Other editions of book Beasts and Super-Beasts

Beasts and Super-Beastsby SakiBeasts and Super-Beasts is a collection of short stories, written by Saki (the literary pseudonym of Hector Hugh Munro) and first published in 1914.Along with The Chronicles of Clovis, Beasts and Super-Beasts is one of Saki's best-known works. It was his final collection of stories before his death in World War I, and several of its stories, in particular "The Open Window" and "Sredni Vashtar", are reprinted frequently in anthologies.The majority of the volume's stories deal in one fashion with animals, providing the source for its title. The character of Clovis Sangrail, featured in earlier works by Saki, appears in several stories. Most of the stories appeared previously in periodicals.Stylistically, Beasts and Super-Beasts displays the simple language, cynicism and wry humor that characterize Saki's earlier literary output.

Beasts and Super-Beasts is a collection of short stories, written by Saki (the literary pseudonym of Hector Hugh Munro) and first published in 1914. The title parodies that of George Bernard Shaw's Man and Superman. Along with The Chronicles of Clovis, Beasts and Super-Beasts is one of Saki's best-known works. It was his final collection of stories before his death in World War I, and several of its stories, in particular "The Open Window", are reprinted frequently in anthologies. The majority of the volume's stories deal in some fashion with animals, providing the source for its title. The character of Clovis Sangrail, featured in earlier works by Saki, appears in several stories. Most of the stories appeared previously in periodicals. Stylistically, Beasts and Super-Beasts displays the simple language, cynicism and wry humor that characterize Saki's earlier literary output.

Beasts and Super-Beasts by Hector Hugh Munro (aslo known as 'Saki') was first published in 1914. Beasts and Super-Beasts is one of Saki's best-known works. The majority of the stories deal in some fashion with animals, hence its title. This is a classic and a best-seller, a great addition to the collection. Any profits generated from the sale of this book will go towards the Freeriver Community project, a project designed to promote harmonious community living and well-being in the world. To learn more about the Freeriver project please visit the website - www.freerivercommunity.com

Beasts and Super-Beasts is a collection of short stories, written by Saki (the literary pseudonym of Hector Hugh Munro) and first published in 1914. Along with The Chronicles of Clovis, Beasts and Super-Beasts is one of Saki's best-known works. It was his final collection of stories before his death in World War I, and several of its stories, in particular "The Open Window", are reprinted frequently in anthologies. Stylistically, Beasts and Super-Beasts displays the simple language, cynicism and wry humor that characterize Saki's earlier literary output.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Beasts and Super-Beasts - A Collection of Short Stories by H. H. Munro ‘Saki’ - Beasts and Super-Beasts is a collection of short stories, written by Saki (the literary pseudonym of Hector Hugh Munro) and first published in 1914. The title parodies that of George Bernard Shaw's Man and Superman. Along with The Chronicles of Clovis, Beasts and Super-Beasts is one of Saki's best-known works. It was his final collection of stories before his death in World War I, and several of its stories, in particular "The Open Window", are reprinted frequently in anthologies. The majority of the volume's stories deal in some fashion with animals, providing the source for its title. The character of Clovis Sangrail, featured in earlier works by Saki, appears in several stories. Most of the stories appeared previously in periodicals. Stylistically, Beasts and Super-Beasts displays the simple language, cynicism and wry humor that characterize Saki's earlier literary output.

Leonard Bilsiter was one of those people who have failed to find this world attractive or interesting, and who have sought compensation in an “unseen world” of their own experience or imagination—or invention. Children do that sort of thing successfully, but children are content to convince themselves, and do not vulgarise their beliefs by trying to convince other people. Leonard Bilsiter’s beliefs were for “the few,” that is to say, anyone who would listen to him.

Beasts And Super-Beasts In An Eternal Struggle Against Human HypocrisyHector Hugh Munro, better known by his pen name Saki, is widely regarded as one of the great masters of the short story. He has written countless stories generally dealing with human hypocrisy and nature’s struggle against it. Many of his greatest stories are compiled into his collection Beasts and Super-Beasts.The author named the collection Beasts and Super-Beasts – apparently a parody to George Bernard Shaw’s Man and Superman. In it, his mostly parodies the “high” Edwardian society and its whims. Most of his short stories are about nature’s struggle against man’s greed and hypocrisy, with the nature generally winning. He is most likely to have been influenced as a child while growing up in British Burma.Most of his stories have animals as the heroes. In these, the fierce struggle of nature is usually emphasized, with humans usually losing against it. An example story tells about a forest in the Eastern Carpathians where two families feud over it. Apparently, one family owns the forest, while the other hunts there regardless. One night, a leader of the owning family catches the other hunting without permission. However, he can’t shoot without warning, and both of them abstain. The coincidence makes it that a tree branch falls and traps them both underneath it. They try to escape it but can’t, and in their struggle they realize that they have been quarreling for nothing. They become friends and make peace. They then start calling for their men for assistance and then they distinguish nine or ten silhouettes in a hill. The story ends with them realizing that those silhouettes are actually wolves.Beasts and Super-Beasts is a highly regarded collection of short stories that will delight, horrify as well as amuse readers with its witty and perhaps macabre style of satirizing human society.

Leonard Bilsiter was one of those people who have failed to find this world attractive or interesting, and who have sought compensation in an “unseen world” of their own experience or imagination—or invention. Children do that sort of thing successfully, but children are content to convince themselves, and do not vulgarise their beliefs by trying to convince other people. Leonard Bilsiter’s beliefs were for “the few,” that is to say, anyone who would listen to him. His dabblings in the unseen might not have carried him beyond the customary platitudes of the drawing-room visionary if accident had not reinforced his stock-in-trade of mystical lore. In company with a friend, who was interested in a Ural mining concern, he had made a trip across Eastern Europe at a moment when the great Russian railway strike was developing from a threat to a reality; its outbreak caught him on the return journey, somewhere on the further side of Perm, and it was while waiting for a couple of days at a wayside station in a state of suspended locomotion that he made the acquaintance of a dealer in harness and metalware, who profitably whiled away the tedium of the long halt by initiating his English travelling companion in a fragmentary system of folk-lore that he had picked up from Trans-Baikal traders and natives. Leonard returned to his home circle garrulous about his Russian strike experiences, but oppressively reticent about certain dark mysteries, which he alluded to under the resounding title of Siberian Magic. The reticence wore off in a week or two under the influence of an entire lack of general curiosity, and Leonard began to make more detailed allusions to the enormous powers which this new esoteric force, to use his own description of it, conferred on the initiated few who knew how to wield it. His aunt, Cecilia Hoops, who loved sensation perhaps rather better than she loved the truth, gave him as clamorous an advertisement as anyone could wish for by retailing an account of how he had turned a vegetable marrow into a wood pigeon before her very eyes. As a manifestation of the possession of supernatural powers, the story was discounted in some quarters by the respect accorded to Mrs. Hoops’ powers of imagination.