Other editions of book A Room with a View

How is this book unique? Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes.Includes: 15 Colored Illustrations and BiographyA Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the repressed culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. Merchant-Ivory produced an award-winning film adaptation in 1985.The Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century (1998).The first part of the novel is set in Florence, Italy, and describes a young English woman's first visit to Florence, at a time when upper middle class English women were starting to lead independent, adventurous lives. Lucy Honeychurch is touring Italy with her overbearing older cousin and chaperone, Charlotte Bartlett, and the novel opens with their complaints about the hotel, "The Pension Bertolini." Their primary concern is that although rooms with a view of the River Arno have been promised for each of them, their rooms instead look over a courtyard. A Mr. Emerson interrupts their "peevish wrangling," offering to swap rooms as he and his son, George Emerson, look over the Arno. This behaviour causes Miss Bartlett some consternation, as it appears impolite. Without letting Lucy speak, Miss Bartlett refuses the offer, looking down on the Emersons because of their unconventional behaviour and thinking it would place her under an "unseemly obligation" towards them. However, another guest at the pension, an Anglican clergyman named Mr. Beebe, persuades the pair to accept the offer, assuring Miss Bartlett that Mr. Emerson only meant to be kind.The next day, Lucy embarks on a tour of Florence with another guest, Miss Eleanor Lavish, a novelist who shows Lucy the back streets of Florence, takes her Baedeker guidebook and subsequently loses her in Santa Croce, where Lucy meets the Emersons again. Although their manners are awkward and they are deemed socially unacceptable by the other guests, Lucy likes them and continues to run into them in Florence. One afternoon Lucy witnesses a murder in Florence. George Emerson happens to be nearby and catches her when she faints. Lucy asks George to retrieve some photographs of hers that happen to be near the murder site. George, out of confusion, throws her photographs into the river because they were spotted with blood. Lucy observes how boyish George is. As they stop to look over the River Arno before making their way back to the hotel, they have an intimate conversation. After this, Lucy decides to avoid George, partly because she is confused by her feelings and partly to keep her cousin happy—Miss Bartlett is wary of the eccentric Emersons, particularly after a comment made by another clergyman, Mr. Eager, that Mr. Emerson "murdered his wife in the sight of God." Later on in the week, a party made up of Beebe, Eager, the Emersons, Miss Lavish, Miss Bartlett and Lucy Honeychurch make their way to Fiesole, in carriages driven by Italians. The driver is permitted to invite a woman he claims is his sister onto the box of the carriage, and when he kisses her, Mr. Eager promptly forces the lady to get off the carriage box. Mr. Emerson remarks how it is defeat rather than victory to part two people in love. In the fields, Lucy searches for Mr. Beebe, and asks in poor Italian for the driver to show her the way. Misunderstanding, he leads her to a field where George stands. George is overcome by Lucy's beauty among a field of violets and kisses her, but they are interrupted by Lucy's cousin, who is outraged. Lucy promises Miss Bartlett that she will not tell her mother of the "insult" George has paid her because Miss Bartlett fears she will be blamed.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.(Additional author biography)

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.(Additional author biography)

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.(Additional author biography)

"A Room with a View" by E. M. Forster. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.

The main themes of this novel include the empowerment of a young Edwardian girl, sensual awakening, the role of institutional religion, growing up and true love. It is written in the third person omniscient, though particular passages are often seen "through the eyes" of a specific character. A Room with a View is Forster's most romantic and optimistic book. He utilizes many of his trademark techniques, including contrasts between "dynamic" and "static" characters. "Dynamic" characters are those whose ideas and inner-self develop or change in the plot, whereas "static" characters remain constant. Published in 1908, the novel touches upon many issues surrounding society and politics in early 20th century Edwardian culture. Forster differentiates between conservative and radical thinking, illustrated in part by his contrasts between Medieval (Mr. Beebe, Miss Bartlett, Cecil Vyse) and Renaissance characters (Lucy, the Emersons). Lucy personifies the young and impressionable generation emerging during that era, during which women's suffrage would gain strong ground. Forster, manifesting his own hopes for society, ends the book with Lucy having chosen her own path-a free life with the man she loves. The novel could even be called a Bildungsroman, as it follows the development of the protagonist. Forster was President of the Cambridge Humanists from 1959 until his death and a member of the Advisory Council of the British Humanist Association from 1963 until his death. His views as a humanist are at the heart of his work, which often depicts the pursuit of personal connections in spite of the restrictions of contemporary society. Forster's two best-known works, A Passage to India and Howards End, explore the irreconcilability of class differences. A Room with a View also shows how questions of propriety and class can make human connection difficult. The novel is his most widely read and accessible work, remaining popular long after its original publication. His posthumous novel Maurice explores the possibility of class reconciliation as one facet of a homosexual relationship. Sexuality is another key theme in Forster's works. Some critics have argued that a general shift from heterosexual to homosexual love can be observed through the course of his writing career.

This novel presents the story of Lilia, a young English widow who falls in love with an Italian man, and of the efforts of her bourgeois relatives to get her back from Monteriano. Next, Forster published The Longest Journey (1907), an inverted bildungsroman following the lame Rickie Elliott from Cambridge to a career as a struggling writer and then to a post as a schoolmaster, married to the unappealing Agnes Pembroke. Forster's third novel, A Room with a View (1908), is his lightest and most optimistic. It is about a young woman in the repressed culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. Howards End is a novel by E. M. Forster, first published in 1910, which tells a story of social and familial relations in turn-of-the-century England. Howards End is considered by some to be Forster's masterpiece. Edward Morgan Forster (1879 - 1970) was an English novelist, short story writer, and essayist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. His humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect".

* Beautifully illustrated with atmospheric paintings by renowned artists, A Room with a View has been ranked as one of the 20th century's 100 best English-language novels by the Modern Library. It's a hugely entertaining novel that explores romance and social conventions. Set in Florence and Rome, it tells the story of a young English lady's confusion over her feelings for a socially inferior young man.* Just as accessible and enjoyable for today's modern readers as it would have been when first published over a century ago, the novel is one of the great works of English literature and continues to be widely read throughout the world.* This meticulous digital edition from Heritage Illustrated Publishing is a faithful reproduction of the original text and is enhanced with images of classic works of art carefully selected by our team of professional editors.

“It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.”E. M. Forster’s A Room With A View is ranked 79th on the Modern Library’s list of the 100 best English-language novels of the 20th century. It was adapted into an Oscar-winning movie in 1985.Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?The main themes of this novel include repressed sexuality, freedom from institutional religion, growing up and true love. This new digital edition includes an image gallery that showcases numerous portraits of Forster. There are also links to a free unabridged audio recording of A Room With A View.