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Books with title In a Hollow of the Hills: And Other Tales

  • In a Hollow of the Hills

    Bret Harte

    Paperback (CreateSpace Independent Publishing Platform, Sept. 8, 2015)
    It was very dark, and the wind was increasing. The last gust had been preceded by an ominous roaring down the whole mountain-side, which continued for some time after the trees in the little valley had lapsed into silence. The air was filled with a faint, cool, sodden odor, as of stirred forest depths. In those intervals of silence the darkness seemed to increase in proportion and grow almost palpable. Yet out of this sightless and soundless void now came the tinkle of a spur's rowels, the dry crackling of saddle leathers, and the muffled plunge of a hoof in the thick carpet of dust and desiccated leaves. Then a voice, which in spite of its matter-of-fact reality the obscurity lent a certain mystery to, said:—
  • In a Hollow of the Hills

    Bret Harte

    Paperback (HardPress Publishing, Jan. 29, 2010)
    None
  • In A Hollow of the Hills and Other Tales

    Bret Harte

    Hardcover (Houghton, Mifflin, Jan. 1, 1896)
    None
  • In a Hollow of the Hills

    Bret 1836-1902 Harte

    Paperback (Wentworth Press, Aug. 29, 2016)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • In a Hollow of the Hills

    Bret Harte

    eBook (, Sept. 13, 2020)
    In a Hollow of the Hills by Bret Harte
  • In a Hollow of the Hills

    Bret Harte

    Paperback (Dodo Press, May 25, 2007)
    Francis Bret Harte (1836-1902) was a prolific American author and poet, best remembered for his accounts of pioneering life in California. The spirit of Dickens breathes through the poems and stories of Bret Harte just as the spirit of Bret Harte breathes through the poems and stories of Kipling.
  • In a hollow of the hills,

    None

    Unknown Binding (Mifflin, Jan. 1, 1895)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • IN A HOLLOW OF THE HILLS

    Bret Harte

    (, June 24, 2012)
    CHAPTER I.It was very dark, and the wind was increasing. The last gust had been preceded by an ominous roaring down the whole mountain-side, which continued for some time after the trees in the little valley had lapsed into silence. The air was filled with a faint, cool, sodden odor, as of stirred forest depths. In those intervals of silence the darkness seemed to increase in proportion and grow almost palpable. Yet out of this sightless and soundless void now came the tinkle of a spur's rowels, the dry crackling of saddle leathers, and the muffled plunge of a hoof in the thick carpet of dust and desiccated leaves. Then a voice, which in spite of its matter-of-fact reality the obscurity lent a certain mystery to, said:— "I can't make out anything! Where the devil have we got to, anyway? It's as black as Tophet, here ahead!" "Strike a light and make a flare with something," returned a second voice. "Look where you're shoving to—now—keep your horse off, will ye." There was more muffled plunging, a silence, the rustle of paper, the quick spurt of a match, and then the uplifting of a flickering flame. But it revealed only the heads and shoulders of three horsemen, framed within a nebulous ring of light, that still left their horses and even their lower figures in impenetrable shadow. Then the flame leaped up and died out with a few zigzagging sparks that were falling to the ground, when a third voice, that was low but somewhat pleasant in its cadence, said:— "Be careful where you throw that. You were careless last time. With this wind and the leaves like tinder, you might send a furnace blast through the woods." "Then at least we'd see where we were." Nevertheless, he moved his horse, whose trampling hoofs beat out the last fallen spark. Complete darkness and silence again followed. Presently the first speaker continued:— "I reckon we'll have to wait here till the next squall clears away the scud from the sky? Hello! What's that?" Out of the obscurity before them appeared a faint light,—a dim but perfectly defined square of radiance,—which, however, did not appear to illuminate anything around it. Suddenly it disappeared. "That's a house—it's a light in a window," said the second voice. "House be d—d!" retorted the first speaker. "A house with a window on Galloper's Ridge, fifteen miles from anywhere? You're crazy!" Nevertheless, from the muffled plunging and tinkling that followed, they seemed to be moving in the direction where the light had appeared. Then there was a pause. "There's nothing but a rocky outcrop here, where a house couldn't stand, and we're off the trail again," said the first speaker impatiently. "Stop!—there it is again!" The same square of light appeared once more, but the horsemen had evidently diverged in the darkness, for it seemed to be in a different direction. But it was more distinct, and as they gazed a shadow appeared upon its radiant surface—the profile of a human face. Then the light suddenly went out, and the face vanished with it. "It IS a window, and there was some one behind it," said the second speaker emphatically. "It was a woman's face," said the pleasant voice. "Whoever it is, just hail them, so that we can get our bearings. Sing out! All together!" The three voices rose in a prolonged shout, in which, however, the distinguishing quality of the pleasant voice was sustained. But there was no response from the darkness beyond. The shouting was repeated after an interval with the same result: the silence and obscurity remained unchanged. "Let's get out of this," said the first speaker angrily; "house or no house, man or woman, we're not wanted, and we'll make nothing waltzing round here!" "Hush!" said the second voice. "Sh-h! Listen." The leaves of the nearest trees were trilling audibly. Then came a sudden gust that swept the fronds of the taller ferns into their faces, and laid the thin, lithe whips of alder over their horses' flanks sharply. It was followed by the dist
  • In a Hollow of the Hills

    Bret Harte

    Paperback (HardPress Publishing, Jan. 28, 2013)
    Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
  • In a Hollow of the Hills

    Bret Harte

    Paperback (Forgotten Books, June 29, 2012)
    Excerpt from In a Hollow of the HillsThe same square of light appeared once more, but the horsemen had evidently diverged in the darkness, for it seemed to be in a different direction. But it was more distinct, and as they gazed a shadow appeared upon its radiant surface - the outlined profile of a human face. Then the light suddenly went out and the face vanished with it.It is a window, and there was some one behind it, said the second speaker, emphatically.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • In the Hollow of the Hills and Other Tales

    Bret Harte

    Paperback (Wentworth Press, Feb. 24, 2019)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Tales of the Argonauts, And, in a Hollow of the Hills: And Other Tales

    Bret Harte

    Paperback (Forgotten Books, Jan. 20, 2018)
    Excerpt from Tales of the Argonauts, And, in a Hollow of the Hills: And Other TalesAS so much of my writing has dealt with the Argonauts of '49, I propose, by way of introduction, to discourse briefly on an episode of American life as quaint and typical as that of the Greek adventurers whose name I have bor rowed. It is a crusade Without a cross, an exodus with out a prophet. It is not a pretty story; I do not know that it is even instructive. It is of a life of which, per haps, the best that can be said is that it exists no longer.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.