Books with title Moby Dick: By Herman Melville : Illustrated

On its publication in 1851, Moby-Dick baffled and enthralled readers and critics on both sides of the Atlantic. Hailed by some as a work of genius and the first truly American novel, it was dismissed by others as the ravings of a madman. It has since become widely accepted as a masterpiece that anticipates many of the experiments of modernism. The huge range of critical and academic debates about this monster of a novel confirms Moby-Dick's status as a vital and exhilarating exploration of the role of American ideology in defining modern consciousness. In this Readers' Guide, Nick Selby offers a clear view of the development of critical debate about Moby-Dick. The Guide starts with extracts from Melville's own letters and essays and from early reviews of Moby-Dick that set the terms for later critical evaluations. Subsequent chapters deal with the 'Melville Revival' of the 1920s and the novel's central place in the establishment, growth and reassessment of 'American Studies' in the 1940s and 1950s. The final chapters examine postmodern 'New Americanist' readings of the text, and how these provide us with new models for thinking about American culture.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Formatted for e-reader Illustrated About The Confidence-Man by Herman Melville The Confidence-Man: His Masquerade is the ninth book and final novel by American writer Herman Melville. The Confidence-Man portrays a Canterbury Tales–style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. Scholar Robert Milder notes: "Long mistaken for a flawed novel, the book is now admired as a masterpiece of irony and control, though it continues to resist interpretive consensus." The novel's title refers to its central character, an ambiguous figure who sneaks aboard a Mississippi steamboat on April Fool's Day. This stranger attempts to test the confidence of the passengers, whose varied reactions constitute the bulk of the text. Each person including the reader is forced to confront that in which he places his trust. The Confidence-Man uses the Mississippi River as a metaphor for those broader aspects of American and human identity that unify the otherwise disparate characters.[citation needed] Melville also employs the river's fluidity as a reflection and backdrop of the shifting identities of his "confidence man". The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and "Bartleby, the Scrivener" as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Confidence-Man by Herman Melville The Confidence-Man: His Masquerade is the ninth book and final novel by American writer Herman Melville. The Confidence-Man portrays a Canterbury Tales–style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. Scholar Robert Milder notes: "Long mistaken for a flawed novel, the book is now admired as a masterpiece of irony and control, though it continues to resist interpretive consensus." The novel's title refers to its central character, an ambiguous figure who sneaks aboard a Mississippi steamboat on April Fool's Day. This stranger attempts to test the confidence of the passengers, whose varied reactions constitute the bulk of the text. Each person including the reader is forced to confront that in which he places his trust. The Confidence-Man uses the Mississippi River as a metaphor for those broader aspects of American and human identity that unify the otherwise disparate characters.[citation needed] Melville also employs the river's fluidity as a reflection and backdrop of the shifting identities of his "confidence man". The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and "Bartleby, the Scrivener" as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Omoo by Herman Melville Omoo: A Narrative of Adventures in the South Seas is the second book by American writer Herman Melville, first published in London in 1847, and a sequel to his first South Sea narrative Typee, also based on the author's experiences in the South Pacific. After leaving the island of Nuku Hiva, the main character ships aboard a whaling vessel that makes its way to Tahiti, after which there is a mutiny and the majority of the crew are imprisoned on Tahiti. In the Preface to Omoo, Melville claimed to have written "from simple recollection" strengthened by his retelling the story many times before family and friends. Yet a scholar working in the late 1930s discovered that Melville had not simply relied on his memory and went on to reveal a wealth of sources. Later, Melville scholar Harrison Hayford made a detailed study of these sources and, in the introduction to a 1969 edition of Omoo, summed up the author's practice: "He had altered facts and dates, elaborated events, assimilated foreign materials, invented episodes, and dramatized the printed experiences of others as his own. He had not plagiarized, merely, for he had always rewritten and nearly always improved the passages he appropriated." Hayford showed that this was a repetition of a process previously used in Typee, "first writing out the narrative based on his recollections and invention, then using source books to pad out the chapters he had already written and to supply the stuff of new chapters that he inserted at various points in the manuscript."

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Confidence-Man by Herman Melville The Confidence-Man: His Masquerade is the ninth book and final novel by American writer Herman Melville. The Confidence-Man portrays a Canterbury Tales–style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. Scholar Robert Milder notes: "Long mistaken for a flawed novel, the book is now admired as a masterpiece of irony and control, though it continues to resist interpretive consensus." The novel's title refers to its central character, an ambiguous figure who sneaks aboard a Mississippi steamboat on April Fool's Day. This stranger attempts to test the confidence of the passengers, whose varied reactions constitute the bulk of the text. Each person including the reader is forced to confront that in which he places his trust. The Confidence-Man uses the Mississippi River as a metaphor for those broader aspects of American and human identity that unify the otherwise disparate characters.[citation needed] Melville also employs the river's fluidity as a reflection and backdrop of the shifting identities of his "confidence man". The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and "Bartleby, the Scrivener" as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated The Confidence-Man by Herman Melville The Confidence-Man: His Masquerade is the ninth book and final novel by American writer Herman Melville. The Confidence-Man portrays a Canterbury Tales–style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. Scholar Robert Milder notes: "Long mistaken for a flawed novel, the book is now admired as a masterpiece of irony and control, though it continues to resist interpretive consensus." The novel's title refers to its central character, an ambiguous figure who sneaks aboard a Mississippi steamboat on April Fool's Day. This stranger attempts to test the confidence of the passengers, whose varied reactions constitute the bulk of the text. Each person including the reader is forced to confront that in which he places his trust. The Confidence-Man uses the Mississippi River as a metaphor for those broader aspects of American and human identity that unify the otherwise disparate characters.[citation needed] Melville also employs the river's fluidity as a reflection and backdrop of the shifting identities of his "confidence man". The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and "Bartleby, the Scrivener" as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.