Other editions of book The Paradise Mystery

American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling.

"What is it, Varner?" asked Bryce calmly. "Something happened?"The man swept his hand across his forehead as if he were dazed, and then jerked his thumb over his shoulder."A man!" he gasped. "Foot of St. Wrytha's Stair there, doctor. Dead -- or if not dead, near it. I saw it!"Bryce seized Varner's arm and gave it a shake."You saw -- what?" he demanded."Saw him -- fall. Or rather -- flung!" panted Varner. "Somebody -- couldn't see who, nohow -- flung him right through yon doorway, up there. He fell right over the steps -- crash!" Bryce looked over the tops of the yews and cypresses at the doorway in the clerestory to which Varner pointed -- a low, open archway gained by the half-ruinous stair. It was forty feet at least from the ground."You saw him -- thrown!" he exclaimed. "Thrown -- down there? Impossible, man!""Tell you I saw it!" asserted Varner doggedly. "I was looking at one of those old tombs yonder -- somebody wants some repairs doing -- and the jackdaws were making such a to-do up there by the roof I glanced up at them. And I saw this man thrown through that door -- fairly flung through it! God! -- do you think I could mistake my own eyes?""Did you see who flung him?" asked Bryce."No; I saw a hand -- just for one second, as it might be -- by the edge of the doorway."

American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour, varying from grey to purple:

American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour, varying from grey to purple: the massiveness of the great nave and transepts contrasts impressively with the gradual tapering of the spire, rising so high above turret and clerestory that it at last becomes a mere line against the ether. In morning, as in afternoon, or in evening, here is a perpetual atmosphere of rest; and not around the great church alone, but in the quaint and ancient houses which fence in the Close. Little less old than the mighty mass of stone on which their ivy-framed windows look, these houses make the casual observer feel that here, if anywhere in the world, life must needs run smoothly. Under those high gables, behind those mullioned windows, in the beautiful old gardens lying between the stone porches and the elm-shadowed lawn, nothing, one would think, could possibly exist but leisured and pleasant existence: even the busy streets of the old city, outside the crumbling gateway, seem, for the moment, far off.

American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour…

A quiet English community is rocked to its core when a stranger comes to town and falls to his death from a gallery of the local cathedral. Was it suicide or was he pushed? Foul play is suspected, but with few clues to go on and no likely suspects, it appears that the bizarre crime may remain unsolved. J. S. Fletcher’s The Paradise Mystery is a classic British whodunit from the Golden Age of Detective Fiction. A sophisticated genre author, Fletcher never relies on a larger-than-life detective character to unravel the mystery with a flash of intuitive brilliance. He masterfully builds the mystery, peppering the plot with clues that are out there for the reader to see and to relate to. An author of over two hundred books, The Paradise Mystery is one of Fletcher’s finest.

American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour…

A quaint and idyllic English community is rocked to its very core when a dead body of a man is found and foul play is suspected. Did he fall or was he pushed? The inquest records a verdict of death by misadventure but more than one person is dubious about the death. But with few clues to go on and no likely suspects, it appears that the brutal crime may remain unsolved. There's another murder, lots of behind the scenes investigation into burial and marriage records, questionable parentage, questionable motives, changed names, poisonings, twists and turns galore. This classic from the golden age of detective fiction will suck you in and keep you guessing until the very last page.

American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour, varying from grey to purple: the massiveness of the great nave and transepts contrasts impressively with the gradual tapering of the spire, rising so high above turret and clerestory that it at last becomes a mere line against the ether. In morning, as in afternoon, or in evening, here is a perpetual atmosphere of rest; and not around the great church alone, but in the quaint and ancient houses which fence in the Close. Little less old than the mighty mass of stone on which their ivy-framed windows look, these houses make the casual observer feel that here, if anywhere in the world, life must needs run smoothly.

American tourists, sure appreciators of all that is ancient and picturesque in England, invariably come to a halt, holding their breath in a sudden catch of wonder, as they pass through the half-ruinous gateway which admits to the Close of Wrychester. Nowhere else in England is there a fairer prospect of old-world peace. There before their eyes, set in the centre of a great green sward, fringed by tall elms and giant beeches, rises the vast fabric of the thirteenth-century Cathedral, its high spire piercing the skies in which rooks are for ever circling and calling. The time-worn stone, at a little distance delicate as lacework, is transformed at different hours of the day into shifting shades of colour, varying from grey to purple: the massiveness of the great nave and transepts contrasts impressively with the gradual tapering of the spire, rising so high above turret and clerestory that it at last becomes a mere line against the ether. In morning, as in afternoon, or in evening, here is a perpetual atmosphere of rest; and not around the great church alone, but in the quaint and ancient houses which fence in the Close. Little less old than the mighty mass of stone on which their ivy-framed windows look, these houses make the casual observer feel that here, if anywhere in the world, life must needs run smoothly. Under those high gables, behind those mullioned windows, in the beautiful old gardens lying between the stone porches and the elm-shadowed lawn, nothing, one would think, could possibly exist but leisured and pleasant existence: even the busy streets of the old city, outside the crumbling gateway, seem, for the moment, far off.