Books with title The Yellow God, an Idol of Africa

Sir Robert Aylward, Bart., M.P., sat in his office in the City of London. It was a very magnificent office, quite one of the finest that could be found within half a mile of the Mansion House. Its exterior was built of Aberdeen granite, a material calculated to impress the prospective investor with a comfortable sense of security. Other stucco, or even brick-built, offices might crumble and fall in an actual or a financial sense, but this rock-like edifice of granite, surmounted by a life-sized statue of Justice with her scales, admired from either corner by pleasing effigies of Commerce and of Industry, would surely endure any shock. Earthquake could scarcely shake its strong foundations; panic and disaster would as soon affect the Bank of England. That at least was the impression which it had been designed to convey, and not without success.

Excerpt from The Yellow God: An Idol of AfricaSir Robert Aylward sat in his own quiet room at the back of this enduring building, a Very splendid room that any Secretary of State might have envied, but arranged in excellent taste. Its walls were panelled with figured teak, a rich carpet made the footfall noiseless, an antique Venus stood upon a marble pedestal in the corner, and over the mantel piece hung a fine portrait by Gainsborough, that of a certain Miss Aylward, a famous beauty in her day, with whom, be it added, its present owner could boast no connection whatsoever.Sir Robert was seated at his ebony desk playing with a pencil, and the light from a cheerful fire fell upon his face.In its own way it was a remarkable face, as he appeared then in his four and fortieth year; very pale, but with a natural pallor, very well cut, and on the whole impressive. His eyes were dark.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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