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Frances Eliza Hodgson Burnett (24 November 1849 – 29 October 1924) was an English-American novelist and playwright. She is best known for the three children's novels Little Lord Fauntleroy (published in 1885–1886), A Little Princess (1905), and The Secret Garden (1911). Frances Eliza Hodgson was born in Cheetham, England. After her father died in 1852, the family fell on straitened circumstances and in 1865 immigrated to the United States, settling near Knoxville, Tennessee. There Frances began writing to help earn money for the family, publishing stories in magazines from the age of 19. In 1870, her mother died, and in 1872 Frances married Swan Burnett, who became a medical doctor. The Burnetts lived for two years in Paris, where their two sons were born, before returning to the United States to live in Washington, D.C., Burnett then began to write novels, the first of which (That Lass o' Lowrie's), was published to good reviews. Little Lord Fauntleroy was published in 1886 and made her a popular writer of children's fiction, although her romantic adult novels written in the 1890s were also popular. She wrote and helped to produce stage versions of Little Lord Fauntleroy and A Little Princess. Burnett enjoyed socializing and lived a lavish lifestyle. Beginning in the 1880s, she began to travel to England frequently and in the 1890s bought a home there where she wrote The Secret Garden. Her oldest son, Lionel, died of tuberculosis in 1890, which caused a relapse of the depression she had struggled with for much of her life. She divorced Swan Burnett in 1898, married Stephen Townsend in 1900, and divorced him in 1902. A few years later she settled in Nassau County, Long Island, where she died in 1924 and is buried in Roslyn Cemetery. In 1936 a memorial sculpture by Bessie Potter Vonnoh was erected in her honour in Central Park's Conservatory Garden. The statue depicts her two famous Secret Garden characters, Mary and Dickon. Childhood in Manchester Frances Eliza Hodgson was born in 1849 at 141 York Street in the Cheetham Hill township of the Borough of Manchester, England. She was the third of five children of Edwin Hodgson, an ironmonger from Doncaster in Yorkshire, and his wife Eliza Boond, from a well-to-do Manchester family. Hodgson owned a business in Deansgate, selling quality ironmongery and brass goods. The family lived comfortably, employing a maid and a nurse-maid.Frances was the middle of the five Hodgson children, with two older brothers and two younger sisters. In 1852 the family moved to a more spacious home with greater access to outdoor space.Barely a year later, with his wife pregnant for a fifth time, Hodgson died of a stroke, leaving the family without income. Frances was cared for by her grandmother while her mother took over running the family business. From her grandmother, who bought her books, Frances learned to love reading, in particular her first book The Flower Book which had coloured illustrations and poems. Because of their reduced income, Eliza had to give up their house and moved with her children to Seedley Grove, near Pendleton; there they lived with relatives in a home that included a large enclosed garden, in which Frances enjoyed playing. For a year Frances went to a small school run by two women, where she first saw a book about fairies. When her mother moved the family to Salford, Frances mourned the lack of flowers and gardens. Their home was located in Islington Square, adjacent to an area with severe overcrowding and poverty, that "defied description", as described by Friedrich Engels who lived in Manchester at the time.

Olivia Ferrol leaned back in her chair, her hands folded upon her lap. People passed and repassed her as they promenaded the long "gallery," as it was called; they passed in couples, in trios; they talked with unnecessary loudness, they laughed at their own and each other's jokes; they flirted, they sentimentalized, they criticised each other, but none of them showed any special interest in Olivia Ferrol, nor did Miss Ferrol, on her part, show much interest in them.

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Excerpt from LouisianaOlivia ferrol leaned back in her chair, her hands folded upon her lap. People passed and repassed her as they promenaded the long gal lery, as it was called; they passed in couples, in trios they talked with unnecessary loudness, they laughed at their own and each other's jokes; they flirted, they sentimentalized, they criticised each other, but none of them showed any special interest in Olivia Ferrol, nor did Miss Ferrol, on her part, Show much interest in them.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Olivia Ferrol leaned back in her chair, hef hands folded upon her lap. People passed and repassed her as they promenaded the long gallery, as it was called; they passed in couples, in trios ;they talked with unnecessary loudness, they laughed at their own and each others jokes; they flirted, they sentimentalized, they criticised each other, but none of them showed any special interest in Olivia Ferrol, nor did Miss Ferrol, on her part, show much interest in them. She had been at Oakvale Springs for two weeks. She was alone, out of her element, and knew nobody. The fact that she was a New Yorker, and had never before been so far South, was rather against her. On her arrival she had been glanced over and commented upon with candor.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.