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Books with title Daisy the autobiography of a cat

  • The Autobiography of a Clown

    Isaac F. Marcosson

    Paperback (CreateSpace Independent Publishing Platform, March 5, 2015)
    This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
  • The Autobiography of a Clown

    1876-1961 Marcosson, Isaac Frederick

    language (HardPress, June 23, 2016)
    HardPress Classic Books Series
  • The Autobiography of Satan

    John Beard

    (CreateSpace Independent Publishing Platform, May 15, 2012)
    Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. As this book is intended not so much for scholars as the general pubhc, I have not attempted more than a series of readable sketches. The same consideration has led me to adopt the aatobiographical form, which, with the supposition of an intelligent companion, gives me some of the advantages of a conversational style. Only in the large portion of the work devoted to the Scriptures have I, without departing from a popular manner, aimed at a certain degree of completeness. To handle adequately all the grave topics of this comprehensive theme would require a library instead of a volume. Having aimed at nothing less than to deal a blow at Traditionalism, Sacerdotalism and Satanism, which reciprocally evoke and support each other, and which, in a brood of superstitions, have inflicted on our race many of the direst evils under which it has suffered, I have simply pursued such a method as seemed to me most likely to conduce to my object. I may have missed my mark, but I shall pass the rest of my days in deeper satisfaction for having shot the arrow. And this observation leads me to say that personal considerations have exercised an influence in determining me to compose the book. My childhood and early youth were haunted by cruel phantasms which had their source in the gross superstition I now
  • The Autobiography of a Clown

    Isaac Marcosson

    language (Didactic Press, July 7, 2014)
    We who live in this breathless era are wont to look upon the circus as a temporary amusement makeshift. It is here to-day and gone to-morrow. Yet behind its spangled, tinseled array and restless movement are real traditions. Why has the circus endured in an age that craves new diversion? Simply because it is basic; because it fills a fundamental need; because it is a staple like wheat. Laughter is one of the few eternal things; therefore the circus which produces it takes on something of the same quality. More than this, the circus is as much an expression of art as the drama. Like art, it is universal. The clown being a world citizen interprets a world humor in which there is neither border line, race, nor creed. Most of the great humorists have been sad men, and thus the clown, clothed in his right mind, is grave and reflective. Though he wear cap and bells, he has not wanted for recognition among the great. Garrick, Kemble, and Booth have been glad to claim him as fellow-artists. But it is in the heart of the child that he has found his most grateful friend, and in a larger sense all the world is a child when it goes to the circus.
  • The Autobiography of a Clown

    Isaac Frederick Marcosson

    language (, July 3, 2014)
    When the article on which this little book is based appeared in the Saturday Evening Post we were amazed at the response it evoked. It simply proved that all the world loves a clown. In most of the comment and communication, however, there was a question as to the authenticity of the subject. I beg to say that Jules is a real personage and still the nimble producer of many laughs.It was while writing a series of articles on an entirely different phase of the circus that I first met Jules. I heard of him the moment I stepped into the circus world. So thoroughly had he impressed his personality; so deeply had he become at[Pg x]tached to its life, and so profoundly had he gained the respect of its people, that not to have heard of him argued that I was deaf and blind to everything about me. I found him the friend, philosopher, and guide of the nomadic city of tents that rose with the dawn and slipped away into the night. Despite its transiency, there was much permanency of character in its varied inhabitants. No one contributed more to its moral structure than Jules, the clown.We who live in this breathless era are wont to look upon the circus as a temporary amusement makeshift. It is here to-day and gone to-morrow. Yet behind its spangled, tinseled array and restless movement are real traditions. Why has the circus endured in an age that craves new diversion? Simply because it is basic; because it fills a fundamental need; because it is a staple like wheat. Laughter is one of the few eternal things; therefore the circus which produces it takes on something of the same quality. More than this, the circus is as much an expression of art as the drama. Like art, it is universal. The clown being a world citizen interprets a world humor in which there is neither border line, race, nor creed. Most of the great humorists have been sad men, and thus the clown, clothed in his right mind, is grave and reflective. Though he wear cap and bells, he has not wanted for recognition among the great. Garrick, Kemble, and Booth have been glad to claim him as fellow-artists. But it is in the heart of the child that he has found his most grateful friend, and in a larger sense all the world is a child when it goes to the circus.In my work I have had to be, on many occasions, the biographer of the great and the chronicler of much timely achievement. In all this swift march of people and events I have yet to meet a man whose devotion to the ideals of his art is more sincere than that which has animated Jules Turnour through the long years of his clowning. I have been with him in the tumult of tented travel and watched him in the roofed arena before the multitudes. Always I have found him proud to be a clown. To know him has indeed been a liberal education in character and loyalty.
  • The Autobiography of a Yogi

