Other editions of book The Orange Fairy Book

The Orange Fairy Book includes 33 tales from Jutland, Rhodesia, Uganda, and various other European traditions.Contents:The Story of the Hero MakómaThe Magic MirrorStory of the King Who Would See ParadiseHow Isuro the Rabbit Tricked GuduIan, the Soldier's SonThe Fox and the WolfHow Ian Direach Got the Blue FalconThe Ugly DucklingThe Two CasketsThe Goldsmith's FortuneThe Enchanted WreathThe Foolish WeaverThe Clever CatThe Story of ManusPinkel the ThiefThe Adventures of a JackalThe Adventures of the Jackal's Eldest SonThe Adventures of the Younger Son of the JackalThe Three Treasures of the GiantsThe Rover of the PlainThe White DoeThe Girl-FishThe Owl and the EagleThe Frog and the Lion FairyThe Adventures of Covan the Brown-HairedThe Princess Bella-FlorThe Bird of TruthThe Mink and the WolfAdventures of an Indian BraveHow the Stalos Were TrickedAndras BaiveThe White SlipperThe Magic Book

The Orange Fairy Book includes 33 tales from Jutland, Rhodesia, Uganda, and various other European traditions.Contents:The Story of the Hero MakómaThe Magic MirrorStory of the King Who Would See ParadiseHow Isuro the Rabbit Tricked GuduIan, the Soldier's SonThe Fox and the WolfHow Ian Direach Got the Blue FalconThe Ugly DucklingThe Two CasketsThe Goldsmith's FortuneThe Enchanted WreathThe Foolish WeaverThe Clever CatThe Story of ManusPinkel the ThiefThe Adventures of a JackalThe Adventures of the Jackal's Eldest SonThe Adventures of the Younger Son of the JackalThe Three Treasures of the GiantsThe Rover of the PlainThe White DoeThe Girl-FishThe Owl and the EagleThe Frog and the Lion FairyThe Adventures of Covan the Brown-HairedThe Princess Bella-FlorThe Bird of TruthThe Mink and the WolfAdventures of an Indian BraveHow the Stalos Were TrickedAndras BaiveThe White SlipperThe Magic Book

A collection of children’s fairy tales—including “The Ugly Duckling” by Hans Christian Andersen—that captures storytelling traditions from all over the world. Andrew Lang’s Fairy Books of Many Colors would not be complete without this entry, which includes fairy tales from Rhodesia, Uganda, Finland, Scotland, Scandinavia, France, Spain, and from the folklore of the Punjabis, Jutlanders, and Native Americans. As with the other volumes in this series, The Orange Fairy Book contains the best English translations of the stories within and is rich and wide-ranging in scope. Along with the classic “The Ugly Duckling” by Hans Christian Andersen and Madam d’Aulnoy’s “The White Doe,” this collection features stories such as “The Fox and the Wolf,” “The Two Caskets,” “The Three Treasures of the Giants,” “The Girl-Fish,” “The Clever Cat,” “Adventures of an Indian Brave,” and others. “The old favorite series on which most of us were brought up—and our parents before us . . . Andrew Lang and his associates managed to break the stranglehold of the pious sentimentality handed out to children by collecting—from all over the world—fairy tales of all people, and bringing out the volumes we all know and love.” —Kirkus Reviews

The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.

The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.

The Langs' Fairy Books are a series of 25 collections of true and fictional stories for children published between 1889 and 1913 by Andrew Lang and his wife, Leonora Blanche Alleyne. The best known books of the series are the 12 collections of fairy tales also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book.

The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.

The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.

The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.

The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.

The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.