Books with title Babbitt

With an all-star cast including Stacy Keach, Helen Hunt, Edward Asner, Ted Danson and Richard Dreyfuss, this epic of the booming 1920s uniquely captures the relentless culture of American business. Babbitt is a true classic about conformity in small-town America, celebrated for its comic tone, satire, and vivid dialogue. Based on Sinclair Lewis's novel, first published in 1922. An L.A. Theatre Works full cast performance with Edward Asner as George F. Babbitt, and featuring: René Auberjonois, Bonnie Bedelia, Ed Begley Jr., Georgia Brown, Roscoe Lee Browne, Jack Coleman, Bud Cort, Ted Danson, William Devane, Richard Dreyfuss, Héctor Elizondo, Fionnula Flanagan, Robert Foxworth, Harry Hamlin, Julie Harris, Helen Hunt, Amy Irving, Stacy Keach, John Lithgow, Nan Martin, Marsha Mason, Richard Masur, Marian Mercer, Joanna Miles, Holly Palance, Judge Reinhold, Franklyn Seales, David Selby, Ally Sheedy, Madolyn Smith, James Whitmore, JoBeth Williams and Michael York. Directed by Gordon Hunt.

Babbitt, first published in 1922, is a satirical novel by Sinclair Lewis. Largely a critique of American culture, society, and behaviour, it challenges conformity and "the American Dream". Middle-aged George F. Babbitt, a property developer is a leading citizen in the town of Zenith. He is lovingly married to his wife Myra, with whom he has three children. Despite all his professional success and nice family, Babbitt believes he is living a dull, staid, middle-class life. He starts searching for a greater purpose but his life is poised on a slippery slope. His journey raises thought-provoking questions which were as relevant then as they are today.

In this sardonic portrait of the up-and-coming middle class during the prosperous 1920s, Sinclair Lewis (1885-1951) perfectly captures the sound, the feel, and the attitudes of the generation that created the cult of consumerism. With a sharp eye for detail and keen powers of observation, Lewis tracks successful realtor George Babbitt's daily struggles to rise to the top of his profession while maintaining his reputation as an upstanding family man.On the surface, Babbitt appears to be the quintessential middle-class embodiment of conservative values and enthusiasm for the well-to-do lifestyle of the small entrepreneur. But beneath the complacent facade, he also experiences a rising, nameless discontent. These feelings eventually lead Babbitt into risky escapades that threaten his family and his standing in the community.

QUITE RARE IN THE ORIGINAL MAROON DUST JACKET . BABBITT. 1ST EDITION, 1ST PRINTING, SECOND ISSUE? LINES 4 AND 5 CORRECTED ON PAGE 49. HARBRACE EDITION. RED BOARDS 401 PAGES. VERY GOOD CONDITION/GOOD ORIGINAL DUST JACKET. Harbrace titles listed on the back panel of the dust jacket. Front Dust Jacket panel states “ First American Title To Receive The Nobel Prize For Literature”.

'Zenith is the finest example of American life and prosperity to be found anywhere.' Zenith is the Midwestern city where George F. Babbitt lives and works. A successful real estate agent, his business provides all the material trappings and comfort he thinks he ought to have. He is a member of all the right clubs, and unquestioningly shares the same aspirations and ideas as his friends and fellow Boosters. Yet even complacent, conformist Babbitt dreams of romance and escape, and when his best friend does something to throw his world upside down, he rebels, and tries to find fulfilment in romantic adventures and liberal thinking. Hilarious and poignant, Babbitt turns the spotlight on middle America and strips bare the hypocrisy of business practice, social mores, politics, and religious institutions. A brilliant satire, it evokes an era and at the same time exposes a universal social malaise. Check out our other books at www.dogstailbooks.co.uk

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With an all-star cast including Stacy Keach, Helen Hunt, Edward Asner, Ted Danson and Richard Dreyfuss, this epic of the booming 1920s uniquely captures the relentless culture of American business. Babbitt is a true classic about conformity in small town America - celebrated for its comic tone, satire, and vivid dialogue. The play is based on Sinclair Lewis novel, first published in 1922. A L.A. Theatre Works full-cast performance featuring: Edward Asner, Rene Auberjonois, Bonnie Bedelia, Ed Begley Jr., Georgia Brown, Roscoe Lee Browne, Jack Coleman, Bud Cort, Ted Danson, William Devane, Richard Dreyfuss, Hector Elizondo, Fionnula Flanagan, Robert Foxworth, Harry Hamlin, Julie Harris, Helen Hunt, Amy Irving, Stacy Keach, John Lithgow, Nan Martin, Marsha Mason, Richard Masur, Marian Mercer, Joanna Miles, Holly Palance, Judge Reinhold, Franklyn Seales, David Selby, Ally Sheedy, Madolyn Smith, James Whitmore, JoBeth Williams and. Michael York.

THE towers of Zenith aspired above the morning mist; austere towers of steel and cement and limestone, sturdy as cliffs and delicate as silver rods. They were neither citadels nor churches, but frankly and beautifully office-buildings. The mist took pity on the fretted structures of earlier generations: the Post Office with its shingle-tortured mansard, the red brick minarets of hulking old houses, factories with stingy and sooted windows, wooden tenements colored like mud. The city was full of such grotesqueries, but the clean towers were thrusting them from the business center, and on the farther hills were shining new houses, homes—they seemed—for laughter and tranquillity. Over a concrete bridge fled a limousine of long sleek hood and noiseless engine. These people in evening clothes were returning from an all-night rehearsal of a Little Theater play, an artistic adventure considerably illuminated by champagne. Below the bridge curved a railroad, a maze of green and crimson lights. The New York Flyer boomed past, and twenty lines of polished steel leaped into the glare. In one of the skyscrapers the wires of the Associated Press were closing down. The telegraph operators wearily raised their celluloid eye-shades after a night of talking with Paris and Peking. Through the building crawled the scrubwomen, yawning, their old shoes slapping. The dawn mist spun away. Cues of men with lunch-boxes clumped toward the immensity of new factories, sheets of glass and hollow tile, glittering shops where five thousand men worked beneath one roof, pouring out the honest wares that would be sold up the Euphrates and across the veldt. The whistles rolled out in greeting a chorus cheerful as the April dawn; the song of labor in a city built—it seemed—for giants.