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Other editions of book Kings in Exile

  • Kings in Exile

    Charles George Douglas Roberts

    Hardcover (Andesite Press, Aug. 11, 2015)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Kings in Exile

    Charles G D Roberts

    Paperback (Outlook Verlag, May 15, 2018)
    Reproduction of the original: Kings in Exile by Charles G.D. Roberts
  • Kings in Exile

    Charles George Douglas Roberts

    Paperback (BiblioLife, Feb. 2, 2009)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
  • Kings in Exile

    Charles George Douglas Roberts

    Paperback (BiblioBazaar, Feb. 10, 2009)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
  • Kings In Exile

    Charles G. D. Roberts

    Paperback (Kessinger Publishing, LLC, Sept. 10, 2010)
    This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
  • Kings in Exile

    Charles George Douglas Roberts

    Paperback (BiblioBazaar, Feb. 10, 2009)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
  • Kings in Exile

    Roberts Charles G. D. Sir

    Paperback (HardPress Publishing, June 23, 2016)
    Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
  • Kings in Exile

    Charles G. D. Roberts, The Perfect Library

    Paperback (CreateSpace Independent Publishing Platform, May 14, 2015)
    "Kings in Exile" from Charles G. D. Roberts. Canadian poet and prose writer who is known as the Father of Canadian Poetry (860-1943).
  • Kings in Exile

    Sir Roberts

    Paperback (FQ Books, July 6, 2010)
    Kings in Exile is presented here in a high quality paperback edition. This popular classic work by Sir Roberts is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Sir Roberts then we highly recommend this publication for your book collection.
  • Kings in Exile

    Sir Charles G. D. Roberts

    Paperback (CreateSpace Independent Publishing Platform, June 12, 2015)
    That was what two grim old sachems of the Dacotahs had dubbed him; and though his official title, on the lists of the Zoölogical Park, was “Kaiser,” the new and more significant name had promptly supplanted it. The Park authorities—people of imagination and of sentiment, as must all be who would deal successfully with wild animals—had felt at once that the name aptly embodied the tragedies and the romantic memories of his all-but-vanished race.
  • Kings in Exile

    Sir Charles George Douglas Roberts

    Paperback (CreateSpace Independent Publishing Platform, April 3, 2014)
    That was what two grim old sachems of the Dacotahs had dubbed him; and though his official title, on the lists of the Zoölogical Park, was “Kaiser,” the new and more significant name had promptly supplanted it. The Park authorities—people of imagination and of sentiment, as must all be who would deal successfully with wild animals—had felt at once that the name aptly embodied the tragedies and the romantic memories of his all-but-vanished race. They had felt, too, that the two old braves who had been brought East to adorn a city pageant, and who had stood gazing stoically for hours at the great bull buffalo through the barrier of the steel-wire fence, were fitted, before all others, to give him a name. Between him and them there was surely a tragic bond, as they stood there islanded among the swelling tides of civilization which had already engulfed their kindreds. “Last Bull” they had called him, as he answered their gaze with little, sullen, melancholy eyes from under his ponderous and shaggy front. “Last Bull”—and the passing of his race was in the name. Here, in his fenced, protected range, with a space of grassy meadow, half a dozen clumps of sheltering trees, two hundred yards of the run of a clear, unfailing brook, and a warm shed for refuge against the winter storms, the giant buffalo ruled his little herd of three tawny cows, two yearlings, and one blundering, butting calf of the season. He was a magnificent specimen of his race—surpassing, it was said, the finest bull in the Yellowstone preserves or in the guarded Canadian herd of the North. Little short of twelve feet in length, a good five foot ten in height at the tip of his humped and huge fore-shoulders, he seemed to justify the most extravagant tales of pioneer and huntsman. His hind-quarters were trim and fine-lined, built apparently for speed, smooth-haired, and of a grayish lion-color. But his fore-shoulders, mounting to an enormous hump, were of an elephantine massiveness, and clothed in a dense, curling, golden-brown growth of matted hair. His mighty head was carried low, almost to the level of his knees, on a neck of colossal strength, which was draped, together with the forelegs down to the knees, in a flowing brown mane tipped with black. His head, too, to the very muzzle, wore the same luxuriant and sombre drapery, out of which curved viciously the keen-tipped crescent of his horns. Dark, huge, and ominous, he looked curiously out of place in the secure and familiar tranquillity of his green pasture.
  • Kings in Exile

    Charles G. D. Roberts

    eBook (, Feb. 11, 2015)
    The white, scarred face of the mountain looked straight east, over a vast basin of tumbled, lesser hills, dim black forests, and steel-blue loops of a far-winding water. Here and there long, level strata of pallid mist seemed to support themselves on the tree-tops, their edges fading off into the startling transparency that comes upon the air with the first of dawn. But that was in the lower world. Up on the solitary summit of White Face the daybreak had arrived. The jagged crest of the peak shot sudden radiances of flame-crimson, then bathed itself in a flow of rose-pinks and thin, indescribable reds and pulsating golds. Swiftly, as the far horizon leapt into blaze, the aërial flood spread down the mountain-face, revealing and transforming. It reached the mouth of a cave on a narrow ledge. As the splendor poured into the dark opening, a tawny shape, long and lithe and sinewy, came padding forth, noiseless as itself, as if to meet and challenge it.Half emerging from the entrance upon the high rock-platform which formed its threshold, the puma halted, head uplifted and forepaws planted squarely to the front. With wide, palely bright eyes she stared out across the tremendous and mysterious landscape. As the colored glory rushed down the mountain, rolling back the blue-gray transparency of shadow, those inscrutable eyes swept every suddenly revealed glade, knoll, and waterside where deer or elk might by chance be pasturing.