Other editions of book CAESAR AND CLEOPATRA: ANNOTATED

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Caesar and Cleopatra is a play of vivid pictures and superb effects: in the desert at night an old Roman general speaks to a small Sphinx, oblivious to the child-woman asleep between its paws; the child-woman Cleopatra chooses the old general as her protector, against Caesar “who eats children,” not realizing, until the Romans troops begin shouting “Hail Caesar” that her old general and Caesar are one in the same; Caesar arming himself for battle while the Library of Alexandria is burning in the background; Cleopatra in a carpet, unrolled and revealed to a surprisingly indifferent Caesar; Caesar and Cleopatra swimming to safety; a female assassin, with her throat cut, crumpled before an altar, is disclosed when a curtain is pulled back; amid the splendor of Caesar’s farewell procession, Cleopatra and her women appear, dressed in black.

Exclusive to Penguin Classics: the definitive text of one of Shakespeare’s most affecting plays—part of the official Bernard Shaw LibraryA Penguin ClassicIn a cheeky nod to Shakespeare’s towering reputation, Shaw reinvents two of his historical characters but sets his own play in a period predating both Julius Caesar and Antony and Cleopatra. Shaw’s Cleopatra is a kittenish girl with a streak of cruelty, while his Caesar is a world-weary philosopher-soldier who is as much a stranger in Rome as in the barbaric court of Egypt. With wit, irony, and an undertone of melancholy, Caesar and Cleopatra satirizes Shakespeare’s use of history and comments wryly on the politics of Shaw’s own time. This is the definitive text prepared under the editorial supervision of Dan H. Laurence. The volume includes Shaw’s preface of 1900.

Collectors edition! Highly Recommended! I can't resist any chance I can get to peek into the mind of a genius, and Shaw was a true genius. This story was delightful and brilliant. This was great. Instead of a love affair, we get a high-stakes game of chess with Cleopatra making calculated moves to secure the throne of Egypt, but her opponent, Caesar, excels at the game as well. Shrewd takes on Wise in this excellent battle of wits, giving us a refreshingly original story that portrays Cleopatra as a crafty politician seeking power rather than a romantic siren interested in an affair of the heart. This story was smart and funny. I loved it and wanted more when it was over. I'll have to buy another one of his books. I just love his style.