Books published by publisher Milkweed Editions, 2004

Fiercely funny and entirely original, this debut collection of stories takes readers from the United States to Israel—and back—to examine the mystifying reaches of our own minds and hearts.The characters of The Worlds We Think We Know are swept up by forces beyond their control: war, adulthood, family—and their own emotions, as powerful as the sandstorm that gusts through these stories. In Ohio, a college student cruelly enlists the help of the boy who loves her to attract the attention of her own crush. In Israel, a young American woman visits an uncommunicative Holocaust survivor and falls in love with a soldier. And from an unnamed Eastern European country, a woman haunts the husband who left her behind for a new life in New York City.The Worlds We Think We Know is a dazzling debut—clear-eyed, hilarious, and heartbreaking.

Selected by Ross Gay as winner of the inaugural Jake Adam York Prize, Analicia Sotelo’s debut collection of poems is a vivid portrait of the artist as a young woman.In Virgin, Sotelo walks the line between autobiography and mythmaking, offering up identities like dishes at a feast. These poems devour and complicate tropes of femininity—of naiveté, of careless abandon—before sharply exploring the intelligence and fortitude of women, how “far & wide, / how dark & deep / this frigid female mind can go.” A schoolgirl hopelessly in love. A daughter abandoned by her father. A seeming innocent in a cherry-red cardigan, lurking at the margins of a Texas barbeque. A contemporary Ariadne with her monstrous Theseus. A writer with a penchant for metaphor and a character who thwarts her own best efforts. “A Mexican American fascinator.” At every step, Sotelo’s poems seduce with history, folklore, and sensory detail—grilled meat, golden habañeros, and burnt sugar—before delivering clear-eyed and eviscerating insights into power, deceit, relationships, and ourselves. Here is what it means to love someone without truly understanding them. Here is what it means to be cruel. And here is what it means to become an artist, of words and of the self. Blistering and gorgeous, Virgin is an audacious act of imaginative self-mythology from one of our most promising young poets.

A KIRKUS BEST BOOK OF 2018 In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer. Over the next four years―in which Ritvo’s illness returned and his health declined, even as his productivity bloomed―the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. “We’ll always know one another forever, however long ever is,” Ritvo writes. “And that’s all I want―is to know you forever.” Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife.

Marena struggles to remember the past: a time before the Zero Tolerance Party murdered her mother and put her father under house arrest. A time before they installed listening devices in every home and outlawed writing. A time when she was free. But it feels like the only thing the new, repressive government wants is to have Marena forget. When the Minister of Education, Helmsley Greengritch, cracks down on Marena’s youth training facility, she knows she has to fight back. In the spirit of her revolutionary mother, she forms her own resistance group—the White Rose. With nothing but words and a hunger for freedom, Marena fights for what she knows is right, only to discover the ZT Party's horrifying plans for the country. A thrilling story of resistance and the power of art, The Silenced draws upon the true story of Sophie Scholl and the White Rose group's resistance to the Nazi party.

Fiercely funny and entirely original, this debut collection of stories takes readers from the United States to Israel and back again to examine the mystifying reaches of our own minds and hearts. The characters of The Worlds We Think We Know are animated by forces at once passionate and perplexing. At a city zoo, a mismatched couple unite by releasing rare birds. After being mugged in the streets of New York, a professor must repeat the crime to recover his memory―and his lost love. In Tel Aviv, a sandstorm rages to expose old sorrows and fears as far away as Ohio. And from an unnamed Eastern European country, a woman haunts the husband who left her behind for a new life in America. In Dalia Rosenfeld's prose, the foreign becomes familiar and the mundane magical. The Worlds We Think We Know is a dazzling debut―clear-eyed, empathetic, and heartbreaking.

