Other editions of book The Brothers Karamazov

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky, and is generally considered the culmination of his life's work. Dostoevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger and completed in November 1880. Dostoevsky intended it to be the first part in an epic story titled The Life of a Great Sinner, but he died less than four months after its publication.The book portrays a parricide in which each of the murdered man's sons share a varying degree of complicity. On a deeper level, it is a spiritual drama of moral struggles concerning faith, doubt, reason, free will and modern Russia. Dostoevsky composed much of the novel in Staraya Russa, which is also the main setting of the novel.

Although it was written in the 19th century, The Brothers Karamazov displays a number of modern elements. Dostoyevsky composed the book with a variety of literary techniques, which led many of his critics to characterize his work as "slipshod". Though privy to many of the thoughts and feelings of the protagonists, the narrator is a self-proclaimed writer; he discusses his own mannerisms and personal perceptions so often in the novel that he becomes a character. Through his descriptions, the narrator's voice merges imperceptibly into the tone of the people he is describing, often extending into the characters' most personal thoughts. There is no voice of authority in the story. In addition to the principal narrator there are several sections narrated by other characters entirely, such as the story of the Grand Inquisitor and Zosima's confessions. This technique enhances the theme of truth.

Dostoevsky's last and greatest novel, The Brothers Karamazov (1880), is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism.

Alexey Fyodorovitch Karamazov was the third son of Fyodor Pavlovitch Karamazov, a land owner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic death, which happened thirteen years ago, and which I shall describe in its proper place. For the present I will only say that this “landowner”—for so we used to call him, although he hardly spent a day of his life on his own estate—was a strange type, yet one pretty frequently to be met with, a type abject and vicious and at the same time senseless. But he was one of those senseless persons who are very well capable of looking after their worldly affairs, and, apparently, after nothing else. Fyodor Pavlovitch, for instance, began with next to nothing; his estate was of the smallest; he ran to dine at other men's tables, and fastened on them as a toady, yet at his death it appeared that he had a hundred thousand roubles in hard cash.

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