Other editions of book King Henry VI, Part 3

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

This edition of Shakespeare's Henry IV, Part 1 uses a variety of approaches to Shakespeare, including historical and cultural studies approaches. Shakespeare's text is accompanied by an intriguing collection of thematically arranged historical and cultural documents and illustrations designed to give a firsthand knowledge of the contexts out of which Henry IV, Part 1 emerged. Hodgdon's intelligent and engaging introductions to the play and to the documents (most of which are presented in modern spelling and with annotations) offer a richly textured understanding of Elizabethan culture and Shakespeare's work within that culture.

This edition of Shakespeare's Henry IV, Part 1 uses a variety of approaches to Shakespeare, including historical and cultural studies approaches. Shakespeare's text is accompanied by an intriguing collection of thematically arranged historical and cultural documents and illustrations designed to give a firsthand knowledge of the contexts out of which Henry IV, Part 1 emerged. Hodgdon's intelligent and engaging introductions to the play and to the documents (most of which are presented in modern spelling and with annotations) offer a richly textured understanding of Elizabethan culture and Shakespeare's work within that culture.

The struggle for the crown takes on new dimensions as the realm of King Henry VI tears itself apart in civil war. His defeat in battle at St. Albans has placed the Duke of York on the throne. Henry and York agree that Henry rules until death but that York would then inherit the crown. Queen Margaret, unwilling to accept the disinheritance of her son, leads a counterattack by the Lancastrians. Soon a whole nation suffers under wars led by warmongering nobles driven by personal vendettas. King Henry retreats into contemplation; overcome by the senselessness of war, by fathers killing sons, sons killing fathers. Henry loses the throne again, and Edward, son of the murdered Duke of York, becomes king. But peace is illusive, as in the background his own brother Richard prepares the way for his own rise to the throne.