Books with title Rivers To The Sea

When a car accident leaves a teenage girl in a coma, her surviving sister struggles with grief and guilt as she faces the inevitability of moving on — and letting go.To seventeen-year-old Rose, it seems it keeps happening — that car crash on a mountain road, her older sister, Ivy, behind the wheel, the same Ivy who is now in a coma with only the WISHHH of a respirator keeping her alive. Mom refuses to believe that Ivy is gone and won't even visit, spending her days at the brewing factory and her nights in the mindless weaving of potholders or folding of paper cranes. It's up to Rose and family friend William T. to make the daily vigil to Ivy's bedside, where Rose reads aloud from a book on the sudden destruction of ancient Pompeii. More and more, she has the frightening sense that there are rivers inside her threatening to overflow their banks. In an effort to feel something — anything — else, she takes to meeting a series of boys at the gorge while her mind drifts away like a hovering bird, watching her actions below.Heart-rending, honest, and ultimately hopeful, this first young adult novel from the acclaimed author of Shadow Babyand Snap is the poetically told story of a teenager overwhelmed by trauma and loss yet steadied by loyal friendships and, finally, the solace of first love.

The Sea Rovers by Rufus Rockwell WilsonA glorious vision is Gloucester harbor, whether seen under the radiant sun of a clear June morning or through the haze and smoke of a mellow October afternoon. Gloucester town lies on a range of hills around the harbor, and fortunate is the man who chances to see it as the background to a stirring marine picture when on a still summer's morning a fleet of two or three hundred schooners is putting to sea after a storm, spreading their white duck against the blue sky and fanning gently hither and thither, singly or in picturesque groups, before the catspaws or idly drifting to eastward, stretching in a long line beyond Thatcher's Island and catching the fresh breeze that darkens the distant offing. Here the green of their graceful hulls, the gilt scrollwork on the bows and the canvas on the tall, tapering masts are reflected as in a mirror on the calm surface; or beyond they are seen heeling over to the first breath of the incoming sea wind that ruffles the glinting steel of the sheeny swell, forming as a whole a scene of inexhaustible variety and beauty.Such a spectacle gives the stranger fitting introduction to Gloucester, for from earliest times the men of the gray old town have been followers of the sea. It was three years after the landing of the Pilgrims at Plymouth that the first Englishman settled on Cape Ann, at the place now called Gloucester, which took its name from the old English cathedral city whence many of its settlers had come. America's Gloucester doubtless seems young to the mother town, which is of British origin and was built before the Romans crossed from Gaul; but, despite the great cathedral in the English town and the importance in the clerical world of the prelates and church dignitaries who found livings there, the Yankee town was for many years a place of more consequence in the world of trade and profit than the English Gloucester has ever been

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Sometimes Tim feels invisible at school-until one day, when Tim meets Sam. But Sam isn't just any new friend: he's a blue whale, and he can't find his way home! Returning Sam to the sea is hard work, but Tim is determined to help. After all, it's not every day you meet a new friend! This picture book about the power of friendship by new talent Cale Atkinson is brought to life by charming, dynamic illustrations.

Riders to the Sea is a play written by Irish Literary Renaissance playwright John Millington Synge. It was first performed on 25 February 1904 at the Molesworth Hall, Dublin, by the Irish National Theater Society. A one-act tragedy, the play is set in the Aran Islands, Inishmaan, and like all of Synge's plays it is noted for capturing the poetic dialogue of rural Ireland. The plot is based not on the traditional conflict of human wills but on the hopeless struggle of a people against the impersonal but relentless cruelty of the sea.J.M. Synge's Riders to the Sea (1904) is a brief, one-act play, and its action is starkly straightforward. Synge's play is short and mysterious, like a fairy tale. It engages the reader with questions of how forces as big as historical change and as intimate as grief affect individuals and families. The sea is significant throughout the play; the family is dependent on it for their livelihood. The sea has also brought death; Maurya, the mother, has lost her husband and six sons to it.In an island cottage off the coast of Ireland, three women wait for news. Maurya is resting in an inner room. Her daughters, Cathleen and Nora, work on household tasks. Michael, their brother, has been missing for days. As readers learn from Nora, Michael is only the latest of Maurya's sons to be lost to the sea that also claimed her husband. Cathleen and Nora identify a drowned man's clothes as Michael's but hesitate to tell their mother the dark truth.When their only surviving brother, Bartley, enters the cottage, it is to announce that he will be sailing that night. Bartley is determined to go to the horse fair in Connemara despite the bad weather. Maurya is anxious, asking him, 'What is the price of a thousand horses against a son where there is one son only?' Bartley, however, continues to prepare for his journey. When he leaves, Maurya will not give him her blessing.Cathleen and Nora are both distressed in the wake of Bartley's departure. Maurya's sending him off in anger is thought to be unlucky; also, they've forgotten to give him a cake to eat. They manage to convince their mother to go to meet Bartley to give him the cake and her blessing.Read this complete famous novel for further story....

