Other editions of book Love And Life: An Old Story in Eighteenth Century Costume

If times differ, human nature and national character vary but little; and thus, in looking back on former times, we are by turns startled by what is curiously like, and curiously unlike, our own sayings and doings. The feelings of a retired officer of the nineteenth century expecting the return of his daughters from the first gaiety of the youngest darling, are probably not dissimilar to those of Major Delavie, in the earlier half of the seventeen hundreds, as he sat in the deep bay window of his bed-room; though he wore a green velvet nightcap; and his whole provision of mental food consisted of half a dozen worn numbers of the Tatler, and a Gazette a fortnight old. The chair on which he sat was elbowed, and made easy with cushions and pillows, but that on which his lame foot rested was stiff and angular. The cushion was exquisitely worked in chain-stich, as were the quilt and curtains of the great four-post bed, and the only carpeting consisted of three or four narrow strips of wool-work. The walls were plain plaster, white-washed, and wholly undecorated, except that the mantelpiece was carved with the hideous caryatides of the early Stewart days, and over it were suspended a long cavalry sabre, and the accompanying spurs and pistols; above them the miniature of an exquisitely lovely woman, with a white rose in her hair and a white favour on her breast.

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Excerpt from Love and Life: An Old Story in Eighteenth Century CostumeChristians gave a higher meaning to the fable, and saw in it the Soul, or the Church, to whom her Bridegroom has been for a while made known.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The first edition of this tale was put forth without explaining the old fable on which it was founded—a fable recurring again and again in fairy myths, though not traceable in the classic world till a very late period, when it appeared among the tales of Apuleius, of the province of Africa, sometimes called the earliest novelist. There are, however, fragments of the same story in the popular tales of all countries, so that it is probable that Apuleius availed himself of an early form of one of these. They are to be found from India to Scandinavia, adapted to the manners and fancy of every country in turn, Beauty and the Beast and the Black Bull of Norroway are the most familiar forms of the tale, and it seemed to me one of those legends of such universal property that it was quite fair to put it into 18th century English costume.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

If times differ, human nature and national character vary but little; and thus, in looking back on former times, we are by turns startled by what is curiously like, and curiously unlike, our own sayings and doings. The feelings of a retired officer of the nineteenth century expecting the return of his daughters from the first gaiety of the youngest darling, are probably not dissimilar to those of Major Delavie, in the earlier half of the seventeen hundreds, as he sat in the deep bay window of his bed-room; though he wore a green velvet nightcap; and his whole provision of mental food consisted of half a dozen worn numbers of the Tatler, and a Gazette a fortnight old. The chair on which he sat was elbowed, and made easy with cushions and pillows, but that on which his lame foot rested was stiff and angular. The cushion was exquisitely worked in chain-stich, as were the quilt and curtains of the great four-post bed, and the only carpeting consisted of three or four narrow strips of wool-work. The walls were plain plaster, white-washed, and wholly undecorated, except that the mantelpiece was carved with the hideous caryatides of the early Stewart days, and over it were suspended a long cavalry sabre, and the accompanying spurs and pistols; above them the miniature of an exquisitely lovely woman, with a white rose in her hair and a white favour on her breast.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

If times differ, human nature and national character vary but little; and thus, in looking back on former times, we are by turns startled by what is curiously like, and curiously unlike, our own sayings and doings. The feelings of a retired officer of the nineteenth century expecting the return of his daughters from the first gaiety of the youngest darling, are probably not dissimilar to those of Major Delavie, in the earlier half of the seventeen hundreds, as he sat in the deep bay window of his bed-room; though he wore a green velvet nightcap; and his whole provision of mental food consisted of half a dozen worn numbers of the Tatler, and a Gazette a fortnight old. The chair on which he sat was elbowed, and made easy with cushions and pillows, but that on which his lame foot rested was stiff and angular. The cushion was exquisitely worked in chain-stich, as were the quilt and curtains of the great four-post bed, and the only carpeting consisted of three or four narrow strips of wool-work. The walls were plain plaster, white-washed, and wholly undecorated, except that the mantelpiece was carved with the hideous caryatides of the early Stewart days, and over it were suspended a long cavalry sabre, and the accompanying spurs and pistols; above them the miniature of an exquisitely lovely woman, with a white rose in her hair and a white favour on her breast.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1886]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 310. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}