Other editions of book The Little Lady of the Big House

From the first the voyage was going wrong. Routed out of my hotel on a bitter March morning, I had crossed Baltimore and reached the pier-end precisely on time. At nine o'clock the tug was to have taken me down the bay and put me on board the Elsinore, and with growing irritation I sat frozen inside my taxicab and waited. On the seat, outside, the driver and Wada sat hunched in a temperature perhaps half a degree colder than mine. And there was no tug. Possum, the fox-terrier puppy Galbraith had so inconsi-derately foisted upon me, whimpered and shivered on my lap inside my greatcoat and under the fur robe. But he would not settle down. Continually he whimpered and clawed and struggled to get out. And, once out and bitten by the cold, with equal insistence he whimpered and clawed to get back. His unceasing plaint and movement was anything but sedative to my jangled nerves. In the first place I was uninterested in the brute. He meant nothing to me. I did not know him. Time and again, as I drearily waited, I was on the verge of giving him to the driver. Once, when two little girls-evidently the wharfinger's daughters-went by, my hand reached out to the door to open it so that I might call to them and present them with the puling little wretch.

He awoke in the dark. His awakening was simple, easy, without movement save for the eyes that opened and made him aware of darkness. Unlike most, who must feel and grope and listen to, and contact with, the world about them, he knew himself on the moment of awakening, instantly identifying himself in time and place and personality. After the lapsed hours of sleep he took up, without effort, the interrupted tale of his days. He knew himself to be Dick Forrest, the master of broad acres, who had fallen asleep hours before after drowsily putting a match between the pages of “Road Town” and pressing off the electric reading lamp.

Near at hand there was the ripple and gurgle of some sleepy fountain. From far off, so faint and far that only a keen ear could catch, he heard a sound that made him smile with pleasure. He knew it for the distant, throaty bawl of King Polo -- King Polo, his champion Short Horn bull, thrice Grand Champion also of all bulls at Sacramento at the California State Fairs. The smile was slow in easing from Dick Forrest's face, for he dwelt a moment on the new triumphs he had destined that year for King Polo on the Eastern livestock circuits. He would show them that a bull, California born and finished, could compete with the cream of bulls corn-fed in Iowa or imported overseas from the immemorial home of Short Horns.

Near at hand there was the ripple and gurgle of some sleepy fountain. From far off, so faint and far that only a keen ear could catch, he heard a sound that made him smile with pleasure. He knew it for the distant, throaty bawl of King Polo -- King Polo, his champion Short Horn bull, thrice Grand Champion also of all bulls at Sacramento at the California State Fairs. The smile was slow in easing from Dick Forrest's face, for he dwelt a moment on the new triumphs he had destined that year for King Polo on the Eastern livestock circuits. He would show them that a bull, California born and finished, could compete with the cream of bulls corn-fed in Iowa or imported overseas from the immemorial home of Short Horns.

This is the story of a love triangle between Dick Forrest, a wealthy landowner and a great businessman, his wife Paola and friend Graham, who came to visit them, so to speak. A lot of people gather at Forrest Estate. Among them are vagabond philosophers who live in the land of Dick, artists, musicians, etc. And among the constant dinners, entertainment, etc., fateful events take place.

"The Little Lady of the Big House" features a love triangle between a rancher, Dick Forrest, his wife, Paula, and her lover, Evan Graham. All characters can be traced back to London and his friends and family. London called the novel "all sex from start to finish--in which no sexual adventure is actually achieved or comes within a million miles of being achieved, and in which, nevertheless, is all the guts of sex.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

*This book is Annotated (It contains a biography of the Author).* The Little Lady of the Big House (1915) is a novel by American writer Jack London. Biographer Clarice Stasz states that it is "not autobiography," but speaks of his "frank borrowing from his life with Charmian" and says it is "psychologically valid as a mirror of events during [the] winter [of 1912–13]. The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his "acorn song" recalls London's play, "The Acorn Planters."). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a "swimming tank," emerging in "a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as "the sculptor Froelig" — and painter Xavier Martinez appears as the character "Xavier Martinez!" London said of this novel: "It is all sex from start to finish — in which no sexual adventure is actually achieved or comes within a million miles of being achieved, and in which, nevertheless, is all the guts of sex, coupled with strength."

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout The Little Lady of the Big House by Jack LondonThe Little Lady of the Big House is a novel by American writer Jack London. It was his last novel to be published during his lifetime. The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his "acorn song" recalls London's play, "The Acorn Planters"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman, who falls in love with Evan Graham, an old friend of her husband's. Unable to choose between the two men, she wounds herself mortally with a rifle in what her husband is certain is a suicide... John Griffith "Jack" London (born John Griffith Chaney,January 12, 1876 – November 22, 1916)was an American novelist, journalist, and social activist. John Griffith "Jack" London (born John Griffith Chaney,January 12, 1876 – November 22, 1916)was an American novelist, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone, including science fiction. Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf. London was part of the radical literary group "The Crowd" in San Francisco and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.