INTRODUCTIONIt must have been on Synge's second visit to the Aran Islands that he had the experience out of which was wrought what many believe to be his greatest play. The scene of "Riders to the Sea" is laid in a cottage on Inishmaan, the middle and most interesting island of the Aran group. While Synge was on Inishmaan, the story came to him of a man whose body had been washed up on the far away coast of Donegal, and who, by reason of certain peculiarities of dress, was suspected to be from the island. In due course, he was recognised as a native of Inishmaan, in exactly the manner described in the play, and perhaps one of the most poignantly vivid passages in Synge's book on "The Aran Islands" relates the incident of his burial.The other element in the story which Synge introduces into the play is equally true. Many tales of "second sight" are to be heard among Celtic races. In fact, they are so common as to arouse little or no wonder in the minds of the people. It is just such a tale, which there seems no valid reason for doubting, that Synge heard, and that gave the title, "Riders to the Sea", to his play.It is the dramatist's high distinction that he has simply taken the materials which lay ready to his hand, and by the power of sympathy woven them, with little modification, into a tragedy which, for dramatic irony and noble pity, has no equal among its contemporaries. Great tragedy, it is frequently claimed with some show of justice, has perforce departed with the advance of modern life and its complicated tangle of interests and creature comforts. A highly developed civilisation, with its attendant specialisation of culture, tends ever to lose sight of those elemental forces, those primal emotions, naked to wind and sky, which are the stuff from which great drama is wrought by the artist, but which, as it would seem, are rapidly departing from us. It is only in the far places, where solitary communion may be had with the elements, that this dynamic life is still to be found continuously, and it is accordingly thither that the dramatist, who would deal with spiritual life disengaged from the environment of an intellectual maze, must go for that experience which will beget in him inspiration for his art. The Aran Islands from which Synge gained his inspiration are rapidly losing that sense of isolation and self-dependence, which has hitherto been their rare distinction, and which furnished the motivation for Synge's masterpiece. Whether or not Synge finds a successor, it is none the less true that in English dramatic literature "Riders to the Sea" has an historic value which it would be difficult to over-estimate in its accomplishment and its possibilities. A writer in The Manchester Guardian shortly after Synge's death phrased it rightly when he wrote that it is "the tragic masterpiece of our language in our time; wherever it has been played in Europe from Galway to Prague, it has made the word tragedy mean something more profoundly stirring and cleansing to the spirit than it did."

"McGhee writes confidently as one who remembers the ordinariness of adolescence as well as its angst . . . and compellingly creates a protagonist blindsided by loss." — PUBLISHERS WEEKLY (starred review)For seventeen-year-old Rose, it keeps happening — the car crash. The car crash that put her sister, Ivy, in a coma with only a respirator keeping her alive. While Rose tries to find support from her reticent mother, distraction from the series of boys she meets at the town’s gorge at night, and empathy from her neighbor William T., what she really needs must come from within herself — a release of what’s been welling up inside. Heartrending, honest, and ultimately hopeful, this is the tale of a teenager overwhelmed by trauma and loss, yet steadied by loyal friendship and the solace of first love.

The tragic Sara Teasdale was one of the foremost female poets of the late 19th and early 20th centuries, with her formal style and focus on romance. "Rivers To the Sea" is a solid collection of her work, and has many of her best-known love poems in it. Beautiful words and Italy are what "Rivers to the Sea" is made of. And Sara Teasdale's melancholy love poetry is definitely a must-read, for lovers of poetry, or just plain lovers.