Books published by publisher COUNTERPOINT

NATIONAL BESTSELLER"Neely’s naturalist, erudite work will appeal to readers of Thoreau’s Walden and Edward Abbey’s Desert Solitaire." —Publishers Weekly"Rich in little-known history. . . Up the Santa Barbara and San Luis Obispo county coasts, then inland into the Salinas Valley to Monterey Bay. Somewhere along here, the owl moons and woodpeckers do something you might not have thought possible in 2019: they make you fall, or refall, in love with California, ungrudgingly, wildfires and insane housing prices and all . . . What a journey, you think. What a state."—San Francisco ChronicleIn Alta California, Nick Neely chronicles his 650-mile trek on foot from San Diego to San Francisco, following the route of the first overland Spanish expedition into what was soon called Alta California. Led by Gaspar de Portolá in 1769, the expedition sketched a route that would become, in part, the famous El Camino Real. It laid the foundation for the Golden State we know today, a place that remains as mythical and captivating as any in the world. Neely grew up in California but realized how little he knew about its history. So he set off to learn it bodily, with just a backpack and a tent, trekking through stretches of California both lonely and urban. For twelve weeks, following the journal of expedition missionary Father Juan Crespí, Neely kept pace with the ghosts of the Portolá expedition—nearly 250 years laterWeaving natural and human history, Alta California relives his adventure, tells a story of Native cultures and the Spanish missions that soon devastated them, and explores the evolution of California and its landscape. The result is a collage of historical and contemporary California, of lyricism and pedestrian serendipity, and of the biggest issues facing California today—water, agriculture, oil and gas, immigration, and development—all of it one step at a time.

In the whirling noise of our advancing technological age, we are seemingly never alone, never out-of-touch with the barrage of electronic data and information.Felicity Aston, physicist and meteorologist, took two months off from all human contact as she became the first woman -- and only the third person in history – to ski across the entire continent of Antarctica alone. She did it, too, with the simple apparatus of cross-country, without the aids used by her prededecessors – two Norwegian men – each of whom employed either parasails or kites.Aston’s journey across the ice at the bottom of the world asked of her the extremes in terms of mental and physical bravery, as she faced the risks of unseen cracks buried in the snow so large they might engulf her and hypothermia due to brutalizing weather. She had to deal, too, with her emotional vulnerability in face of the constant bombardment of hallucinations brought on by the vast sea of whiteness, the lack of stimulation to her senses as she faced what is tantamount to a form of solitary confinement.Like Cheryl Strayed’s Wild, Felicity Aston’s Alone in Antarctica becomes an inspirational saga of one woman’s battle through fear and loneliness as she honestly confronts both the physical challenges of her adventure, as well as her own human vulnerabilities.

Winner of the 2016 B&N Discover Great New Writers Award for FictionIn The Lightkeepers, we follow Miranda, a nature photographer who travels to the Farallon Islands, an exotic and dangerous archipelago off the coast of California, for a one-year residency capturing the landscape. Her only companions are the scientists studying there, odd and quirky refugees from the mainland living in rustic conditions; they document the fish populations around the island, the bold trio of sharks called the Sisters that hunt the surrounding waters, and the overwhelming bird population who, at times, create the need to wear hard hats as protection from their attacks.Shortly after her arrival, Miranda is assaulted by one of the inhabitants of the islands. A few days later, her assailant is found dead, perhaps the result of an accident. As the novel unfolds, Miranda gives witness to the natural wonders of this special place as she grapples with what has happened to her and deepens her connection (and her suspicions) to her companions, while falling under the thrall of the legends of the place nicknamed “the Islands of the Dead.” And when more violence occurs, each member of this strange community falls under suspicion.The Lightkeepers upends the traditional structure of a mystery novel —an isolated environment, a limited group of characters who might not be trustworthy, a death that may or may not have been accidental, a balance of discovery and action —while also exploring wider themes of the natural world, the power of loss, and the nature of recovery. It is a luminous debut novel from a talented and provocative new writer.

