Books with title The Whispering Mountain

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Prize winning WOLVES CHRONICLES PREQUEL reissued in A Puffin Book - All 12 Wolves books now in print for the first time ever. In THE WHISPERING MOUNTAIN by Joan Aiken, the small town of Pennygaff, the legendary Harp of Teirtu is found - and lost again. For young Owen Hughes and his friend Arabis, it is the start of a hair-raising race to save the harp from sinister Lord Malyn. As they struggle to keep it out of his hands, they are plunged into a wild adventure involving murder, kidnapping, underground worlds, savage beasts, floods, avalanche, the mysterious children of the Pit - and above all, a man who will stop at nothing to get the harp back again. Winner of the 1969 Guardian Fiction Award.

When a notable Egyptologist is found unconscious in his home with a mysterious scratch on his chest, his daughter reads a per-written note that instructs her to observes him carefully if such a situation were to arise. Baffled by the proceedings, she enlists the help of friends, colleagues and an investigator to help her. Abraham "Bram" Stoker (1847 – 1912) was an Irish author most famous for writing this novel, as well as the influence it has had upon the horror and vampire genre in print and film. Other notable works by this author include: “Miss Betty” (1898), “The Mystery of the Sea” (1902), and “The Jewel of Seven Stars” (1903). This classic of horror fiction is not to be missed by lovers of the genre and constitutes a must-read of anyone with an interest Victorian literature of this ilk. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

The novel opens with a brief scene written in the third person: at a remote location in Tibet, a man in local costume, backed by a group of native people, confronts a woman at the head of an exploratory expedition. There is a sudden sense of realization as the man and woman recognize each other as siblings; the man collapses, overcome by shock. The story then switches to a first-person account, written by John Robertson after his meeting with his sister Ellen. Thirty years earlier, at the age of 25, Robertson had been traveling through rural Tibet; wandering away from his party, he had gotten lost and had fallen over a precipice. He was nursed back to health by local villagers, but his memory was deeply impaired. It was only when his sister found him that he regained his recollection. He returns to the United States with her, to face a society that is vastly different from the one he knew in his youth.

Charlotte Perkins Gilman (1860 - 1935), was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper" which she wrote after a severe bout of postpartum psychosis.

Moving the Mountain is the utopian novel by the predominant feminist Charlotte Perkins Gilman published in 1915. It is among the classic utopian and dystopian novels of the early twentieth century. The plot involves two siblings meeting after 25 years outside Tibet. The protagonist returns to America to discover it has changed into a society unrecognizable from before. It is described as "beyond Socialism", a strain of nationalism. Themes such as "new humanitarianism," eugenics, renewable resources are discussed in restructuring society. Charlotte Perkins Gilman was a notable American feminist. While she was most famous for her writings, both fiction and non-fiction, on feminism and social reform, she was also a poet, artist, magazine editor, lecturer, and social reformer. She was a great influence on modern feminism because of her view on utopian feminism and unorthodox lifestyle views. Library Classics is dedicated to bringing the world the best of humankind’s literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

ONE of the most distinctive features of the human mind is to forecast better things. “We look before and after And pine for what is not.” This natural tendency to hope, desire, foresee and then, if possible, obtain, has been largely diverted from human usefulness since our goal was placed after death, in Heaven. With all our hope in “Another World,” we have largely lost hope of this one. Some minds, still keen in the perception of better human possibilities, have tried to write out their vision and give it to the world. From Plato’s ideal Republic to Wells’ Day of the Comet we have had many Utopias set before us, best known of which are that of Sir Thomas More and the great modern instance, “Looking Backward.” All these have one or two distinctive features — an element of extreme remoteness, or the introduction of some mysterious out-side force. “Moving the Mountain” is a short distance Utopia, a baby Utopia, a little one that can grow. It involves no other change than a change of mind, the mere awakening of people, especially the women, to existing possibilities. It indicates what people might do, real people, now living, in thirty years — if they would. One man, truly aroused and redirecting his energies, can change his whole life in thirty years. So can the world.

Moving the Mountain is the first book in Charlotte Perkins Stetson Gilman's well known trilogy. The second book in the trilogy is her land mark classic Herland. Moving Mountain delivers Gilman's program for reforming society. She concentrates on measures of rationality and efficiency that could be instituted in her own time, largely with greater social cooperation - equal education and treatment for girls and boys, day-care centers for working women, and other issues still relevant a century later. Yet Gilman also allows for technological progress: electric power is the motive force in industry and urban society, power generated largely by the tides, wind-mills, water mills, and solar engines. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.