Other editions of book Rupert Of Hentzau

The story is set within a framing narrative told by a supporting character from The Prisoner of Zenda. The frame implies that the events related in both books took place in the late 1870s and early 1880s. This story commences three years after the conclusion of Zenda, and deals with the same fictional country somewhere in Germanic Middle Europe, the kingdom of Ruritania. Most of the same characters recur: Rudolf Elphberg, the dissolute absolute monarch of Ruritania; Rudolf Rassendyll, the English gentleman who had acted as his political decoy, being his distant cousin and look alike; Flavia, the princess, now queen; Rupert of Hentzau, the dashing well-born villain; Fritz von Tarlenheim, the loyal courtier. Queen Flavia, dutifully but unhappily married to her cousin Rudolf V, writes to her true love Rudolf Rassendyll. The letter is carried by von Tarlenheim to be delivered by hand, but it is stolen by the exiled Rupert of Hentzau, who sees in it a chance to return to favour by informing the pathologically jealous and paranoid King. Rassendyll returns to Ruritania to aid the Queen, but is once more forced to impersonate the King after Rupert shoots Rudolf V. After an epic duel, Rassendyll kills Rupert, but is assassinated in the hour of triumph by one of Rupert's henchmen—and thus is spared the crisis of conscience over whether or not to continue the royal deception for years. He is buried as the King in a state funeral, and Flavia reigns on alone, the last of the Elphberg dynasty.

A man who has lived in the world, marking how every act, although in itself perhaps light and insignificant, may become the source of consequences that spread far and wide, and flow for years or centuries, could scarcely feel secure in reckoning that with the death of the Duke of Strelsau and the restoration of King Rudolf to liberty and his throne, there would end, for good and all, the troubles born of Black Michael's daring conspiracy. The stakes had been high, the struggle keen; the edge of passion had been sharpened, and the seeds of enmity sown. Yet Michael, having struck for the crown, had paid for the blow with his life: should there not then be an end? Michael was dead, the Princess her cousin's wife, the story in safe keeping, and Mr. Rassendyll's face seen no more in Ruritania. Should there not then be an end? So said I to my friend the Constable of Zenda, as we talked by the bedside of Marshal Strakencz. The old man, already nearing the death that soon after robbed us of his aid and counsel, bowed his head in assent: in the aged and ailing the love of peace breeds hope of it. But Colonel Sapt tugged at his gray moustache, and twisted his black cigar in his mouth, saying, "You're very sanguine, friend Fritz. But is Rupert of Hentzau dead? I had not heard it."

The unabridged classic on MP3 audio, narrated by Alfred von Lecteur. Three playback speeds on one disk; etext edition included. Running time: 9.2 hours (slow), 8.4 hours (medium), 7.6 hours (fast). This "ripping good yarn" commences three years after the conclusion of The Prisoner of Zenda. It brings Rudolf Rassendyll back to Ruritania to match wits and swords with Michael's henchman, bringing a satisfying end to the queen of swashbuckling sagas.

Rupert of Hentzau is a sequel by Anthony Hope to The Prisoner of Zenda, written in 1895, but not published until 1898. Queen Flavia, dutifully but unhappily married to her cousin Rudolf V, writes to her true love Rudolf Rassendyll. The letter is carried by von Tarlenheim to be delivered by hand, but it is stolen by the exiled Rupert of Hentzau, who sees in it a chance to return to favour by informing the pathologically jealous and paranoid King.

Rupert of Hentzau is the dark sequel to The Prisoner of Zenda. Full of humor and swashbuckling feats of heroism, the tale is also a satire on the politics of 19th-century Europe. When honour is at stake, the fight is to the death. Rudolf Rassendyll, having heroically saved the kingdom of Ruritania and nobly given up the hand of the beautiful Princess Flavia, has returned to his normal life in England. But when, three years later, Flavia, now the unhappily married Queen of Ruritania, sends him a love letter, it is stolen by the exiled villain Rupert Hentzau. Rudolf’s former adversary has been waiting for the chance to have his revenge, and this provides the perfect opportunity to stir up trouble. Rudolf must return to the troubled kingdom to defeat Hentzau, where he is embroiled once more in a world of deception, intrigue, deadly swordfights and torn loyalties. with the stakes higher than ever, will he pay the ultimate price?Sir Anthony Hope Hawkins, better known as Anthony Hope, was an English novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered best for only two books: The Prisoner of Zenda and its sequel Rupert of Hentzau. These works, minor classics of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name.

A man who has lived in the world, marking how every act, although in itself perhaps light and insignificant, may become the source of consequences that spread far and wide, and flow for years or centuries, could scarcely feel secure in reckoning that with the death of the Duke of Strelsau and the restoration of King Rudolf to liberty and his throne, there would end, for good and all, the troubles born of Black Michael's daring conspiracy. The stakes had been high, the struggle keen; the edge of passion had been sharpened, and the seeds of enmity sown. Yet Michael, having struck for the crown, had paid for the blow with his life: should there not then be an end? Michael was dead, the Princess her cousin's wife, the story in safe keeping, and Mr. Rassendyll's face seen no more in Ruritania. Should there not then be an end? So said I to my friend the Constable of Zenda, as we talked by the bedside of Marshal Strakencz.