The Argosy, Vol. 22: July to December, 1876
Mrs. Henry Wood
Paperback
(Forgotten Books, Jan. 24, 2019)
Excerpt from The Argosy, Vol. 22: July to December, 1876The music and the wax-lights, the flowers and the evergreens rendered the rooms at Sir Philip Stane's a scene of enchantment. At least it seemed so to Alice Raynor as she entered upon it. Something that you might read about in fairyland, but scarcely see in this prosaic life. William Stane stood near the door, and caught her hand as she and Charles were following their father and mother.The first dance is for me, remember, Alice, he whispered. And her pretty cheeks flushed and a half conscious smile of assent parted her lips, as she passed on to Lady Stane.Lady Stane, a stout and kindly woman in emerald green, received her kindly. She suspected that this young lady might become her daughter-in-law some day or another, and she looked at her more critically than She had ever looked before. Alice could bear the inspection to-night: her new white dress was beautiful; her face was charming, her manner was modest and graceful. The most lady like girl in the room, mentally decided Lady Stane, and no doubt will have a fair purse of money. William might do worse.William Stane thought he might do very much worse. T here's no doubt he was truly attached to Alice. Not perhaps in the wild and ardent manner which some lovers own to all natures are not capable of that: but he did love her, and hoped that when he married it was she who would be his wife. He was not ready to marry yet. He was progressing in his profession, but with the proverbial slowness that is said to attend the advancement of barristers; and he did not mean to speak just at present. Meanwhile he was quite content to make love tacitly; and he felt sure that his intentions were understood.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.