Other editions of book Oracles From the Poets: A Fanciful Diversion for the Drawing-Room

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

About the Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch.Also in this Book American poetry arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the unification of the 13 colonies as a result of thye American War of Independence. Most of the colonists' early poetry relied on British models. During the 19th century, a distinctive American voice began to emerge when, in the later part of that century Walt Whitman began to be recognized internationally.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

About the Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch.Also in this Book American poetry arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the unification of the 13 colonies as a result of thye American War of Independence. Most of the colonists' early poetry relied on British models. During the 19th century, a distinctive American voice began to emerge when, in the later part of that century Walt Whitman began to be recognized internationally.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Oracles From The Poets: A Fanciful Diversion For The Drawing Room<edition> reprint<editor> Caroline Howard Gilman<publisher> H.C. Peck & Theo. Bliss, 1852<subjects> Amusements; Fortune-telling; Quotations, English

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The person who holds the book asks, for instance, What is your character? The individual questioned selects any one of the sixty answers under that head, say No. 3, and the questioner reads aloud the answer No. 3, which will be the Oracle.Where there are more than six persons present, it will be well to select the following questions, as the game, connected with the discussions to which it will probably give rise, will be too protracted by introducing the whole, and the remaining questions are of a sentimental rather than personal class.What is your character?—Gentleman.What is your character?—Lady.What is the personal appearance of your lady-love?What is the personal appearance of him who loves you?What is the character of your lady-love?What is the character of him who loves you?Where or what will be your place of residence?What is your destiny?

About the Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch.Also in this Book American poetry arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the unification of the 13 colonies as a result of thye American War of Independence. Most of the colonists' early poetry relied on British models. During the 19th century, a distinctive American voice began to emerge when, in the later part of that century Walt Whitman began to be recognized internationally.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.