Other editions of book Cease firing

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1912]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 481. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Mary Johnston (November 21, 1870 – May 9, 1936)[1] was an American novelist and women's rights advocate from Virginia. She was one of America's best selling authors during her writing career and had three silent films adapted from her novels. Johnston wrote historical books and novels that often combined romance with history. Her first book, Prisoners of Hope (1898), dealt with colonial times in Virginia as did her second novel, To Have and to Hold (1900), and later, Sir Mortimer (1904). The Goddess of Reason (1907) uses the theme of the French Revolution, and in Lewis Rand (1908) the author portrayed political life at the dawn of the 19th century.

The river ran several thousand miles, from a land of snow and fir trees and brief summers to a land of long, long summers, cane and orange. The river was wide. It dealt in loops and a tortuous course, and for the most part it was yellow and turbid and strong of current. There were sandbars in the river, there were jewelled islands; there were parallel swamps, lakes, and bayous. From the border of these, and out of the water, rose tall trees, starred over, in their season, with satiny cups or disks, flowers of their own or vast flowering vines, networks of languid bloom. The Spanish moss, too, swayed from the trees, and about their knees shivered the canebrakes. Of a remarkable personality throughout, in its last thousand miles the river grew unique. Now it ran between bluffs of coloured clay, and now it flowed above the level of the surrounding country. You did not go down to the river: you went up to the river, the river caged like a tiger behind the levees. Time of flood was the tiger’s time. Down went the levee—widened in an instant the ragged crevasse—out came the beast!— December, along the stretch of the Mississippi under consideration, was of a weather nearly like a Virginian late autumn. In the river towns and in the plantation gardens roses yet bloomed. In the fields the cotton should have been gathered, carried—all the silver stuff—in wagons, or in baskets on the heads of negroes, to the gin-houses. This December it was not so. It was the December of 1862. Life, as it used to be, had disintegrated. Life, as it was, left the fields untended and the harvest ungathered. Why pick cotton when there was nowhere to send it? The fields stayed white. The stately, leisurely steamers, the swan-like white packets, were gone from the river; gone were the barges, the flatboats and freight boats; gone were the ferries. No more at night did there come looming—from up the stream, from down the stream—the giant shapes, friendly, myriad-lighted. No more did swung torches reveal the long wharves, while the deep whistle blew, and the smokestack sent out sparks, and the negro roustabouts sang as they made her fast. No more did the planter come aboard, and the planter’s daughter; no more was there music of stringed instruments, nor the aroma of the fine cigar, nor sweet drawling voices. The planter was at the front; and the planter’s daughter had too much upon her hands to leave the plantation, even if there had been a place to go to. As it happened there was none.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.