Other editions of book William Shakespeare - Henry VI, Part 1

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

The second play in Shakespeare's 'First Tetralogy,' this work continues the fictionalized account of King Henry VI's reign. It commences with the marriage of Henry VI with the French noblewoman Margaret of Anjou, whose influence in court is challenged by Duke Humphrey, the King's Protector. There is a large amount of aristocratic subversion in this play, in which the good Duke Humphrey is fatally ensnared. Richard, the Duke of York, emerges with a claim to the throne, which he uses to gain allies and organize a rebellion by Jack Cade. All of this contributes to the War of the Roses, which has already deeply factionalized the English nobility, and ultimately leads to the Battle of St. Albans. Full of characters who challenge basic concepts of conscience and the fragile relationship of law and fairness, "Henry VI, Part II" is a substantial Shakespearian work in the midst of an epic cycle of the Bard's plays.

Henry VI: Part One is a dramatic tale of the lives of soldiers, diplomats, kings, and insurrectionists. It depicts the fractious instability of the court and nobility of fifteenth-century England, and their squabbles with their French counterparts.Despite its debut performance in 1592, however, Henry VI: Part One does not appear in printed form until some thirty years later, in the 1623 folio. There are many questions, therefore, surrounding exactly how many people wrote the play, when they did so, how it was performed, who played what part, and the nature of the manuscript behind the first performance. In his wide-ranging introduction, Michael Taylor offers answers to these questions, and discusses other key issues such as language, structure, performance history, and the role of women in the play. Taylor edits the play for students, scholars, and theater-goers with an informative commentary on all aspects of the language, action, characters, and staging.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Second Part of King Henry the Sixth, or Henry VI, Part 2, is a history play by William Shakespeare believed written in approximately 1590-91. It is the second part of the trilogy on Henry VI, and often grouped together with Richard III as a tetralogy on The Wars of the Roses—the success of which established Shakespeare's reputation as a playwright.