    Paramahansa Yogananda

    Hardcover (Arcturus Publishing Limited, Aug. 16, 2016)
    None
  • Bit of a Blur: The Autobiography

    Alex James

    Paperback (Little, Brown Book Group, May 28, 2008)
    For Alex James, music had always been a door to a more exciting life—a way to travel, meet new people, and, hopefully, pick up girls. But as bass player of Blur—one of the most successful British bands of all time—his journey was more exciting and extreme than he could ever have predicted. Success catapulted him from a slug-infested squat in Camberwell to a world of private jets and world-class restaurants. As "the second drunkest member of the world’s drunkest band" Alex James's life was always chaotic, but he retained a boundless enthusiasm and curiosity at odds with his hedonistic lifestyle. From nights in the Groucho with Damien Hirst, to dancing to Sister Sledge with Björk, to being bitten on the nose by the lead singer of Iron Maiden, he offers a fascinating and hilarious insight into the world of celebrity. At its heart, however, this is the picaresque tale of one man’s search to find meaning and happiness in an increasingly surreal world. Pleasingly unrepentant but nonetheless a reformed man, Alex James is the perfect chronicler of his generation—witty, frank and brimming with joie de vivre. A Bit of a Blur is as charming, funny, and deliciously disreputable as its author.
  • The Autobiography of a Thief

    Hutchins Hapgood

    Paperback (CreateSpace Independent Publishing Platform, March 19, 2014)
    The Autobiography of a Thief By Hutchins Hapgood
  • My Name is Meow: The Autobiography of A Cat

    S. Louise Patteson, Brad Church

    Paperback (Independently published, Sept. 19, 2018)
    The original book was inspired by a conversation the author, S. Louise Patteson, had at the 1895 annual convention of the S.P.C.A (Society for Prevention of Cruelty to Animals). It was published in 1901 to expose both children and adults to life from a cat’s perspective. The book has been enjoyed by readers both young and old. Ms. Patteson received a letter of gratitude from President Theodore Roosevelt, who desired his children to grow up to be kind to the weaker among us. In this little book, you will read about the life of a cat named, “Meow.” We first meet Meow as a kitten whose curiosity changes her life forever. Through the eyes of Meow, we see life from a cat’s perspective and how our human actions and attitudes impact our feline companions. Her story will speak to children as well as adults as she shares both the senseless cruelty and amazing kindness she experiences in her life. “Pussy Meow” is a treasure that is now in eBook and paperback formats for new generations to enjoy. While the story is over 100 years old, the truths it shares with us are timeless. Pet owners of all ages and from all walks of life will be entertained, informed and challenged from reading the autobiography of Meow. Happy reading!
  • Pussy Meow: The autobiography of a cat

    Susanna Louise Patteson

    Hardcover (George W. Jacobs & Co, March 15, 1903)
    None
  • The Autobiography of Mulan:

    Katie Morris

    Paperback (CreateSpace Independent Publishing Platform, March 13, 2012)
    The story of Mulan has inspired countless movies and legends. This book reimagines the life of Mulan, warrior princess, for modern readers. This is the first book of “The Princess Series”-—a new fictional series by Golgotha Press. Each book in the series reimagines folktales and fairytales for the modern reader. Included at the end of the book is the original poem that inspired the story of Mulan.
  • The Autobiography of a Slander

    Edna Lyall

    (ReadHowYouWant.com, Aug. 21, 2007)
    This autobiography by Ada Ellen Bayly gives full expression to her ideals and aim in life. Most of her works were under pseudonym and in this work she defends herself and her approach. A stimulating work that portrays a strong woman and her life-long struggle.