Other editions of book Tempest

This bewitching play, Shakespeare's final work, articulates a wealth of the playwright's mature reflections on life and contains some of his most familiar and oft-quoted lines. The story concerns Miranda, a lovely young maiden, and Prospero, her philosophical old magician father, who dwell on an enchanted island, alone except for their servants — Ariel, an invisible sprite, and Caliban, a monstrous witch's son.Into their idyllic but isolated lives comes a shipwrecked party that includes the enemies who usurped Prospero's dukedom years before, and set him and his daughter adrift on the ocean. Also among the castaways is a handsome prince, the first young man Miranda has ever seen. Comedy, romance, and reconciliation ensue, in a masterly drama that begins with a storm at sea and concludes in joyous harmony.Students, poetry lovers, and drama enthusiasts will treasure this convenient, modestly priced edition of one of Shakespeare's greatest plays and one of literature's finest comedies.

This bewitching play, Shakespeare's final work, articulates a wealth of the playwright's mature reflections on life and contains some of his most familiar and oft-quoted lines. The story concerns Miranda, a lovely young maiden, and Prospero, her philosophical old magician father, who dwell on an enchanted island, alone except for their servants -- Ariel, an invisible sprite, and Caliban, a monstrous witch's son.Into their idyllic but isolated lives comes a shipwrecked party that includes the enemies who usurped Prospero's dukedom years before, and set him and his daughter adrift on the ocean. Also among the castaways is a handsome prince, the first young man Miranda has ever seen. Comedy, romance, and reconciliation ensue, in a masterly drama that begins with a storm at sea and concludes in joyous harmony. Students, poetry lovers, and drama enthusiasts will treasure this convenient, modestly priced edition of one of Shakespeare's greatest plays and one of literature's finest comedies.

JBS Classics specializes in selling JUST BEST SELLERS (JBS).'The Tempest' by William Shakespeare Kindle Formatting details:This eBook of 'The Tempest' by William Shakespeare has been tested on below parameters across ALL devices (including Kindle, Android, iBook, Cloud Readers etc.). It works 100% perfectly as required.1) Active Table of Contents.Footnotes & Endnotes.2) Word Wise – Enabled.3) Illustrations & Tables (if any) are available with ZOOM feature on double-click.“The Tempest” by 'William Shakespeare' Book DescriptionProspero, sorcerer and rightful Duke of Milan, along with his daughter Miranda, has lived on an island for many years since his position was usurped by his brother Antonio. Then, as Antonio's ship passes near the island one day, Prospero conjures up a terrible storm...This play, combining elements of both tragedy and comedy, is believed by some to be the last Shakespeare wrote on his own, as well as one of his most fascinating works.

The Tempest is a masterpiece of magical effects, redemptive romance, poetry and politics. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features illustrations by renowned artist Sir John Gilbert and a new introduction by actor, writer and director Simon Callow.Prospero has long been exiled from Italy and banished to a remote island with his daughter Miranda. He uses his magical powers to conjure up a fearsome storm, and his enemies, including his treacherous broth Antonio, are shipwrecked. There follows a play filled with murderous plots, drunken confusion, love and redemption. And along the way, the reader discovers an unmistakable message that this is Shakespeare’s own farewell to the stage.

Magic and Intrigue-- Prospero, a wizard, is the rightful Duke of Milan, but his brother, in league with the King, had deposed him and set him adrift with his 3-year-old daughter Miranda 12 years earlier. Through his mystical arts Prospero divines that his brother is on a ship passing close by. Prospero raises a tempest and drives his brother's ship toward the island and puts in motion a plan to restore his daughter to her rightful place.

