Other editions of book The Mirror of the Sea

The Mirror of the Sea is a classic sea adventure story by John Muir that concerns the seafaring life and contains the following chapters: I. Landfalls and Departures IV. Emblems of Hope VII. The Fine Art X. Cobwebs and Gossamer XIII. The Weight of the Burden XVI. Overdue and Missing XX. The Grip of the Land XXII. The Character of the Foe XXV. Rules of East and West XXX. The Faithful River XXXIII. In Captivity XXXV. Initiation XXXVII. The Nursery of the Craft XL. The Tremolino XLVI. The Heroic Age

Less perhaps than any other book written by me, or anybody else, does this volume require a preface. Yet since all the others including even the "Personal Record," which is but a fragment of biography, are to have their Author's Notes I cannot possibly leave this one without, lest a false impression of indifference or weariness should be created. I can see only too well that it is not going to be an easy task. Necessity—the mother of invention—being even unthinkable in this case, I do not know what to invent in the way of discourse; and necessity being also the greatest possible incentive to exertion I don't even know how to begin to exert myself. Here, too, the natural inclination comes in. I have been all my life averse from exertion. Under these discouraging circumstances I am, however, bound to proceed from a sense of duty. This Note is a thing promised. In less than a mlnute's time, by a few incautious words I entered into a bond which has lain on my heart heavily ever since. For, this book is a very intimate revelation; and what that is revealing can a few more pages add to some three hundred others of most sincere diselosures? I have attempted here to lay bare with the unreserve of a last hour's confession the terms of my relation with the sea, which beginning mysteriously, like any great passion the inscrutable Gods send to mortals, went on unreasoning and invincible, surviving the test of disillusion, defying the disenchantment that lurks in every day of a strenuous life; went on full of love's delight and love's anguish, facing them in open-eyed exultation, without bitterness and without repining, from the first hour to the last. Subjugated but never unmanned I surrendered my being to that passion which, various and great like life itself, had also its periods of wonderful serenity which even a fickle mistress can give sometimes on her soothed breast, full of wiles, full of fury, and yet capable of an enchanting sweetness. And if anybody suggests that this must be the lyric illusion of an old, romantic heart, I can answer that for twenty years I had lived like a hermit with my passion! Beyond the line of the sea horizon the world for me did not exist as assuredly as it does not exist for the mystics who take refuge on the tops of high mountains. I am speaking now of that innermost life, containing the best and the worst that can happen to us in the temperamental depths of our being, where a man indeed must live alone but need not give up all hope of holding converse with his kind.

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Landfall and Departure mark the rhythmical swing of a seaman's life and of a ship's career. From land to land is the most concise definition of a ship's earthly fate. A “Departure” is not what a vain people of landsmen may think. The term “Landfall” is more easily understood; you fall in with the land, and it is a matter of a quick eye and of a clear atmosphere. The Departure is not the ship's going away from her port any more than the Landfall can be looked upon as the synonym of arrival. But there is this difference in the Departure: that the term does not imply so much a sea event as a definite act entailing a process-the precise observation of certain landmarks by means of the compass card.

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Excerpt from The Mirror of the Sea A Departure is not What a vain people of landsmen may. Think. The term Land fall is more easily understood; you fall in with the land, and it is a matter of a quick eye and of a clear atmosphere. The De parture is not the ship's going away from her port any more than the Landfall can be looked upon as the synonyme of arrival. But there is this difference in the Departure: that the term does not imply so much a sea event as a definite act entailing a process the precise observation of certain landmarks by means of the compass-card. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

First published in 1906, The Mirror of the Sea was the first of Joseph Conrad's two autobiographical memoirs. Discussing it, he called the book "a very intimate revelation. . . . I have attempted here to lay bare with the unreserve of a last hour's confession the terms of my relation with the sea, which beginning mysteriously, like any great passion the inscrutable Gods send to mortals, went on unreasoning and invincible, surviving the test of disillusion, defying the disenchantment that lurks in every day of a strenuous life; went on full of love's delight and love's anguish, facing them in open-eyed exultation without bitterness and without repining, from the first hour to the last."

Memories and Impressions "To deal with men is as fine an art as it is to deal with ships. Both men and ships live in an unstable element, are subject to subtle and powerful influences, and want to have their merits understood rather than their faults found out [...] After all, the art of handling ships is finer, perhaps, than the art of handling men." -Joseph Conrad "For MIRROR OF THE SEA we would make bold to predict a very long life. We see it being discovered and re-discovered as the years roll on." (The Times, London) The Mirror of the Sea is a collection of autobiographical essays first published in various magazines Conrad early in his life earned his bread as a Master Mariner in sailing ships. In his Author’s Note to this work, Conrad states ”Beyond the line of the sea horizon the world for me did not exist….Within these pages I make a full confession not of my sins but of my emotions. It is the best tribute my piety can offer to the ultimate shapers of my character, convictions, and, in a sense, destiny—to the imperishable sea, to the ships that are no more, and to the simple men who have had their day.”

The Mirror of the Sea, published in 1906, is an autobiography written by Joseph Conrad. The book provides an excellent in-depth look at Conrad's experiences as a mate on a steamer. Joseph Conrad was a Polish-British writer who is considered to be one of the greatest authors in English literature. Conrad's books contain much of the elements seen in 19th-century realism but his modernistic writing also influenced many great authors that followed including Faulkner, Hemingway, and Orwell. Conrad wrote classics in many different genres and many of his works were based off his experiences at sea as a British merchant marine.

First published in 1906, The Mirror of the Sea was the first of Joseph Conrad's two autobiographical memoirs. Discussing it, he called the book "a very intimate revelation. . . . I have attempted here to lay bare with the unreserve of a last hour's confession the terms of my relation with the sea, which beginning mysteriously, like any great passion the inscrutable Gods send to mortals, went on unreasoning and invincible, surviving the test of disillusion, defying the disenchantment that lurks in every day of a strenuous life; went on full of love's delight and love's anguish, facing them in open-eyed exultation without bitterness and without repining, from the first hour to the last."