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Other editions of book The Eustace Diamonds

  • The Eustace Diamonds

    Anthony Trollope, Simon Vance

    (Blackstone Audio, Inc., May 1, 2011)
    The third novel in the Palliser series, The Eustace Diamonds is a satirical study of the influence of money and greed on human relationships in Victorian society. The story follows two contrasting women and their courtships. Lizzie Greystock and Lucy Morris are both hampered in their love affairs by their lack of money. Lizzie's trickery and deceit, however, contrast with Lucy's constancy. Lizzie Greystock, determined to marry into wealth, snares the ailing Sir Florian Eustace and quickly becomes a widow. Despite the brevity of their marriage, Lizzie inherits according to the generous terms of Sir Florian's will, which include the Eustace diamonds. When the Eustace family solicitor, Mr. Camperdown, begins to question her legal claim to the family heirloom, Lizzie weaves a tangled web of deception and crime to gain possession of the diamonds. Enlisting the aid of her cousin, Frank, much to the dismay of Frank's fiancee, Lizzie seeks to avoid legal prosecution while pursuing one love affair after another. In this third novel of the Palliser series and the one least focused on the politics of the time, Trollope was understood to be commenting on the malaise in Victorian England that allowed a character like Lizzie, who marries for money, steals the family diamonds, and behaves despicably throughout, to rise unscathed in society. Trollope's The Eustace Diamonds blends elements of mystery, politics, and romance in a memorable work.
  • The Eustace Diamonds. a Novel

    Anthony Trollope

    (Wentworth Press, Aug. 26, 2016)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Eustace Diamonds

    Anthony Trollope

    (Oxford Univ Press, Oct. 18, 1973)
    The unabridged classic on MP3 audio, narrated by Anais 9000. Three playback speeds on one disk; etext edition included. Running time: 25.3 hours (slow), 23.1 hours (medium), 21.0 hours (fast). A scheming blonde marries a man of wealth, but after his death, a legal action pits her against lawyers supposedly acting for the benefit of his heirs. Sound familiar?
  • The Eustace Diamonds

    Anthony Trollope

    (Babblebooks, June 1, 2007)
    The unabridged classic on MP3 audio, narrated by Anais 9000. Three playback speeds on one disk; etext edition included. Running time: 25.3 hours (slow), 23.1 hours (medium), 21.0 hours (fast). A scheming blonde marries a man of wealth, but after his death, a legal action pits her against lawyers supposedly acting for the benefit of his heirs. Sound familiar?
  • The Eustace Diamonds

    Anthony Trollope

    (Doubleday & Company, Inc., July 6, 1951)
    Modern Library edition. 7.25 x 4.75 in. 727 pp. No date, issued c. 1956. Bound in gray cloth, with gray Rockwell Kent-designed endpapers, and a gilt-stamped red title panel to the spine and front board
  • The Eustace Diamonds

    Anthony Trollope

    (Blackstone Audio, Aug. 1, 2012)
    [Read by Simon Vance]Lizzie Greystock is determined to marry into wealth. She snares the ailing Sir Florian Eustace, quickly becomes a widow, and inherits the Eustace diamonds. When the Eustace family challenges her claim, she weaves a tangled web of deception and crime.
  • The Eustace Diamonds

    Anthony Trollope

    (CreateSpace Independent Publishing Platform, June 25, 2015)
    It was admitted by all her friends, and also by her enemies,—who were in truth the more numerous and active body of the two,—that Lizzie Greystock had done very well with herself. We will tell the story of Lizzie Greystock from the beginning, but we will not dwell over it at great length, as we might do if we loved her.
  • The Eustace Diamonds

    Anthony Trollope

    (SMK Books, Sept. 14, 2014)
    Lizzie Greystock, a fortune-hunter who ensnares the sickly, dissipated Sir Florian Eustace and is soon left a very wealthy widow and mother. While clever and beautiful, Lizzie has several character flaws; the greatest of these is an almost pathological delight in lying, even when it cannot benefit her. Before he dies, the disillusioned Sir Florian discovers all this, but does not think to change the generous terms of his will.
  • The Eustace Diamonds

    illustrated by Llewellyn Thomas: Anthony Trollope

    (London: The Folio Society, 1993., July 6, 1993)
    1990 Folio Society edition with Slipcase.
  • THE EUSTACE DIAMONDS. With a Preface by Michael Sadlier. Illustrations by Blair Hughes-Stanton.

