Books published by publisher ZeuzssGreen Innovative Press

The most popular pirate story ever written in English, featuring one of literature’s most beloved “bad guys,” Treasure Island has been happily devoured by several generations of boys—and girls—and grownups. Its unforgettable characters include: young Jim Hawkins, who finds himself owner of a map to Treasure Island, where the fabled pirate booty is buried; honest Captain Smollett, heroic Dr. Livesey, and the good-hearted but obtuse Squire Trelawney, who help Jim on his quest for the treasure; the frightening Blind Pew, double-dealing Israel Hands, and seemingly mad Ben Gunn, buccaneers of varying shades of menace; and, of course, garrulous, affable, ambiguous Long John Silver, who is one moment a friendly, laughing, one-legged sea-cook . . . and the next a dangerous pirate leader!The unexpected and complex relationship that develops between Silver and Jim helps transform what seems at first to be a simple, rip-roaring adventure story into a deeply moving study of a boy’s growth into manhood, as he learns hard lessons about friendship, loyalty, courage and honor—and the uncertain meaning of good and evil.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

The author sets before the reader a lifelike picture of the deities of classical times as they were conceived and worshipped by the ancients themselves, and thereby to awaken in the minds of young students a desire to become more intimately acquainted with the noble productions of classical antiquity. The aim was to render the legends, which form the second portion of this work, a picture of old Greek life; its customs, superstitions, and princely hospitalities, for which reason they are given at somewhat greater length than is usual in works of this kind.

French naturalist Dr. Aronnax embarks on an expedition to hunt down a sea monster, only to discover instead the Nautilus, a remarkable submarine built by the enigmatic Captain Nemo. Together Nemo and Aronnax explore the underwater marvels, undergo a transcendent experience amongst the ruins of Atlantis, and plant a black flag at the South Pole. But Nemo's mission is one of revenge-and his methods coldly efficient.