The Salamander:
Owen Johnson
Paperback
(CreateSpace Independent Publishing Platform, July 1, 2015)
The day was Thursday; the month, October, rushing to its close; and the battered alarm-clock on the red mantel stood at precisely one o'clock. The room was enormous, high and generally dim, the third floor front of Miss Pim's boarding-house on lower Madison Avenue. Of its four windows, two, those at the side, had been blinded by the uprising of an ugly brick wall, which seemed to impend over the room, crowding into it, depriving it of air. The two windows fronting on the avenue let in two shafts of oblique sunlight. The musty violet paper on the walls, blistered in spots, was capped by a frieze of atrocious pink and blue roses. The window-shades, which had been pulled down to shut out the view of the wall, failed to reach the bottom. The curtain-rods were distorted, the globes on the gas fixtures bitten and smoked. At the back, an alcove held a small bed, concealed under a covering of painted eastern material. An elongated gilt mirror, twelve feet in height, leaned against the corner. Trunks were scattered about, two open and newly ransacked. A folding-bed transformed into a couch, heaped with cushions, was between the blind windows: opposite, a ponderous rococo dressing-table, the mirror stuffed with visiting-cards, photographs and mementoes. Half a dozen vases of flowers—brilliant chrysanthemums, heavily scented violets, American Beauty roses, slender and nodding—fought bravely against the pervading dinginess. On the large central table stood a basket of champagne, newly arrived, a case of assorted perfumes, a box of white evening gloves and two five-pound boxes of candy in fancy baskets.