulnesses than the worship of his Maker." Thus my Lord Henry Goade, and you observe how he permits his lingering disapproval of the man to intrude upon his description of him. The truth is that—as there is ample testimony in his prolific writings—is lordship was something of a misanthropist. It was, in fact, his misanthropy which drove him, as it has driven many another, to authorship. He takes up the pen, not so much that he may carry out his professed object of writing a chronicle of his own time, but to the end that he may vent the bitterness engendered in him by his fall from favour. As a consequence he has little that is good to say of anyone, and rarely mentions one of his contemporaries but to tap the sources of a picturesque invective. After all, it is possible to make excuses for him. He was at once a man of thought and a man of action—a combination as rare as it is usually deplorable. The man of action in him might have gone far had he not been ruined at the outset by the man of thought. A magnificent seaman, he might have become Lord High Admiral of England but for a certain proneness to intrigue. Fortunately for him—since head where nature had placed it—he came betimes under a cloud of suspicion. His career suffered a check; but it was necessary to afford him some compensation since, after all, the suspicions could not be substantiated.

Lord Henry Goade, who had, as we shall see, some personal acquaintance with Sir Oliver Tressilian, tells us quite bluntly that he was ill-favoured. But then his lordship is addicted to harsh judgments and his perceptions are not always normal. He says, for instance, of Anne of Cleves, that she was the "ugliest woman that ever I saw." As far as we can glean from his own voluminous writings it would seem to be extremely doubtful whether he ever saw Anne of Cleves at all, and we suspect him here of being no more than a slavish echo of the common voice, which attributed Cromwell's downfall to the ugliness of this bride he procured for his Bluebeard master. To the common voice from the brush of Holbein, which permits us to form our own opinions and shows us a lady who is certainly very far from deserving his lordship's harsh stricture. Similarly, I like to believe that Lord Henry was wrong in his pronouncement upon Sir Oliver, and I am encouraged in this belief by the pen-portrait which he himself appends to it.

Sir Oliver Tressilian , a Cornish sea-faring gentleman, was betrayed by his jealous half-brother. He was then forced to serve as a slave on a Spanish Galley, but was soon liberated by Barbary pirates. After deciding to join the pirates, they give him the name "Sakr-el-Bahr" which means the hawk of the sea. Sakr-el-Bahr swears vengeance against his brother for his evil wrongdoings.