Books with title Lilith: classic literature

Lilith is a fantasy novel written by Scottish writer George MacDonald and first published in 1895. Lilith is considered among the darkest of MacDonald's works, and among the most profound. It is a story concerning the nature of life, death and salvation. Many believe MacDonald is arguing for Christian universalism, or the idea that all will eventually be saved. Mr. Vane, the protagonist of Lilith, owns a library that seems to be haunted by the former librarian, who looks much like a raven from the brief glimpses he catches of the wraith. After finally encountering the supposed ghost, the mysterious Mr. Raven, Vane learns that Raven had known his father; indeed, Vane's father had visited the strange parallel universe from which Raven comes and goes and now resides therein. Vane follows Raven into the world through a mirror (this symbolistic realm is described as "the region of the seven dimensions", a term taken from Jacob Boehme)

Eldorado, by Baroness Orczy is a sequel book to the classic adventure tale, The Scarlet Pimpernel. It was first published in 1913. The novel is notable in that it is the partial basis for most of the film treatments of the original book. It is 1794 and Paris, "despite the horrors that had stained her walls - has remained a city of pleasure, and the knife of the guillotine did scarce descend more often than did the drop-scenes on the stage." The plot begins when Sir Percy, the Scarlet Pimpernel, reluctantly agrees to take Armand St. Just, brother of his wife, Marguerite, with him to France as part of a plan to rescue the young Dauphin. Percy warns Armand not to renew any friendships while in Paris, but it doesn't take long before Armand has ignored his warnings and renewed a friendship with the scheming Baron de Batz (in the pay of the Austrian government), who wants to free the Dauphin himself and despises the Scarlet Pimpernel and all he represents. Whilst attending the opera with De Batz, Armand foolishly tells him that he is in the league of the Scarlet Pimpernel. While there, he falls in love with a young actress named Citizeness Jeanne L'Ange. De Batz introduces the couple backstage at the theatre and once they have fallen for each other, De Batz tells Citizen Heron of the general committee of Public Safety where and when they have arranged to meet.

Enoch Arnold Bennett (27 May 1867 - 27 March 1931) was an English novelist. Bennett was born in a modest house in Hanley in the Potteries district of Staffordshire. Hanley is one of a conurbation of six towns which joined together at the beginning of the twentieth century as Stoke-on-Trent. Enoch Bennett, his father, qualified as a solicitor in 1876, and the family were able to move to a larger house between Hanley and Burslem. The younger Bennett was educated locally in Newcastle-under-Lyme. Arnold was employed by his father - his duties included rent collecting. He was unhappy working for his father for little financial reward, and the theme of parental miserliness is important in his novels. In his spare time he was able to do a little journalism, but his breakthrough as a writer was to come after he had moved from his native Potteries. At the age of twenty-one, he left his father's practice and went to London as a solicitor's clerk. He won a literary competition in Tit-Bits magazine in 1889 and was encouraged to take up journalism full time.

A prominent turn-of-the-century social critic and lecturer, Charlotte Perkins Gilman is perhaps best known for her short story "The Yellow Wallpaper," a chilling study of a woman's descent into insanity, and Women and Economics, a classic of feminist theory that analyzes the destructive effects of women's economic reliance on men. In Herland, a vision of a feminist utopia, Gilman employs humor to engaging effect in a story about three male explorers who stumble upon an all-female society isolated somewhere in South America. Noting the advanced state of the civilization they've encountered, the visitors set out to find some males, assuming that since the country is so civilized, "there must be men." A delightful fantasy, the story enables Gilman to articulate her then-unconventional views of male-female roles and capabilities, motherhood, individuality, privacy, the sense of community, sexuality, and many other topics.

Putting romance onstage, The Tempest gives us a magician, Prospero, a former duke of Milan who was displaced by his treacherous brother, Antonio. Prospero is exiled on an island, where his only companions are his daughter, Miranda, the spirit Ariel, and the monster Caliban. When his enemies are among those caught in a storm near the island, Prospero turns his power upon them through Ariel and other spirits. The characters exceed the roles of villains and heroes. Prospero seems heroic, yet he enslaves Caliban and has an appetite for revenge. Caliban seems to be a monster for attacking Miranda, but appears heroic in resisting Prospero, evoking the period of colonialism during which the play was written. Miranda’s engagement to Ferdinand, the Prince of Naples and a member of the shipwrecked party, helps resolve the drama.

Cymbeline is a play by William Shakespeare, based on an early Celtic British King. Although listed as a tragedy in the First Folio, modern critics often classify it as a romance. Like Othello, Measure for Measure, and The Winter's Tale, it deals with the themes of innocence and jealousy. While its date of composition is unknown, the play is known to have been produced as early as 1611.

"Shall I tell you what a lady is? A lady is a woman who wears a silk gown, and has a sense of her own importance." Wilkie Collins's investigation of illegitimacy and 'the woman question' in No Name (1862) compels with a wholly different order of suspense from that of The Woman in White or The Moonstone. For its family secret - the Vanstone daughters' illegitimacy, their consequent disinheritance and fall from social grace - is revealed early on, and as Magdalen Vanstone struggles to reclaim her identity, the plot uncovers many a moral, social and legal skeleton in the cupboards of Victorian society. Mercurial and unscrupulous, Magdalen is Wilkie Collins's most exhilarating heroine, one of the rare subversives in Victorian fiction and a woman dazzlingly versatile in her powers of self-transformation. Through her, with great comic vigour, No Name exposes how social identity is constructed, and how it can be dismantled, buried, borrowed or invented.

This expanded edition of John Stuart Mill's Utilitarianism includes the text of his 1868 speech to the British House of Commons defending the use of capital punishment in cases of aggravated murder. The speech is significant both because its topic remains timely and because its arguments illustrate the applicability of the principle of utility to questions of large-scale social policy.

Like most of Shakespeare’s history plays, King John presents a struggle for the English crown. The struggle this time, however, is strikingly cold-blooded and brutal. John, the younger brother of the late Richard I, is the king, and a savage one. His opponent is a boy, his nephew Arthur, supported by the King of France and the Duke of Austria. After Arthur falls into John’s hands, John plots to torture him. Arthur’s capture gives Louis, the Dauphin of France, the opportunity to lay claim to John’s crown. John’s nobles support Louis, but he schemes to betray them. The play finds its hero in another figure: the Bastard, Sir Richard Plantagenet, an illegitimate son of Richard I. Although he has an appetite for war, he also has a strong conscience and speaks with trenchant irony.

On Liberty is a philosophical work by English philosopher John Stuart Mill, originally intended as a short essay. The work, published in 1859, applies Mill's ethical system of utilitarianism to society and the state. Mill attempts to establish standards for the relationship between authority and liberty. He emphasizes the importance of individuality which he conceived as a prerequisite to the higher pleasures—the summum bonum of Utilitarianism. Furthermore, Mill criticized the errors of past attempts to defend individuality where, for example, democratic ideals resulted in the "tyranny of the majority". Among the standards established in this work are Mill's three basic liberties of individuals, his three legitimate objections to government intervention, and his two maxims regarding the relationship of the individual to society "which together form the entire doctrine of [Mill's] Essay." The ideas presented in On Liberty have remained the basis of much liberal political thought. It has remained in print continuously since its initial publication. To this day, a copy of On Liberty is passed to the president of the British Liberal Democrats as a symbol of office. A copy of the same book is also presented to and then held by the president of the Liberal Party as a symbol of office.