Other editions of book To London Town

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A widow and her two children struggle to make ends meet in East London after their grandfather and provider is killed. First they are threatened by a sponging uncle and his friend Mr. Butson, a "cadger of suppers", then by their new landlord Mr. Dunkin, a man who exudes a wealth of sympathy, a wealth that Mr. Dunkin squandered with no restraint but this, that it carried no other sort of wealth with it. "To London Town" novel was intended to provide a picture of working-class life in the East End of London at the end of the nineteenth century. Arthur Morrison, (1863-1945), English writer noted for realist novels and short stories describing slum life in London's East End at the end of the Victorian era. "A Child of the Jago" and "To London Town" completed this East End trilogy.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1899]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 291. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

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Arthur George Morrison (1 November 1863 – 4 December 1945) was an English writer and journalist known for his realistic novels and stories about working-class life in London's East End, and for his detective stories, featuring the detective Martin Hewitt. He also collected Japanese art and published several works on the subject. He left a large collection of paintings and other works of art to the British Museum after his death in 1945.Morrison's best known work of fiction is his novel A Child of the Jago (1896). Early life:Morrison was born in Poplar, in the East End of London, on 1 November 1863. His father George was an engine fitter at the London Docks. George died in 1871 of tuberculosis, leaving his wife Jane with three children including Arthur. Arthur spent his youth in the East End. In 1879 he began working as an office boy in the Architect's Department of the London School Board. He later remembered frequenting used bookstores in Whitechapel Road around this time. In 1880 Arthur's mother took over a shop in Grundy Street. Morrison published his first work, a humorous poem, in the magazine Cycling in 1880, and took up cycling and boxing. He continued to publish works in various cycling journals. Career:In 1885 Morrison published his first serious journalistic work in the newspaper The Globe. In 1886, after having worked his way up to the rank of a third-class clerk, he was appointed to a position at the People's Palace, in Mile End. In 1888 he was given reading privileges at the British Museum. In the same year he published a collection of thirteen sketches entitled Cockney Corner, describing life and conditions in several London districts including Soho, Whitechapel, and Bow Street. In 1889 he became an editor of the paper Palace Journal, reprinting some of his Cockney Corner sketches, and writing commentaries on books and other subjects including the life of London poor people. In 1890 he left this job and joined the editorial staff of The Globe and moved to lodgings in the Strand. In 1891 he published his first book The Shadows Around Us, a collection of supernatural stories. In October 1891 his short story A Street was published in Macmillan's Magazine. In 1892 he collaborated with illustrator J. A. Sheppard on a collection of animal sketches, one entitled My Neighbors' Dogs, for The Strand Magazine. Later that year he married Elizabeth Thatcher at Forest Gate. He befriended writer and editor William Ernest Henley around this time, publishing stories of working-class life in Henley's National Observer between 1892-94. His son Guy Morrison was born in 1893. In 1894 Morrison published his first detective story featuring the detective Martin Hewitt. In November he published his short story collection Tales of Mean Streets, dedicating the work to Henley. The collection was reviewed in 1896 in America by Jacob Riis. Morrison later said that the work was publicly banned. Reviewers of the collection objected to his story Lizerunt, causing Morrison to write a response in 1895. Later in 1894 he published Martin Hewitt, Investigator. In 1895 he was invited by writer and clergyman Reverend A. O. M. Jay to visit the Old Nichol Street Rookery. Morrison continued to develop his interest in Japanese art, which he had been introduced to by a friend in 1890. Morrison began writing his novel A Child of the Jago in early 1896. The novel was published in November by Henley. It described in graphic detail living conditions in the East End, including the permeation of violence into everyday life (it was a barely fictionalised account of life in the Old Nichol Street Rookery). .....

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

To London Town is the final instalment in Arthur Morrison’s ‘East End Trilogy’. Together with Tales of Mean Streets (1894) and A Child of the Jago (1896), it was intended to provide a picture of working-class life in the East End of London at the end of the nineteenth century. Morrison’s note that precedes the novel states: I designed this story, and, indeed, began to write it, between the publication of Tales of Mean Streets and that of A Child of the Jago, to be read together with those books: not that I pretend to figure in all three – much less in any one of them – a complete picture of life in the eastern parts of London, but because they are complementary, each to the two others.

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