Other editions of book The History Of Henry Esmond 1888

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The unabridged classic on MP3 audio, narrated by Anais 9000. Three playback speeds on one disk; etext edition included. Running time: 17.3 hours (slow), 15.8 hours (medium), 14.4 hours (fast). Held to be "the most perfect historical novel" in English -- succeeds most fully in reconstructing the atmosphere of the period it depicts, including scenes of the Jacobite uprising of 1745.

The History of Henry Esmond is a historical novel by William Makepeace Thackeray, originally published in 1852. The book tells the story of the early life of Henry Esmond, a colonel in the service of Queen Anne of England. Using sporadically the first and third persons, Henry Esmond relates his own history in memoir fashion. The novel opens on Henry as a boy – the supposedly illegitimate (and eventually orphaned) son of Thomas, the third Viscount Castlewood, and cousin of the Jacobite fourth viscount, Francis, and his wife, the Lady Castlewood. These successors to the Castlewood estate and peerage, following the death of Henry's father, foster the boy, and he remains with them throughout his youth and early adulthood.

Using sporadically the first and third persons, Henry Esmond relates his own history in memoir fashion. The novel opens on Henry as a boy – the supposedly illegitimate (and eventually orphaned) son of Thomas, the third Viscount Castlewood, and cousin of the Jacobite fourth viscount, Francis, and his wife, the Lady Castlewood. These successors to the Castlewood estate and peerage, following the death of Henry's father, foster the boy, and he remains with them throughout his youth and early adulthood.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Set in the reign of Queen Anne. Thackeray's novel follows the troubled progress of Henry Esmond Esq., a gentleman and an officer in Marlborough's army. Enamoured of the Jacobite Lady Castlewood and her wayward daughter Beatrix, he distinguishes himself in Marlborough's campaigns against Louis XIV, but comes to grief in an ingenious but ultimately unsuccessful attempt to depose George I in favor of the Old Pretender. He continues to wrestle with an emotional allegiance to the Old Tory-Catholic England until, disillusioned, he eventually comes to terms with the whiggish-Protestant future.