Books with title The Sketch Book of Geoffrey Crayon

The Sketch-Book of Geoffrey Crayon is a collection of classic American short stories by Washington Irving featuring many of hid classic stories such as The Legend of Sleepy Hollow. Contents: The author's account of himself -- The voyage -- Roscoe -- The wife -- Rip Van Winkle -- English writers on America -- Rural life in England -- The broken heart -- The art of book-making -- A royal poet -- The country church -- The widow and her son -- A Sunday in London -- The Boar's Head Tavern, Eastcheap -- The mutability of literature -- Rural funerals -- The inn kitchen -- The spectre bridegroom -- Westminster Abbey -- Christmas -- The stage-coach -- Christmas Eve -- Christmas Day -- The Christmas dinner -- London antiques -- Little Britain -- Stratford-on-Avon -- Traits of Indian character -- Philip of Pokanoket -- John Bull -- The pride of the village -- The angler -- The legend of Sleepy Hollow -- L'envoy. The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by the American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker: "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym Geoffrey Crayon, which he would continue to employ throughout his literary career. The Sketch Book, along with James Fenimore Cooper's Leatherstocking Tales, was among first widely read works of American literature in Britain and Europe. It also helped advance the reputation of American writers with an international audience. Irving began writing the tales that would appear in The Sketch Book shortly after moving to England for the family business, in 1815. When the family business spiraled into bankruptcy throughout 1816 and 1817 — a humiliation that Irving never forgot — Irving was left with no job and few prospects. He tried at first to serve as an intermediary between American and English publishers, scouting for English books to reprint in America and vice versa, with only marginal success. In the autumn of 1818, his oldest brother William, sitting as a Congressman from New York, secured for him a political appointment as chief clerk to the Secretary of the U.S. Navy, and urged Irving to return home.[4] Irving demurred, however, choosing to remain in England and take his chances as a writer. As he told friends and family back in the United States: I now wish to be left for a little while entirely to the bent of my own inclination, and not agitated by new plans for subsistence, or by entreaties to come home . . . I am determined not to return home until I have sent some writings before me that shall, if they have merit, make me return to smiles, rather than skulk back to the pity of my friends. Irving spent late 1818 and the early part of 1819 putting the final touches on the short stories and essays that he would eventually publish as The Sketch Book through 1819 and 1820. The Sketch Book initially existed in two versions: a seven-part serialized American version in paperback and a two-volume British version in hardback. The British edition contained three essays that were not included in the original American serialized format. Two more essays, "A Sunday in London" and "London Antiques", were added by Irving in 1848 for inclusion in the Author's Revised Edition of The Sketch Book for publisher George Putnam. At that time, Irving reordered the essays. Consequently, modern editions — based on Irving's own changes for the Author's Revised Edition — do not reflect the order in which the sketches originally appeared.

Washington Irving (1783-1859) was an American author of the early nineteenth century. Best known for his short stories The Legend of Sleepy Hollow and Rip van Winkle, he was also a prolific essayist, biographer and historian. He spoke fluent Spanish, which served him well in his writings on that country, and he could read several other languages, including German and Dutch. His first book was A History of New-York from the Beginning of the World to the End of the Dutch Dynasty, by Diedrich Knickerbocker. He travelled on the Western frontier in the 1830s and recorded his glimpses of Western tribes in A Tour on the Prairies. He spoke against the mishandling of relations with the Native American tribes by Europeans and Americans. He popularized the nickname "Gotham" for New York City, and is credited with inventing the expression "the Almighty dollar".

The Sketch-Book of Geoffrey Crayon is a collection of classic American short stories by Washington Irving featuring many of hid classic stories such as The Legend of Sleepy Hollow.Contents: The author's account of himself -- The voyage -- Roscoe -- The wife -- Rip Van Winkle -- English writers on America -- Rural life in England -- The broken heart -- The art of book-making -- A royal poet -- The country church -- The widow and her son -- A Sunday in London -- The Boar's Head Tavern, Eastcheap -- The mutability of literature -- Rural funerals -- The inn kitchen -- The spectre bridegroom -- Westminster Abbey -- Christmas -- The stage-coach -- Christmas Eve -- Christmas Day -- The Christmas dinner -- London antiques -- Little Britain -- Stratford-on-Avon -- Traits of Indian character -- Philip of Pokanoket -- John Bull -- The pride of the village -- The angler -- The legend of Sleepy Hollow -- L'envoy.The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by the American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker: "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym Geoffrey Crayon, which he would continue to employ throughout his literary career.The Sketch Book, along with James Fenimore Cooper's Leatherstocking Tales, was among first widely read works of American literature in Britain and Europe. It also helped advance the reputation of American writers with an international audience.Irving began writing the tales that would appear in The Sketch Book shortly after moving to England for the family business, in 1815. When the family business spiraled into bankruptcy throughout 1816 and 1817 — a humiliation that Irving never forgot — Irving was left with no job and few prospects. He tried at first to serve as an intermediary between American and English publishers, scouting for English books to reprint in America and vice versa, with only marginal success. In the autumn of 1818, his oldest brother William, sitting as a Congressman from New York, secured for him a political appointment as chief clerk to the Secretary of the U.S. Navy, and urged Irving to return home.[4] Irving demurred, however, choosing to remain in England and take his chances as a writer. As he told friends and family back in the United States:I now wish to be left for a little while entirely to the bent of my own inclination, and not agitated by new plans for subsistence, or by entreaties to come home . . . I am determined not to return home until I have sent some writings before me that shall, if they have merit, make me return to smiles, rather than skulk back to the pity of my friends.Irving spent late 1818 and the early part of 1819 putting the final touches on the short stories and essays that he would eventually publish as The Sketch Book through 1819 and 1820.The Sketch Book initially existed in two versions: a seven-part serialized American version in paperback and a two-volume British version in hardback. The British edition contained three essays that were not included in the original American serialized format. Two more essays, "A Sunday in London" and "London Antiques", were added by Irving in 1848 for inclusion in the Author's Revised Edition of The Sketch Book for publisher George Putnam. At that time, Irving reordered the essays. Consequently, modern editions — based on Irving's own changes for the Author's Revised Edition — do not reflect the order in which the sketches originally appeared.

The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by American author Washington Irving. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker, "The Legend of Sleepy Hollow" and "Rip Van Winkle". It also marks Irving's first use of the pseudonym "Geoffrey Crayon", which he would continue to employ throughout his literary career. The Sketch Book, along with James Fenimore Cooper's Leatherstocking Tales, was the first widely read work of American literature in Britain and Europe. It also helped advance the reputation of American writers with an international audience

I am of this mind with Homer, that as the snaile that crept out of her shel was turned eftsoones into a toad I and thereby was forced to make a stoole to sit on; so the traveller that stragleth from his owne country is in a short time transformed into so monstrous a shape, that he is faine to alter his mansion with his manners, and to live where he can, not where he would.—LYLY'S EUPHUES. I was always fond of visiting new scenes, and observing strange characters and manners. Even when a mere child I began my travels, and made many tours of discovery into foreign parts and unknown regions of my native city, to the frequent alarm of my parents, and the emolument of the town crier. As I grew into boyhood, I extended the range of my observations. My holiday afternoons were spent in rambles about the surrounding country. I made myself familiar with all its places famous in history or fable. I knew every spot where a murder or robbery had been committed, or a ghost seen. I visited the neighboring villages, and added greatly to my stock of knowledge, by noting their habits and customs, and conversing with their sages and great men. I even journeyed one long summer's day to the summit of the most distant hill, whence I stretched my eye over many a mile of terra incognita, and was astonished to find how vast a globe I inhabited.