Other editions of book Breakfast of Champions: Or, Goodbye Blue Monday!

Considerable wear on the cover with edge-wear and some creasing, there is a tear on the top left-hand corner. Spine is creased, slightly bowed with faded lettering. Text is clean and unmarked, with some tanning. There is a crease on the top right-hand corner from the End Sheet to page 153. PLEASE SEE THE PHOTOS THAT I POSTED ON THE PRODUCT PAGE OF THIS BOOK. First Dell Edition published by Dell Publishing, N.Y., January 1975, 294 pages in Acceptable Condition. Set in the fictional town of Midland City, it is the story of "two lonesome, skinny, fairly old white men on a planet which was dying fast." One of these men, Dwayne Hoover, is a normal-looking but deeply deranged Pontiac dealer and Burger Chef franchise owner who becomes obsessed with the writings of the other man, Kilgore Trout, taking them for literal truth. Trout, a largely unknown pulp science fiction writer who has appeared in several other Vonnegut novels, looks like a crazy old man but is in fact relatively sane. Vonnegut sprinkled the novel with some of his own simple felt-tip pen drawings, intending to illustrate various aspects of life on Earth. These drawings include renderings of an anus, an American flag, the date 1492, a vagina, little girls' underpants, guns, trucks, cows and the hamburgers that are made from them, chickens and the Kentucky Fried Chicken that is made from them, an electric chair, the letters ETC, Christmas cards, a right hand that has a severed ring finger, the chemical structure of a plastic molecule, an apple, pi, zero, and infinity, and the sunglasses the author himself wears as he enters the storyline. A very original, odd but always entertaining novel. We ship within 24 hours of your purchase with a Delivery Confirmation.

Kurt Vonnegut is a master of contemporary American literature. His black humor, satiric voice, and incomparable imagination first captured America's imagination in The Sirens of Titan in 1959 and established him as "a true artist" with Cat's Cradle in 1963. He is, as Graham Greene has declared "one of the best living American writers." Breakfast of Champions is vintage Vonnegut. One of his favorite characters, aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. The result is murderously funny satire as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.The core of the novel is Kilgore Trout, a familiar character very deliberately modeled on the science fiction writer Theodore Sturgeon (1918-1985), a fact that Vonnegut conceded frequently in interviews and that was based upon his own occasional relationship with Sturgeon. Here Kilgore Trout is an itinerant wandering from one science fiction convention to another; he intersects with the protagonist, Dwayne Hoover (one of Vonnegut's typically boosterish, lost, and stupid mid-American characters), and their intersection is the excuse for the evocation of many others, familiar and unfamiliar, dredged from Vonnegut's gallery. The central issue is concerned with intersecting and apposite views of reality, and much of the narrative is filtered through Trout, who is neither certifiably insane nor a visionary writer but can pass for either depending upon Dwayne Hoover's (and Vonnegut's) view of the situation.America, when this novel was published, was in the throes of Nixon, Watergate, and the unraveling of our intervention in Vietnam; the nation was beginning to fragment ideologically and geographically, and Vonnegut sought to cram all of this dysfunction (and a goofy, desperate kind of hope, the irrational comfort given through the genre of science fiction) into a sprawling narrative whose sense, if any, is situational, not conceptual. Reviews were polarized; the novel was celebrated for its bizarre aspects and became the basis of a Bruce Willis movie adaptation whose reviews were not nearly so polarized. (Most critics hated it.)