    illustrator Anthony Trollope; Lynton Lamb, Lynton Lamb

    (Oxford University Press, July 5, 1977)
    THE EUSTACE DIAMONDS. With a Preface by Michael Sadlier. Illustrations by Blair Hughes-Stanton.
  • THE EUSTACE DIAMONDS

    Anthony Trollope

    (CreateSpace Independent Publishing Platform, Feb. 7, 2016)
    It was admitted by all her friends, and also by her enemies,—who were in truth the more numerous and active body of the two,—that Lizzie Greystock had done very well with herself. We will tell the story of Lizzie Greystock from the beginning, but we will not dwell over it at great length, as we might do if we loved her. She was the only child of old Admiral Greystock, who in the latter years of his life was much perplexed by the possession of a daughter. The admiral was a man who liked whist, wine,—and wickedness in general we may perhaps say, and whose ambition it was to live every day of his life up to the end of it. People say that he succeeded, and that the whist, wine, and wickedness were there, at the side even of his dying bed. He had no particular fortune, and yet his daughter, when she was little more than a child, went about everywhere with jewels on her fingers, and red gems hanging round her neck, and yellow gems pendent from her ears, and white gems shining in her black hair. She was hardly nineteen when her father died and she was taken home by that dreadful old termagant, her aunt, Lady Linlithgow. Lizzie would have sooner gone to any other friend or relative, had there been any other friend or relative to take her possessed of a house in town. Her uncle, Dean Greystock, of Bobsborough, would have had her, and a more good-natured old soul than the dean's wife did not exist,—and there were three pleasant, good-tempered girls in the deanery, who had made various little efforts at friendship with their cousin Lizzie; but Lizzie had higher ideas for herself than life in the deanery at Bobsborough. She hated Lady Linlithgow. During her father's lifetime, when she hoped to be able to settle herself before his death, she was not in the habit of concealing her hatred for Lady Linlithgow. Lady Linlithgow was not indeed amiable or easily managed. But when the admiral died, Lizzie did not hesitate for a moment in going to the old "vulturess," as she was in the habit of calling the countess in her occasional correspondence with the girls at Bobsborough. The admiral died greatly in debt;—so much so that it was a marvel how tradesmen had trusted him. There was literally nothing left for anybody,—and Messrs. Harter and Benjamin of Old Bond Street condescended to call at Lady Linlithgow's house in Brook Street, and to beg that the jewels supplied during the last twelve months might be returned. Lizzie protested that there were no jewels,—nothing to signify, nothing worth restoring. Lady Linlithgow had seen the diamonds, and demanded an explanation. They had been "parted with," by the admiral's orders,—so said Lizzie,—for the payment of other debts. Of this Lady Linlithgow did not believe a word, but she could not get at any exact truth. At that moment the jewels were in very truth pawned for money which had been necessary for Lizzie's needs. Certain things must be paid for,—one's own maid for instance; and one must have some money in one's pocket for railway-trains and little knick-knacks which cannot be had on credit. Lizzie when she was nineteen knew how to do without money as well as most girls; but there were calls which she could not withstand, debts which even she must pay. She did not, however, drop her acquaintance with Messrs. Harter and Benjamin. Before her father had been dead eight months, she was closeted with Mr. Benjamin, transacting a little business with him. She had come to him, she told him, the moment she was of age, and was willing to make herself responsible for the debt, signing any bill, note, or document which the firm might demand from her, to that effect. Of course she had nothing of her own, and never would have anything. That Mr. Benjamin knew. As for payment of the debt by Lady Linlithgow, who for a countess was as poor as Job, Mr. Benjamin, she was quite sure, did not expect anything of the kind.
  • The Eustace Diamonds

    Anthony Trollope, Clean Bright Classics

    (CreateSpace Independent Publishing Platform, July 6, 2017)
    The Eustace Diamonds centers on Lizzie Greystock, a fortune-hunter who ensnares the sickly, dissipated Sir Florian Eustace and is soon left a very wealthy widow and mother. While clever and beautiful, Lizzie has several character flaws; the greatest of these is an almost pathological delight in lying, even when it cannot benefit her - Lizzie sees lies as "more beautiful than the truth." Before he dies, the disillusioned Sir Florian discovers all this, but does not think to change the generous terms of his will.