Other editions of book The House of the Dead or Prison Life in Siberia

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Excerpt: ... return to it. Before the rise of the curtain, the room presented a strange and animated look. In the first place, the crowd pressed, crushed, jammed together on all sides, but impatient, full of expectation, every face glowing with delight. In the last ranks was the grovelling, confused mass of convicts. Many of them had brought with them logs of wood, which they placed against the wall, on which they climbed up. In this fatiguing position they paused to rest themselves by placing both hands on the shoulders of their companions, who seemed quite at ease. Others stood on their toes, with their heels against the stove, and thus remained throughout the representation, supported by those around them. Massed against the camp-bedsteads was another compact crowd; for here were some of the best places of all. Five convicts had hoisted themselves up to the top of the stove, whence they had a commanding view. These fortunate ones were extremely happy. Elsewhere swarmed the late arrivals, unable to find good places. Pg 181 Every one conducted himself in a becoming manner, without making any noise. Each one wished to show advantageously before the distinguished persons who were visiting us. Simple and natural was the expression of these red faces, damp with perspiration, as the rise of the curtain was eagerly expected. What a strange look of infinite delight, of unmixed pleasure, was painted on these scarred faces, these branded foreheads, so dark and menacing at ordinary times! They were all without their caps, and as I looked back at them from my place, it seemed to me that their heads were entirely shaved. Suddenly the signal is given, and the orchestra begins to play. This orchestra deserves a special mention. It consisted of eight musicians: two violins, one of which was the property of a convict, while the other had been borrowed from outside; three balalaiki, made by the convicts themselves; two guitars, and a tambourine. The violins sighed and...

Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The House of the Dead or Prison Life in Siberia" by Fyodor Dostoyevsky is a memoir based on Fyodor's terrifying experience in a Siberian prison camp.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The House of the Dead is a semi-autobiographical novel by Russian author Fyodor Dostoevsky, which portrays the life of convicts in a Siberian prison camp. The novel has also been published under the titles Memoirs from the House of The Dead, Notes from the Dead House (or Notes from a Dead House), and Notes from the House of the Dead. The book is, essentially, a disguised memoir; a loosely-knit collection of facts, events and philosophical discussion organised by "theme" rather than as a continuous story. Dostoevsky himself spent four years in exile in such a prison following his conviction for involvement in the Petrashevsky Circle. This experience allowed him to describe with great authenticity the conditions of prison life and the characters of the convicts.

The House of the Dead is a semi-autobiographical novel by Russian author Fyodor Dostoevsky, which portrays the life of convicts in a Siberian prison camp. The novel has also been published under the titles Memoirs from the House of The Dead, Notes from the Dead House (or Notes from a Dead House), and Notes from the House of the Dead. The book is, essentially, a disguised memoir; a loosely-knit collection of facts, events and philosophical discussion organised by "theme" rather than as a continuous story. Dostoevsky himself spent four years in exile in such a prison following his conviction for involvement in the Petrashevsky Circle. This experience allowed him to describe with great authenticity the conditions of prison life and the characters of the convicts.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the midst of the steppes, of the mountains, of the impenetrable forests of the desert regions of Siberia, one meets from time to time with little towns of a thousand or two inhabitants, built entirely of wood, very ugly, with two churches–one in the centre of the town, the other in the cemetery–in a word, towns which bear much more resemblance to a good-sized village in the suburbs of Moscow than to a town properly so called. In most cases they are abundantly provided with police-master, assessors, and other inferior officials. If it is cold in Siberia, the great advantages of the Government service compensate for it. The inhabitants are simple people, without liberal ideas. Their manners are antique, solid, and unchanged by time.