One of America’s most acclaimed writers deepens and expands his great literary saga set in small-town Kentucky spanning the Civil War to the present. For more than fifty years, Wendell Berry has been telling us stories about Port William, a mythical town on the banks of the Kentucky River, populated over the years by a cast of unforgettable characters living in a single place over a long time. In A Place in Time, the stories dates range from 1864, when Rebecca Dawe finds herself in her own reflection at the end of the Civil War, to one from 1991 when Grover Gibbs’ widow, Beulah, attends the auction as her home place is offered for sale. Written in “a style as clean and distinctive as H—emingway’s” and “as perspicacious as Mark Twain’s” (Booklist, Starred Review), the twenty stories here deepen Berry’s Port William saga, one of the great works in American literature. This collection, the tenth volume in the series, is the perfect occasion to celebrate Berry’s huge achievement. It feels as if the entire membership—all the Catletts, Burley Coulter, Elton Penn, the Rowanberrys, Laura Milby, the preacher’s wife, Kate Helen Branch, Andy’s dog, Mike—nearly everyone returns with a story or two, to fill in the gaps in this long tale. Those just now joining the Membership will be charmed. Those who’ve attended before will be enriched. “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly

NATIONAL BESTSELLER "Neely’s naturalist, erudite work will appeal to readers of Thoreau’s Walden and Edward Abbey’s Desert Solitaire." ―Publishers Weekly "Rich in little-known history. . . Up the Santa Barbara and San Luis Obispo county coasts, then inland into the Salinas Valley to Monterey Bay. Somewhere along here, the owl moons and woodpeckers do something you might not have thought possible in 2019: they make you fall, or refall, in love with California, ungrudgingly, wildfires and insane housing prices and all . . . What a journey, you think. What a state."―San Francisco Chronicle In Alta California, Nick Neely chronicles his 650-mile trek on foot from San Diego to San Francisco, following the route of the first overland Spanish expedition into what was soon called Alta California. Led by Gaspar de Portolá in 1769, the expedition sketched a route that would become, in part, the famous El Camino Real. It laid the foundation for the Golden State we know today, a place that remains as mythical and captivating as any in the world. Neely grew up in California but realized how little he knew about its history. So he set off to learn it bodily, with just a backpack and a tent, trekking through stretches of California both lonely and urban. For twelve weeks, following the journal of expedition missionary Father Juan Crespí, Neely kept pace with the ghosts of the Portolá expedition―nearly 250 years later Weaving natural and human history, Alta California relives his adventure, tells a story of Native cultures and the Spanish missions that soon devastated them, and explores the evolution of California and its landscape. The result is a collage of historical and contemporary California, of lyricism and pedestrian serendipity, and of the biggest issues facing California today―water, agriculture, oil and gas, immigration, and development―all of it one step at a time.

"How can stories this brief be so satisfying? . . . [McGraw] deals with the profound, the dire, the mundane, and the ridiculous, paying particular attention to relationships between parents and children, siblings, spouses, criminals, and their victims. While some stories are meant purely to amuse, many are intense and beautiful . . . Fifty-three gems that demonstrate all the things a short story can do. Wow." —Kirkus Reviews (starred review) Claire Messud described Erin McGraw’s last collection of stories as “at once laugh-out-loud funny and utterly serious, [exploring] life’s profundity through its details.” This is even more true with McGraw’s new collection, Joy. In these very short stories, narrators step out of themselves to explain their lives to us, sometimes defensively, sometimes regretfully, other times deceitfully. Voices include those of the impulsive first-time murderer, the depressed pet sitter, the assistant of Patsy Cline, the anxiety-riddled new mother, the aged rock-and-roller, the girlfriend of your husband—human beings often (incredibly) unaware of the turning points staring them in the face. Crossing time, states, class, and religions, McGraw’s stories are on the edge, causing you to wince even as you laugh. And McGraw will draw you to a deep need to read some sentences aloud—a sweet voice, a shrewd insight, some uneasy charm.

Nathan Coulter, Wendell Berry’s first book, was published in 1960 when he was twenty-seven. In his first novel, the author presents his readers with their first introduction to what would become Berry’s life’s work, chronicling through fiction a place where the inhabitants of Port William form what is more than community, but rather a “membership” in interrelatedness, a spiritual community, united by duty and bonds of affection for one another and for the land upon which they make their livelihood.When young Nathan loses his grandfather, Berry guides readers through the process of Nathan's grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry's own strongly held beliefs, Nathan tells us that his grandfather's life "couldn't be divided from the days he'd spent at work in his fields." Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.

