Books with title Sevastopol

Tolstoy is considered one of the giants of Russian literature; his works include the novels War and Peace and Anna Karenina and novellas such as Hadji Murad and The Death of Ivan Ilyich.Tolstoy's earliest works, the autobiographical novels Childhood, Boyhood, and Youth (1852-1856), tell of a rich landowner's son and his slow realization of the chasm between himself and his peasants. Though he later rejected them as sentimental, a great deal of Tolstoy's own life is revealed. They retain their relevance as accounts of the universal story of growing up.Tolstoy served as a second lieutenant in an artillery regiment during the Crimean War, recounted in his Sevastopol Sketches. His experiences in battle helped stir his subsequent pacifism and gave him material for realistic depiction of the horrors of war in his later work.His fiction consistently attempts to convey realistically the Russian society in which he lived. The Cossacks (1863) describes the Cossack life and people through a story of a Russian aristocrat in love with a Cossack girl. Anna Karenina (1877) tells parallel stories of an adulterous woman trapped by the conventions and falsities of society and of a philosophical landowner (much like Tolstoy), who works alongside the peasants in the fields and seeks to reform their lives. Tolstoy not only drew from his own life experiences but also created characters in his own image, such as Pierre Bezukhov and Prince Andrei in War and Peace, Levin in Anna Karenina and to some extent, Prince Nekhlyudov in Resurrection.THE WORLD'S POPULAR CLASSICSiBoo Press House uses state-of-the-art technology to digitally reconstruct the work. We preserve the original format whilst repairing imperfections present in the aged copy. All THE WORLD'S POPULAR CLASSICS are unabridged (100% Original content), designed with a nice cover and a large font that's easy to read. Printed on fine Groundwood paper (Eggshell, mass market-like), bound in neat and attractive style. You may visit Leo Tolstoy's page at https: //iboo.com/leo-tolstoy to see all his books.Paperback edition of this title is also available (978-1-64181-892-6)

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from SevastopolSee where it has burst I says the boy, after a long silence, looking at a white cloud' of spread ing smoke which has suddenly appeared high over the South Bay, accompanied by the sharp report of an exploding bomb.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

In the Sevastopol Sketches, Leo Tolstoy evocatively recollects his experiences at the Siege of Sevastopol in 1854-1855, over the course of three short stories. Although the trio of tales which comprise the Sevastopol Sketches are ostensibly fictional and written in the second person, they accurately recall Tolstoy's experiences as a young man witnessing the Crimean War. All three possess philosophical overtones, with the overarching theme being a vilification of war as a wasteful, senseless and foolish expenditure of human life. The stories are as follows: The first opens in December 1854. Tolstoy arrives at the city of Sevastopol, which by that time had already hosted much conflict. The results of the fighting are portrayed in Tolstoy's vivid descriptions of the makeshift field hospital. Horrendous wounds, amputations and misery pervade the air, as many of the soldiers must make do without beds to rest upon. In the second story, set in May 1855, further damage and horror has been inflicted upon Sevastopol. Alluding to the continuing destruction, Tolstoy discusses the psychological aspects of war, and the spirit which drives acts of heroism. He criticizes truces as a false show of humanity; for conflicts inevitably arise anew between the parties. The final story takes us to August 1855. Here Tolstoy discusses the conclusion of the siege, wherein Russia's defeated and exhausted forces undertake a tactical retreat from the city grounds. The characters of Mikael and Vladamir Kozeltsov are explored; the pair are brothers who fight (and ultimately perish) for the Russian cause. The Sevastopol Sketches establish Tolstoy as a pacifist who considered war to be one of the most depraved and lamentable events characterizing mankind. Years after publishing these sketches, Tolstoy would draw upon the Siege of Sevastopol as a critical supplement to the narrative of his epic novel - War and Peace.

Sevastopol is a collection of three works of historical fiction in which Tolstoy draws upon his real life experiences during the Siege of Sevastopol. The titular location draws its name from that of a city in Crimea and takes place during the Crimean war. The three tales in this collection are respectively titled "Sevastopol in December", "Sevastopol in May", and "Sevastopol in August". In the December tale Tolstoy introduces us to Sevastopol by giving the reader a tour and introducing us to the settings, mannerisms, and background that would relevant in the following tales. In the May tale Tolstoy examines the senselessness of war, musings that would lay the foundation for his much larger work and magnum opus "War and Peace." In the third and final tale the fall of the town is detailed.

Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.

In the Sevastopol Sketches, Leo Tolstoy evocatively recollects his experiences at the Siege of Sevastopol in 1854-1855, over the course of three short stories. Although the trio of tales which comprise the Sevastopol Sketches are ostensibly fictional and written in the second person, they accurately recall Tolstoy's experiences as a young man witnessing the Crimean War. All three possess philosophical overtones, with the overarching theme being a vilification of war as a wasteful, senseless and foolish expenditure of human life. The stories are as follows: The first opens in December 1854. Tolstoy arrives at the city of Sevastopol, which by that time had already hosted much conflict. The results of the fighting are portrayed in Tolstoy's vivid descriptions of the makeshift field hospital. Horrendous wounds, amputations and misery pervade the air, as many of the soldiers must make do without beds to rest upon. In the second story, set in May 1855, further damage and horror has been inflicted upon Sevastopol. Alluding to the continuing destruction, Tolstoy discusses the psychological aspects of war, and the spirit which drives acts of heroism. He criticizes truces as a false show of humanity; for conflicts inevitably arise anew between the parties. The final story takes us to August 1855. Here Tolstoy discusses the conclusion of the siege, wherein Russia's defeated and exhausted forces undertake a tactical retreat from the city grounds. The characters of Mikael and Vladamir Kozeltsov are explored; the pair are brothers who fight (and ultimately perish) for the Russian cause. The Sevastopol Sketches establish Tolstoy as a pacifist who considered war to be one of the most depraved and lamentable events characterizing mankind. Years after publishing these sketches, Tolstoy would draw upon the Siege of Sevastopol as a critical supplement to the narrative of his epic novel - War and Peace.

Sevastopol SEVASTOPOL IN DECEMBER, 1854. The flush of morning has but just begun to tinge the sky above Sapun Mountain; the dark blue surface of the sea has already cast aside the shades of night and awaits the first ray to begin a play of merry gleams; cold and mist are wafted from the bay; there is no snow—all is black, but the morning frost pinches the face and crackles underfoot, and the far-off, unceasing roar of the sea, broken now and then by the thunder of the firing in Sevastopol, alone disturbs the calm of the morning. It is dark on board the ships; it has just struck eight bells. Toward the north the activity of the day begins gradually to replace the nocturnal quiet; here the relief guard has passed clanking their arms, there the doctor is already hastening to the hospital, further on the soldier has crept out of his earth hut and is washing his sunburnt face in ice-encrusted water, and, turning towards the crimsoning east, crosses himself quickly as he prays to God; here a tall and heavy camel-wagon has dragged creaking to the cemetery, to bury the bloody dead, with whom it is laden nearly to the top. You go to the wharf—a peculiar odor of coal, manure, dampness, and of beef strikes you; thousands of objects of all sorts—wood, meat, gabions, flour, iron, and so forth—lie in heaps about the wharf; soldiers of various regiments, with knapsacks and muskets, without knapsacks and without muskets, throng thither, smoke, quarrel, drag weights aboard the steamer which lies smoking beside the quay; unattached two-oared boats, filled with all sorts of people,—soldiers, sailors, merchants, women,—land at and leave the wharf.