Books with title Gideon's Band: A Tale of the Mississippi

Saturday, April, 1852. There was a fervor in the sky as of an August noon, although the clocks of the city would presently strike five.Dazzling white clouds, about to show the earliest flush of the sun's decline, beamed down upon a turbid river harbor, where the water was deep so close inshore that the port's unbroken mile of steamboat wharf nowhere stretched out into the boiling flood. Instead it merely lined the shore, the steamers packing in bow on with their noses to it, their sterns out in the stream, their fenders chafing each other's lower guards.New Orleans was very proud of this scene. Very prompt were her citizens, such as had travelled, to remind you that in many seaports vast warehouses and roofed docks of enormous cost thronged out so greedily to meet incoming craft that the one boat which you might be seeking you would find quite hidden among walls and roofs, and of all the rest of the harbor's general fleet you could see little or nothing. Not so on this great sun-swept, wind-swept, rain-swept, unswept steamboat levee. You might come up out of any street along that mile-wide front, and if there were a hundred river steamers in port a hundred you would behold with one sweep of the eye. Overhead was only the blue dome, in full view almost from rim to rim; and all about, amid a din of shouting, whip-cracking, scolding, and laughing, and a multitudinous flutter of many-colored foot-square flags, each marking its special lot of goods, were swarms of men—white, yellow, and black—trucking, tumbling, rolling, hand-barrowing, and "toting" on heads and shoulders a countless worth of freight in bags, barrels, casks, bales, boxes, and baskets. Hundreds of mules and drays came and went with this same wealth, and out beyond all, between wharf and open river, profiled on the eastern sky, letting themselves be unloaded and reloaded, stood the compacted, motionless, elephantine phalanx of the boats.

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Saturday, April, 1852. There was a fervor in the sky as of an August noon, although the clocks of the city would presently strike five. Dazzling white clouds, about to show the earliest flush of the sun's decline, beamed down upon a turbid river harbor, where the water was deep so close inshore that the port's unbroken mile of steamboat wharf nowhere stretched out into the boiling flood. Instead it merely lined the shore, the steamers packing in bow on with their noses to it, their sterns out in the stream, their fenders chafing each other's lower guards.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

George Washington Cable (October 12, 1844 - January 31, 1925) was an American novelist notable for the realism of his portrayals of Creole life in his native New Orleans, Louisiana. He has been called "the most important southern artist working in the late 19th century", as well as "the first modern southern writer." In his treatment of racism, mixed-race families and miscegenation, his fiction has been thought to anticipate that of William Faulkner.He also wrote articles critical of contemporary society. Due to hostility against him after two 1885 essays encouraging racial equality and opposing Jim Crow, Cable moved with his family to Northampton, Massachusetts. He lived there for the next thirty years, then moved to Florida. Cable was friends with Mark Twain, and the two writers did speaking tours together. In 1884 and 1885 they visited Toronto, Canada, twice, on a reading tour known as the "Twins of Genius" tour. Twain said of Cable that "when it comes down to moral honesty, limpid impotence, and utterly blameless piety, the Apostles were mere policemen [compared] to Cable," despite his dark, "indelicate" depictions of society. Twain also mentions Cable in his book Life on the Mississippi: The party had the privilege of idling through this ancient quarter of New Orleans with the South's finest literary genius, the author of "the Grandissimes." In him the South has found a masterly delineator of its interior life and its history. In truth, I find by experience, that the untrained eye and vacant mind can inspect it and learn of it and judge of it more clearly and profitably in his books than by personal contact with it.With Mr. Cable along to see for you, and describe and explain and illuminate, a jog through that old quarter is a vivid pleasure. And you have a vivid sense as of unseen or dimly seen things--vivid, and yet fitful and darkling; you glimpse salient features, but lose the fine shades or catch them imperfectly through the vision of the imagination: a case, as it were, of ignorant near-sighted stranger traversing the rim of wide vague horizons of Alps with an inspired and enlightened long-sighted native.Modern literary historians have said that Cable's treatment of racism in his fiction influenced the later work of William Faulkner and Robert Penn Warren. He has been called "the most important southern artist working in the late 19th century, as well as the first modern southern writer."In 2008 a new edition of his history of the South, including footnotes and research, was published by Louisiana State University Press under the title, The New Orleans of George Washington Cable: The 1887 Census Office Report, edited and with an introduction by Lawrence N. Powell.Cable may have coined the term "authors' editor", in his 1910 tribute to his editor Richard Watson Gilder, when he wrote "I think he was peculiarly an authors' editor, and not merely a publishers'."; this is the earliest known use of the term in print. (wikipedia.org)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.