"With its keen attention to the language and tactics of the church, Hall’s memoir is unique among the assortment of Scientology reports and exposés, offering insight into the certainties that its subjects gain." —The Nation In the secluded canyons of Hollywood, Sands Hall—a young woman from a literaryfamily striving to forge her own way as an artist—finds herself increasingly drawntoward the certainty that Scientology appears to offer. Her time in the Church, the1980s, includes the secretive illness and death of its founder, L. Ron Hubbard, andthe ascension of David Miscavige. In Reclaiming My Decade Lost in Scientology, Hall compellingly reveals what drew her into the religion—what she found intriguing anduseful—and how she came to confront its darker sides and escape."Some of the most penetrating, illuminating prose about how an educated and skeptical person could get so deeply into, and then struggle to escape, what everyone around her warned was a dangerous cult . . . brilliant." —The Underground Bunker "If it is Scientology's offer of a life with meaning that hauls her in . . . it is its approach to meaning that keeps her . . . Hall's fascination with this is palpable." —Camille Ralphs, The Times Literary Supplement

Named a New York Times Best Book of the Year, 2016.For a slave in the 1840s South, life on the run can be just as dangerous as life under a sadistic Massa. That’s what fifteen-year-old Naomi learns after she escapes the brutal confines of life on an Alabama plantation and takes refuge in a Georgia brothel run by a gun-toting Jewish madam named Cynthia. Amidst a revolving door of gamblers and prostitutes, Naomi falls into a love affair with a smooth-talking white man named Jeremy.The product of their union is Josey, whose white skin and blond hair mark her as different from the others on the plantation. Having been taken in as an infant by a free slave named Charles, Josey has never known her mother, who was murdered at her birth. Josey soon becomes caught in the tide of history when news of the Emancipation Proclamation reaches her and a day of supposed freedom turns into one of unfathomable violence that will define Josey—and her lost mother—for years to come.Grace is a sweeping, intergenerational saga featuring a group of outcast women during one of the most compelling eras in American history. It is a universal story of freedom, love, and motherhood, told in a dazzling and original voice set against a rich and transporting historical backdrop.

Winner of the Booker Prize, this profound and powerful novel intertwines two stories of two Indias over half a century. Set in colonial India during the 1920s, Heat and Dust tells the story of Olivia, a beautiful woman suffocated by the propriety and social constraints of her position as the wife of an important English civil servant. Longing for passion and independence, Olivia is drawn into the spell of the Nawab, a minor Indian prince deeply involved in gang raids and criminal plots. She is intrigued by the Nawab’s charm and aggressive courtship, and soon begins to spend most of her days in his company. But then she becomes pregnant, and unsure of the child’s paternity, she is faced with a wrenching dilemma. Her reaction to the crisis humiliates her husband and outrages the British community, breeding a scandal that lives in collective memory long after her death. The Times praised Jhabvala’s eighth novel as “a book of cool, controlled brilliance . . . a jewel to be treasured,” while the Guardian called “her tussle with India . . . one of the richest treats of contemporary literature.” “An obscure and somber novel, tense with undisclosed judgments and meanings that crouch and whisper just beyond one’s reach.” —New York Times

A young boy takes a trip on his own to visit his grandparents in Kentucky in this luminous entry in the acclaimed Port William series. In this “eloquent distillation of Berry’s favorite themes: the importance of family, community and respect for the land” (Kirkus Reviews), nine-year-old Andy Catlett embarks on a solo trip by bus to visit his grandparents in Port William, Kentucky, during the Christmas of 1943. Full of “nostalgic, admiring detail” (Publishers Weekly), Andy observes the modern world crowding out the old ways, and the people he encounters become touchstones for his understanding of a precious and imperiled world. This beautiful, short memoir-like novel is a perfect introduction to Wendell Berry’s rich and ever-evolving saga of the Port William Membership, filled with images “as though describing a painting by Edward Hopper” (New York Times).