Books in Wordsworth Classics series

Melville's short stories are masterpieces. The best are to be appreciated on more than one level and those presented here are rich with symbolism and spiritual depth. Set in 1797, Billy Budd, Foretopman exploits the tension of this period during the war between England and France to create a tale of satanic treachery, tragedy and great pathos that explores human relationships and the inherently ambiguous nature of man-made justice. Tales such as Bartleby, Benito Cereno, The Lightning Rod Man, The Tartarus of Maids or I and My Chimney, show the timeless poetic power of Melville's writing as he consciously uses the disguise of allegory in various ways and to various ends.

Kipling's own drawings, with their long, funny captions, illustrate his hilarious explanations of How the Camel Got His Hump, How the Rhinoceros Got His Skin, How the Armadillo Happened, and other animal How's. He began inventing these stories in his American wife's hometown of Brattleboro, Vermont, to amuse his eldest daughter--and they have served ever since as a source of laughter for children everywhere.

An invaluable companion to The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer, Life on the Mississippi is Mark Twain's inimitable portrait of 'the great Father of Waters'. Part memoir, part travelogue, it expresses the full range of Twain's literary personality, and remains the most vivid, boisterous and provocative account of the cultural and societal history of the Mississippi Valley, from 'the golden age' of steamboating to the violence wrought by the Civil War. This new edition of Life on the Mississippi contains a comprehensive introduction, extensive annotations and a guide to further reading designed to appeal to both the student and the general reader.

Little Women is one of the best-loved children's stories of all time, based on the author's own youthful experiences. It describes the family life of the four March sisters living in a small New England community, Meg, the eldest, is pretty and wishes to be a lady; Jo, at fifteen is ungainly and unconventional with an ambition to be an author; Beth is a delicate child of thirteen with a taste for music and Amy is a blonde beauty of twelve. The story of their domestic adventures, their attempts to increase the family income, their friendship with the neighbouring Lawrence family, and their later love affairs remains as fresh and beguiling as ever. Good Wives takes up the story of the March sisters, some three years later, when, as young adults, they must face up to the inevitable trials and traumas of everyday life in their search for individual happiness.

Its eyes were on long horns like a snail's eyes... it had ears like a bat's ears, and its tubby body was shaped like a spider's and covered with thick, soft fur... and it had hands and feet like a monkey's. 'It' was the Psammead, the grumpy sand-fairy that could, if in the mood, grant a wish a day. When the five children befriend him they find that each wish granted often has a sting in its tail. Golden guineas are too difficult to spend, wings let them down in a most inconvenient way, and when they wish for Red Indians, the children forget that they can sometimes be a little warlike.

Introduction and Notes by Dr T.C.B. Cook Following the success of Pickwick Papers and Oliver Twist, Nicholas Nickleby was hailed as a comic triumph and firmly established Dickens as a 'literary gentleman'. It has a full supporting cast of delectable characters that range from the iniquitous Wackford Squeers and his family, to the delightful Mrs Nickleby, taking in the eccentric Crummles and his travelling players, the Mantalinis, the Kenwigs and many more. Combining these with typically Dickensian elements of burlesque and farce, the novel is eminently suited to dramatic adaptation. So great was the impact as it left Dickens' pen that many pirated versions appeared in print before the original was even finished. Often neglected by critics, Nicholas Nickleby has never ceased to delight readers and is widely regarded as one of the greatest comic masterpieces of nineteenth-centure literature.

Interest in supernatural phenomena was high during Charles Dickens lifetime. He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits. His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen. Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

Introduction and Notes by Norman Vance, Professor of English, University of Sussex Jude Fawley is a rural stone mason with intellectual aspirations. Frustrated by poverty and the indifference of the academic institutions at the University of Christminster, his only chance of fulfilment seems to lie in his relationship with his unconventional cousin, Sue Bridehead. But life as social outcasts proves undermining, and when tragedy occurs, Sue has no resilience and Jude is left in despair.

With an Introduction and Notes by Dr Sally Minogue. The Professor is Charlotte Brontë s first novel, in which she audaciously inhabits the voice and consciousness of a man, William Crimsworth. Like Jane Eyre he is parentless; like Lucy Snowe in Villette he leaves the certainties of England to forge a life in Brussels. But as a man, William has freedom of action, and as a writer Brontë is correspondingly liberated, exploring the relationship between power and sexual desire. William s first person narration reveals his attraction to the dominating directress of the girls school where he teaches, played out in the school s secret garden . Balanced against this is his more temperate relationship with one of his pupils, Frances Henri, in which mastery and submission interplay. The Professor was published only after Charlotte Brontë s death; today it gives us a fascinating insight into the first stirrings of her supreme creative imagination.

Wharton's Pulitzer Prize-winning novel set in upper class New York City. Newland Archer, gentleman lawyer and heir to one of New York City's best families, is happily anticipating a highly desirable marriage to the sheltered and beautiful May Welland. Yet he finds reason to doubt his choice of bride after the appearance of Countess Ellen Olenska, May's exotic, beautiful 30-year-old cousin, who has been living in Europe. This novel won the first ever Pulitzer awarded to a woman. Widely regarded as one of Edith Wharton's greatest achievements, The Age of Innocence is not only subtly satirical, but also a sometimes dark and disturbing comedy of manners in its exploration of the 'eternal triangle' of love. Set against the backdrop of upper-class New York society during the 1870s, the author's combination of powerful prose combined with a thoroughly researched and meticulous evocation of the manners and style of the period, has delighted readers since the novel's first publication in 1920. In 1921 The Age of Innocence achieved a double distinction - it won the Pulitzer Prize and it was the first time this prestigious award had been won by a woman author.

With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex Laurence Sterne s The Life and Opinions of Tristram Shandy, Gentleman is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography. This mercurial eighteenth-century text thus anticipates modernism and postmodernism. Vibrant and bizarre, Tristram Shandy provides an unforgettable experience. We may see why Nietzsche termed Sterne the most liberated spirit of all time .

When Jerry, Jimmy and Cathy discover a tunnel that leads to a castle, they pretend that it is enchanted. But when they discover a Sleeping Princess at the centre of a maze, astonishing things begin to happen. Amongst a horde of jewels they discover a ring that grants wishes. But wishes granted are not always wishes wanted, so the children find themselves grappling with invisibility, dinosaurs, a ghost and the fearsome Ugli-Wuglies before it is all resolved. This edition of The Enchanted Castle has forty-seven evocative illustrations by H.R. Millar