Other editions of book The Lady With the Dog and Other Stories

IT was said that a new person had appeared on the sea-front: a lady with a little dog. Dmitri Dmitritch Gurov, who had by then been a fortnight at Yalta, and so was fairly at home there, had begun to take an interest in new arrivals. Sitting in Verney's pavilion, he saw, walking on the sea-front, a fair-haired young lady of medium height, wearing a béret; a white Pomeranian dog was running behind her. And afterwards he met her in the public gardens and in the square several times a day. She was walking alone, always wearing the same béret, and always with the same white dog; no one knew who she was, and every one called her simply "the lady with the dog." "If she is here alone without a husband or friends, it wouldn't be amiss to make her acquaintance," Gurov reflected.

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Anton Chekhov (1860-1904) may have suffered an untimely death, but he squeezed the most out of his 44 years of life. Chekhov was a Russian physician, dramatist and author who is considered to be one of the greatest writers in history, particularly in the genre of short stories. Chekhov’s major innovation near the end of the 19th century was in what became known as “stream-of-consciousness” writing, in which he eschewed common traditional story structure and simply wrote as though he was thinking aloud. Renowned writers like James Joyce and William Faulkner would eventually run with this theme, producing classics in the same vein. Chekhov was one of Russia’s most famous and popular writers in his time, producing well-received works like The Lady with the Dog and The Bishop.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Anton Pavlovich Chekhov (1860-1904) was a Russian short story writer and a playwright. His playwriting career produced four classics, while his best short stories are held in high esteem by writers and critics. Chekhov practiced as a doctor throughout most of his literary career: "Medicine is my lawful wife, " he once said, "and literature is my mistress". Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov's last two plays, Three Sisters and The Cherry Orchard. These four works present a special challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". His originality consists in an early use of the stream-of-consciousness technique combined with a disavowal of the moral finality of traditional story structure.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Formatted for e-reader Illustrated About The Lady with the Dog and Other Stories by Anton Chekhov The Lady with the Dog and Other Stories is a story by Anton Chekhov first published in 1899. It tells the story of an adulterous affair between a Russian banker and a young lady he meets while vacationing in Yalta. The story comprises four parts: part I describes the initial meeting in Yalta, part II the consummation of the affair and the remaining time in Yalta, part III Gurov's return to Moscow and his visit to Anna's town, and part IV Anna's visits to Moscow. One of Chekhov's most famous pieces of short fiction, Vladimir Nabokov declared that it was one of the greatest short stories ever written.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

IT was said that a new person had appeared on the sea-front: a lady with a little dog. Dmitri Dmitritch Gurov, who had by then been a fortnight at Yalta, and so was fairly at home there, had begun to take an interest in new arrivals. Sitting in Verney's pavilion, he saw, walking on the sea-front, a fair-haired young lady of medium height, wearing a beret; a white Pomeranian dog was running behind her. And afterwards he met her in the public gardens and in the square several times a day. She was walking alone, always wearing the same beret, and always with the same white dog; no one knew who she was, and every one called her simply "the lady with the dog."