WINNER OF THE MILKWEED PRIZE FOR CHILDREN'S LITERATUREWINNER OF THE 2013 PATERSON PRIZE FOR BOOKS FOR YOUNG READERSALA RAINBOW LIST RECOMMENDED BOOKAMELIA BLOOMER PROJECT LIST RECOMMENDED BOOKLAMBDA LITERARY AWARD FINALISTMINNESOTA BOOK AWARD FINALISTFOREWARD REVIEWS BOOK OF THE YEAR HONORABLE MENTIONIn the summer of 1926, sixteen-year-old Garnet Richardson is sent to a lake resort to escape the polio epidemic in the city. She dreams of indulging her passion for ornithology and visiting the famous new amusement park--a summer of fun before she returns for her final year of high school, after which she’s expected to marry a nice boy and settle into middle-class homemaking. But in the country, Garnet finds herself under the supervision of equally oppressive guardians--her father’s wealthy cousin and the matron’s stuck-up daughter. Only a liberating job in a hat shop, an intense, secret relationship with a daring and beautiful flapper, and a deep faith in her own fierce heart can save her from the suffocating boredom of traditional femininity.

When the summer of 1964 begins, Cooper (who is white) and Jubal (who is black), form a secret society, The Scorpions, and debate whether to invite another boy, Squirrel, to join. When freedom workers come to town to register blacks to vote, the quiet pace of the summer changes dramatically. Cooper must decide how to react when his father makes him attend KKK meetings. Cooper is the only white member of the Oak Grove Baptist Church. His attendance at the KKK klaverns makes him unwelcome in the black community, as does word that he was spotted with a group of Klansmen who burned down houses in the black part of town. Cooper’s uncle Chicago helps guide him through these turbulent times. As the summer progresses, the pastor at Oak Grove Baptist Church somehow manages to learn in advance of Klan plans. He says the news comes from the Angel Gabriel. When the warnings suddenly cease, Cooper learns the secret of Gabriel’s identity and must decide what role he will play, and on which side.

Depicting with humor and insight the pressure to be outwardly perfect, this novel for ages 10-13 shows how one girl develops compassion for her own and others’ imperfections.For 13-year-old Isabelle Lee, whose father has recently died, everything's normal on the outside. Isabelle describes the scene at school with bemused accuracy--the self-important (but really not bad) English teacher, the boy that is constantly fixated on Ashley Barnum, the prettiest girl in class, and the dynamics of the lunchroom, where tables are turf in a all-eyes-open awareness of everybody's relative social position.But everything is not normal, really. Since the dealth of her father, Isabelle's family has only functioned on the surface. Her mother, who used to take care of herself, now wears only lumpy, ill-fitting clothes, cries all night, and has taken every picture of her dead husband and put them under her bed. Isabelle tries to make light of this, but the underlying tension is expressed in overeating and then binging. As the novel opens, Isabelle's little sister, April, has told their mother about Isabelle's problem. Isabelle is enrolled in group therapy. Who should show up there, too, but Ashley Barnum, the prettiest, most together girl in class.

Fifteen-year-old Calli has just about everything she could want in life—two loving moms, a good-looking boyfriend, and a best friend who has always been there for support. An only child, Calli is excited when her parents announce that they want to be foster parents. Unfortunately, being a foster sister to Cherish is not at all what Calli expected. First Cherish steals Calli’s boyfriend, then begins to pit Calli’s moms against one another, and she even steals Calli’s iPod. Tired of being pushed around and determined to get even, Calli steals one of Cherish’s necklaces. But this plan for revenge goes horribly awry, and Cherish ends up in juvenile detention.Isolating herself from her moms, her boyfriend, and even her best friend, Calli wrestles with her guilt and tries to figure out a way to undo the damage she’s caused. When her moms are asked to take on another foster child, Calli sees an opportunity to make amends for her past mistakes.Funny, moving, and emotionally rich, Calli is a portrait of an endearing young woman caught between adolescence and adulthood, striving to do the right thing even when all of her options seem wrong.

When 12-year-old Andy meets Laurie and Jeff at an adoption party, he has already been in eight foster homes. Andy’s alcoholic mother has given him up to the state as “too hard to handle,” and his father is in jail. Andy longs for a loving home and parents he can trust, but his attention deficit disorder, combined with the legacy of his dysfunctional parents, causes him to constantly challenge authority. He steals, destroys property, gets in trouble at school, tries to make a gunpowder bomb, and accuses Jeff, his soon-to-be father, of touching him inappropriately. To make matters worse, Andy’s real father shows up asking for money. But Andy’s new parents refuse to give up on him, and Andy must fight to save his soon-to-be-father’s reputation and his own chance at having a real family.