Other editions of book Ghost Stories of an Antiquary Illustrated

If anyone is curious about my local settings, let it be recorded that St. Bertrand de Comminges and Viborg are real places: that in 'Oh, Whistle, and I'll Come to You' I had Felixstowe in mind. As for the fragments of ostensible erudition which are scattered about my pages, hardly anything in them is not pure invention; there never was, naturally, any such book as that which I quote in 'The Treasure of Abbot Thomas'. 'Canon Alberic's Scrap-book' was written in 1894 and printed soon after in the National Review, 'Lost Hearts' appeared in the Pall Mall Magazine; of the next five stories, most of which were read to friends at Christmas-time at King's College, Cambridge, I only recollect that I wrote 'Number 13' in 1899, while 'The Treasure of Abbot Thomas' was composed in the summer of 1904.

The powerful sense of evil--darkness, creepy hairy presences, cloaks, hoods, talons, and tentacles--pervades these classic ghost stories by M. R. James. A Cambridge scholar himself, James explored what happens when academics dabble in things they don't understand and unleash forces of which they know nothing. The titles in Ghost Stories of an Antiquary range from witchcraft to the occult, and tap into our primal fear of things that go bump in the night. They are recognized as the best of their genre.

How is this book unique? Illustrations includedOriginal & Unabridged EditionOne of the best books to readClassic historical fiction booksExtremely well formattedGhost Stories of an Antiquary is the title of Montague Rhodes James first collection of ghost stories. Montague Rhodes James (1862–1936) was a paleographer and medievalist scholar; Provost of King's College, Cambridge. He wrote many of his ghost stories to be read aloud in the long tradition of spooky Christmas Eve tales. By contrast to the gothic tales of predecessors, James's stories often use rural settings, with a quiet, scholarly protagonist getting caught up in the activities of supernatural forces. The details of horror are almost never explicit, the stories relying on a gentle, bucolic background to emphasise the awfulness of the otherworldly intrusions. His tales can thus be said to have derived the subgenre of the antiquarian ghost story. Plot Summary: Two men in a smoking-room were talking of their private-school days. At our school, one said, we had a ghost's footmark on the staircase. What was it like? Oh very unconvincing. Just the shape of a shoe with a square toe if I remember right.

If anyone is curious about my local settings, let it be recorded that St Bertrand de Comminges and Viborg are real places: that in 'Oh, Whistle, and I'll Come to You' I had Felixstowe in mind. As for the fragments of ostensible erudition which are scattered about my pages, hardly anything in them is not pure invention; there never was, naturally, any such book as that which I quote in 'The Treasure of Abbot Thomas'. 'Canon Alberic's Scrap-book' was written in 1894 and printed soon after in the National Review, 'Lost Hearts' appeared in the Pall Mall Magazine; of the next five stories, most of which were read to friends at Christmas-time at King's College, Cambridge, I only recollect that I wrote 'Number 13' in 1899, while 'The Treasure of Abbot Thomas' was composed in the summer of 1904.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ghost Stories of an Antiquary is the title of M. R. James' first collection of ghost stories, published in 1904 (some had previously appeared in magazines). Some later editions under this title contain both the original collection and its successor, More Ghost Stories (1911), combined in one volume.Montague Rhodes James (1862–1936) was a medieval scholar; Provost of King's College, Cambridge. He wrote many of his ghost stories to be read aloud in the long tradition of spooky Christmas Eve tales. His stories often use rural settings, with a quiet, scholarly protagonist getting caught up in the activities of supernatural forces. The details of horror are almost never explicit, the stories relying on a gentle, bucolic background to emphasise the awfulness of the otherworldly intrusions.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)Formatted for e-readerIllustratedAbout Ghost Stories of an Antiquary by Montague Rhodes JamesGhost Stories of an Antiquary is the title of Montague Rhodes James first collection of ghost stories. Montague Rhodes James (1862–1936) was a paleographer and medievalist scholar; Provost of King's College, Cambridge. He wrote many of his ghost stories to be read aloud in the long tradition of spooky Christmas Eve tales. By contrast to the gothic tales of predecessors, James's stories often use rural settings, with a quiet, scholarly protagonist getting caught up in the activities of supernatural forces. The details of horror are almost never explicit, the stories relying on a gentle, bucolic background to emphasise the awfulness of the otherworldly intrusions. His tales can thus be said to have derived the subgenre of the antiquarian ghost story.Plot Summary: Two men in a smoking-room were talking of their private-school days. At our school, one said, we had a ghost's footmark on the staircase. What was it like? Oh very unconvincing. Just the shape of a shoe with a square toe if I remember right.