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Other editions of book The Night of the Long Knives: With The Creature From The Cleveland Depths

  • The Night of the Long Knives

    Fritz Leiber

    (CreateSpace Independent Publishing Platform, March 17, 2017)
    Post-apocalyptic Dystopian Science FictionI was one hundred miles from Nowhere—and I mean that literally—when I spotted this girl out of the corner of my eye. I'd been keeping an extra lookout because I still expected the other undead bugger left over from the murder party at Nowhere to be stalking me.I'd been following a line of high-voltage towers all canted over at the same gentlemanly tipsy angle by an old blast from the Last War. I judged the girl was going in the same general direction and was being edged over toward my course by a drift of dust that even at my distance showed dangerous metallic gleams and dark humps that might be dead men or cattle.She looked slim, dark topped, and on guard. Small like me and like me wearing a scarf loosely around the lower half of her face in the style of the old buckaroos.We didn't wave or turn our heads or give the slightest indication we'd seen each other as our paths slowly converged. But we were intensely, minutely watchful—I knew I was and she had better be.Overhead the sky was a low dust haze, as always. I don't remember what a high sky looks like. Three years ago I think I saw Venus. Or it may have been Sirius or Jupiter.The hot smoky light was turning from the amber of midday to the bloody bronze of evening.The line of towers I was following showed the faintest spread in the direction of their canting—they must have been only a few miles from blast center. As I passed each one I could see where the metal on the blast side had been eroded—vaporized by the original blast, mostly smoothly, but with welts and pustules where the metal had merely melted and run. I supposed the lines the towers carried had all been vaporized too, but with the haze I couldn't be sure, though I did see three dark blobs up there that might be vultures perching.From the drift around the foot of the nearest tower a human skull peered whitely. That is rather unusual. Years later now you still see more dead bodies with the meat on them than skeletons. Intense radiation has killed their bacteria and preserved them indefinitely from decay, just like the packaged meat in the last advertisements. In fact such bodies are one of the signs of a really hot drift—you avoid them. The vultures pass up such poisonously hot carrion too—they've learned their lesson.Ahead some big gas tanks began to loom up, like deformed battleships and flat-tops in a smoke screen, their prows being the juncture of the natural curve of the off-blast side with the massive concavity of the on-blast side.None of the three other buggers and me had had too clear an idea of where Nowhere had been—hence, in part, the name—but I knew in a general way that I was somewhere in the Deathlands between Porter County and Ouachita Parish, probably much nearer the former.It's a real mixed-up America we've got these days, you know, with just the faintest trickle of a sense of identity left, like a guy in the paddedest cell in the most locked up ward in the whole loony bin. If a time traveler from mid Twentieth Century hopped forward to it across the few intervening years and looked at a map of it, if anybody has a map of it, he'd think that the map had run—that it had got some sort of disease that had swollen a few tiny parts beyond all bounds, paper tumors, while most of the other parts, the parts he remembered carrying names in such big print and showing such bold colors, had shrunk to nothingness.To the east he'd see Atlantic Highlands and Savannah Fortress. To the west, Walla Walla Territory, Pacific Palisades, and Los Alamos—and there he'd see an actual change in the coastline, I'm told, where three of the biggest stockpiles of fusionables let go and opened Death Valley to the sea—so that Los Alamos is closer to being a port....
  • The Night of the Long Knives

    Fritz Leiber

    (CreateSpace Independent Publishing Platform, Feb. 1, 2016)
    Fritz Lieber was a well known American author during the 20th century, and his varied works delved into science fiction, fantasy, and horror.
  • The Night of the Long Knives

    Fritz Reuter Leiber

    (CreateSpace Independent Publishing Platform, Sept. 14, 2009)
    This book, also known as "The Wolf Pair", is one of the many books written by Fritz R. Leiber, in the 20th century. This novel is a science fiction story that takes places in a post-apocalyptic world.
  • The Night of the Long Knives

    Fritz Leiber

    (lulu.com, March 17, 2017)
    Post-apocalyptic Dystopian Science Fiction I was one hundred miles from Nowhere-and I mean that literally-when I spotted this girl out of the corner of my eye. I'd been keeping an extra lookout because I still expected the other undead bugger left over from the murder party at Nowhere to be stalking me. I'd been following a line of high-voltage towers all canted over at the same gentlemanly tipsy angle by an old blast from the Last War. I judged the girl was going in the same general direction and was being edged over toward my course by a drift of dust that even at my distance showed dangerous metallic gleams and dark humps that might be dead men or cattle. She looked slim, dark topped, and on guard. Small like me and like me wearing a scarf loosely around the lower half of her face in the style of the old buckaroos. We didn't wave or turn our heads or give the slightest indication we'd seen each other as our paths slowly converged. . .
  • The Night of the Long Knives

    Fritz Leiber

    (CreateSpace Independent Publishing Platform, March 3, 2016)
    "The Night of the Long Knives" aka "The Wolf Pair" first published in 1960.
  • The Night of the Long Knives

    Fritz Leiber

    (Leopold Classic Library, July 24, 2015)
    Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
  • The Night of the Long Knives

    Fritz Leiber

    (IDB Productions, July 6, 2019)
    The Night of the Long Knives CHAPTER 1 I was one hundred miles from Nowhere--and I mean that literally--when I spotted this girl out of the corner of my eye. I'd been keeping an extra lookout because I still expected the other undead bugger left over from the murder party at Nowhere to be stalking me. I'd been following a line of high-voltage towers all canted over at the same gentlemanly tipsy angle by an old blast from the Last War. I judged the girl was going in the same general direction and was being edged over toward my course by a drift of dust that even at my distance showed dangerous metallic gleams and dark humps that might be dead men or cattle. She looked slim, dark topped, and on guard. Small like me and like me wearing a scarf loosely around the lower half of her face in the style of the old buckaroos. We didn't wave or turn our heads or give the slightest indication we'd seen each other as our paths slowly converged. But we were intensely, minutely watchful--I knew I was and she had better be. Overhead the sky was a low dust haze, as always. I don't remember what a high sky looks like. Three years ago I think I saw Venus. Or it may have been Sirius or Jupiter.
  • The Night of the Long Knives

    Leiber Fritz

    (HardPress Publishing, June 23, 2016)
    Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
  • The Night of the Long Knives

    Fritz Leiber

    (CreateSpace Independent Publishing Platform, April 15, 2017)
    I was one hundred miles from Nowhere—and I mean that literally—when I spotted this girl out of the corner of my eye. I'd been keeping an extra lookout because I still expected the other undead bugger left over from the murder party at Nowhere to be stalking me. I'd been following a line of high-voltage towers all canted over at the same gentlemanly tipsy angle by an old blast from the Last War. I judged the girl was going in the same general direction and was being edged over toward my course by a drift of dust that even at my distance showed dangerous metallic gleams and dark humps that might be dead men or cattle. She looked slim, dark topped, and on guard. Small like me and like me wearing a scarf loosely around the lower half of her face in the style of the old buckaroos.
  • The Night of the Long Knives

    Fritz Leiber

    (Amazing Sci-Fi Classics, March 28, 2018)
    Any man who saw you, or even heard your footsteps must be ambushed, stalked and killed, whether needed for food or not. Otherwise, so long as his strength held out, he would be on your trail...
  • The Night of the Long Knives

    1910-1992 Leiber, Fritz

    (HardPress, June 23, 2016)
    HardPress Classic Books Series
  • The Night Of The Long Knives

    Fritz Reuter Leiber

    (Lector House, June 27, 2019)
    This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!