It is entirely probable that the date of "The Tempest" is 1611, and that this was the last play completed by Shakespeare before he retired from active connection with the theater to spend the remainder of his life in leisure in his native town of Stratford-on-Avon. The main thread of the plot of the drama seems to have been some folk-tale of a magician and his daughter, which, in the precise form in which Shakespeare knew it, has not been recovered. The storm and the island were, it is believed, suggested by the wreck on the Bermudas in 1609 of one of the English expeditions to Virginia. Traces are found, too, of the author’s reading in contemporary books of travel. But the plot itself is of less importance than usual. Supernatural elements are introduced with great freedom, and the dramatist’s interest was clearly not in the reproduction of lifelike events. The presentation of character and the attractive picturing of the beauty of magnanimity and forgiveness are the things which, along with its delightful poetry, make the charm of this play. It is not to be wondered at that readers have frequently been led to find in the figure of the great magician, laying aside his robes and wonder-working rod in a spirit of love and peace toward all men, a symbol of the dramatist himself at the close of his great career; and it is surely legitimate to play with this idea without assuming that Shakespeare consciously embodied it. One can hardly conceive a more fitting epilogue to the volume which is the crown of the world’s dramatic literature than the romance of "The Tempest."

&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LI&&RThe Tempest&&L/I&&R, by &&LB&&RWilliam Shakespeare&&L/B&&R, is part of the &&LI&&RBarnes & Noble Shakespeare&&L/I&&R series. This unique series features newly edited texts prepared by leading scholars from America and Great Britain, in collaboration with one of the world’s foremost Shakespeare authorities, &&LB&&RDavid Scott Kastan&&L/B&&R of Columbia University. Together they have produced texts as faithful as possible to those that Shakespeare wrote.&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&REach volume in the &&LI&&RBarnes & Noble Shakespeare&&L/I&&R includes:&&L/P&&R&&LB&&RNew Scholarship&&L/B&&R – Premiere scholars introduce each play with contemporary scholarship. An essay on editing the text provides an in-depth look at the quartos and folios used in the edition. &&LB&&RContextualizing Essays&&L/B&&R – Essays on Shakespeare’s England, language, and life, along with essays on performing Shakespeare and significant performances frame the play in both historical and theatrical context for readers. A look at the lasting influence of the play on music, art, film, and dance creates an interdisciplinary framework with which to approach the play. &&LB&&RBetter Notes&&L/B&&R – Through one-word margin definitions, facing-page glosses, and longer end notes after the play, our innovative approach to notes pulls readers away from the text fewer times while providing them with more information and comprehensive analysis. &&LB&&RFurther Reading&&L/B&&R – An annotated bibliography of titles, hand-selected by the introduction author, takes readers beyond the edition for further reading.&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RAn extraordinary blend of visual spectacle, story, and poetry, &&LI&&RThe Tempest &&L/I&&Ris Shakespeare’s dramatic meditation on the art of power. The editor, &&LSTRONG&&RGordon McMullan&&L/B&&R, illuminates the play by putting it in the context of early modern writings on colonization and political conflict. &&L/DIV&&R&&L/DIV&&R

This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore—as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart.

The writings of Shakespeare have been justly termed “the richest, the purest, the fairest, that genius uninspired ever penned.” Shakespeare instructed by delighting. His plays alone (leaving mere science out of the question), contain more actual wisdom than the whole body of English learning. He is the teacher of all good-- pity, generosity, true courage, love. His bright wit is cut out “into little stars.” His solid masses of knowledge are meted out in morsels and proverbs, and thus distributed, there is scarcely a corner of the English-speaking world to-day which he does not illuminate, or a cottage which he does not enrich. His bounty is like the sea, which, though often unacknowledged, is everywhere felt. As his friend, Ben Jonson, wrote of him, “He was not of an age but for all time.” He ever kept the highroad of human life whereon all travel. He did not pick out by-paths of feeling and sentiment. In his creations we have no moral highwaymen, sentimental thieves, interesting villains, and amiable, elegant adventuresses--no delicate entanglements of situation, in which the grossest images are presented to the mind disguised under the superficial attraction of style and sentiment. He flattered no bad passion, disguised no vice in the garb of virtue, trifled with no just and generous principle. While causing us to laugh at folly, and shudder at crime, he still preserves our love for our fellow-beings, and our reverence for ourselves. Shakespeare was familiar with all beautiful forms and images, with all that is sweet or majestic in the simple aspects of nature, of that indestructible love of flowers and fragrance, and dews, and clear waters--and soft airs and sounds, and bright skies and woodland solitudes, and moon-light bowers, which are the material elements of poetry,--and with that fine sense of their indefinable relation to mental emotion, which is its essence and vivifying soul--and which, in the midst of his most busy and tragical scenes, falls like gleams of sunshine on rocks and ruins--contrasting with all that is rugged or repulsive, and reminding us of the existence of purer and brighter elements.

The Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where Prospero, the exiled Duke of Milan, plots to restore his daughter Miranda to her rightful place, using illusion and skillful manipulation. He conjures up a storm, the eponymous tempest, to lure to the island his usurping brother Antonio and the complicit Alonso, King of Naples. There, his machinations bring about the revelation of Antonio's low nature, the redemption of Alonso, and the marriage of Miranda to Alonso's son, Ferdinand.There is no obvious single source for the plot of The Tempest, but researchers have seen parallels in Erasmus's Naufragium, Peter Martyr's De orbo novo, and an eyewitness report by William Strachey of the real-life shipwreck of the Sea Venture on the islands of Bermuda. In addition, one of Gonzalo's speeches is derived from Montaigne's essay Of the Canibales; and much of Prospero's renunciative speech is taken word for word from a speech by Medea in Ovid's poem Metamorphoses. The masque in Act 4 may have been a later addition, possibly in honour of the wedding of Princess Elizabeth of Bohemia and Frederick V, Elector Palatine, in 1613. The play was first published in the First Folio of 1623.The story draws heavily on the tradition of the romance genre, and it was influenced by tragicomedy and the courtly masque and perhaps by the commedia dell'arte. It differs from Shakespeare's other plays in its observation of a stricter, more organised neoclassical style. Critics see The Tempest as explicitly concerned with its own nature as a play, frequently drawing links between Prospero's "art" and theatrical illusion; and early critics saw Prospero as a representation of Shakespeare, and his renunciation of magic, as signalling Shakespeare's farewell to the stage. The play portrays Prospero as a rational, not an occultist, magician by providing a contrast to him in Sycorax: her magic is frequently described as destructive and terrible, where Prospero's is said to be wondrous and beautiful. Beginning in about 1950, with the publication of Psychology of Colonization by Octave Mannoni, The Tempest was viewed more and more through the lens of postcolonial theory—exemplified in adaptations like Aimé Césaire's Une Tempête set in Haiti—and there is even a scholarly journal on post-colonial criticism named after Caliban. Miranda is typically viewed as having completely internalised the patriarchal order of things, thinking of herself as subordinate to her father.The Tempest did not attract a significant amount of attention before the closing of the theatres in 1642, and only attained popularity after the Restoration, and then only in adapted versions. In the mid-19th century, theatre productions began to reinstate the original Shakespearean text, and in the 20th century, critics and scholars undertook a significant re-appraisal of the play's value, to the extent that it is now considered to be one of Shakespeare's greatest works. It has been adapted numerous times in a variety of styles and formats: in music, at least 46 operas by composers such as Fromental Halévy, Zdeněk Fibich, Lee Hoiby, and Thomas Adès; orchestral works by Tchaikovsky, Arthur Sullivan and Arthur Honegger; and songs by such diverse artists as Ralph Vaughan Williams, Michael Nyman and Pete Seeger; in literature, Percy Bysshe Shelley's poem With a Guitar, To Jane and W. H. Auden's The Sea and the Mirror; novels by Aimé Césaire and The Diviners by Margaret Laurence; in paintings by William Hogarth, Henry Fuseli, and John Everett Millais; and on screen, ranging through a hand-tinted version of Herbert Beerbohm Tree's 1905 stage performance, the science fiction film Forbidden Planet in 1956, to Peter Greenaway's 1991 Prospero's Books featuring John Gielgud as Prospero.Per Wikipedia