Books with title The Hand of the Necromancer

Nicholas Flamel appeared in J.K. Rowling’s Harry Potter—but did you know he really lived? And he might still be alive today! Discover the truth in Michael Scott’s New York Times bestselling series the Secrets of the Immortal Nicholas Flamel with The Necromancer, book four. Sophie and Josh Newman are finally home, but they're both more confused than ever about their future. Neither of them has mastered the magics they'll need to protect themselves from the Dark Elders, they've lost Scatty, and they're still being pursued by Dr. John Dee. Most disturbing of all, however, is that now they must ask themselves, can they trust Nicholas Flamel? Can they trust anyone?“Unrelenting forward momentum….This book will thrill fans.”—School Library JournalRead the whole series! The Alchemyst The Magician The Sorceress The Necromancer The Warlock The EnchantressFrom the Hardcover edition.

Robert Hugh Benson (1871-1914) was the youngest son of Edward White Benson, Archbishop of Canterbury, and younger brother of Edward Frederic Benson. In 1895, he was ordained a priest in the Church of England by his father who was then Archbishop of Canterbury. His father died suddenly in 1896, and Benson began to question the status of the Church of England, eventually obtaining permission to join the Community of the Resurrection. He made his profession as a member of the community in 1901, at which time he had no thoughts of leaving the Church of England, but as he continued his studies and began writing, he became more and more uneasy with his own doctrinal position. On September 11, 1903, he was received into the Roman Catholic Church. He was ordained a Catholic priest in 1904 and was sent to Cambridge. He continued his writing career along with the usual elements of priestly ministry. He was named a Monsignor in 1911.

She was a small, delicate-looking old lady, very true to type indeed, with the silvery hair of the devout widow crowned with an exquisite lace cap, in a filmy black dress, with a complexion of precious china, kind shortsighted blue eyes, and white blue-veined hands busy now upon needlework. She bore about with her always an atmosphere of piety, humble, tender, and sincere, but as persistent as the gentle sandalwood aroma which breathed from her dress. Her theory of the universe, as the girl who watched her now was beginning to find out, was impregnable and unapproachable. Events which conflicted with it were either not events, or they were so exceptional as to be negligible. If she were hard pressed she emitted a pathetic peevishness that rendered further argument impossible.

The son of an Archbishop of Canterbury, Robert Hugh Benson was educated at Clevedon Preparatory School and Eton. In 1890, he entered Trinity College, Cambridge to study theology and was ordained a deacon in 1894. Rebellious by nature, in 1903, Benson embraced Roman Catholicism and began to write fiction. His occult masterpiece, The Necromancers, is presented here in a new edition.

Robert Hugh Benson (1871 - 1914) was the youngest son of the Archbishop of Canterbury. After college Benson was ordained as a priest in the Church of England. While on a trip to the Middle East Benson began doubting the Church of England and eventually joined the Community of the Resurrection. In 1903 he became a Roman Catholic. In 1904 he was ordained as a priest. The Necromancers depicts the evils of spiritualism. An excerpt reads, "And so the struggle had gone on; Laurie had protested, stormed, sulked, taken refuge in rhetoric and dignity alternately; and his mother had with gentle persistence objected, held her peace, argued, and resisted, conflicting step by step against the inevitable, seeking to reconcile her son by pathos and her God by petition; and then in an instant, only four days ago, it seemed that the latter had prevailed; and today Laurie, in a black suit, rent by sorrow, at this very hour at which the two ladies sat and talked in the drawing-room, was standing by an open grave in the village churchyard, seeing the last of his love, under a pile of blossoms as pink and white as her own complexion, within four elm-boards with a brass plate upon the cover. Now, therefore, there was a new situation to face, and Mrs. Baxter was regarding it with apprehension."

First published in1909, this novel starts with an overwhelming grief over the death of a loved one. That brings for young Mr. Baxter the crack and fracturing of his faith and ultimate despair. Then in in a desperate attempt to connect with his dead fiancé, gets involved in occultism. This turns out to be a bad idea, as Demon from Hell dresses up in the dead woman cloths and try to seduce the man. A sense of impending doom takes over. Fortunately, through love and prayers, the powers of heaven intercede.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.