Other editions of book The Flowers of Evil

The Flowers of Evil (SparkNotes Literature Guide) by Charles Baudelaire Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysis explanations of key themes, motifs, and symbols a review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers.

It is not given to everyone to blend into the multitude: enjoying the crowd is an art, and only he can gain a stroke of vitality from it, at humanity's expense, whose good fairy at his cradle bequeathed a taste for travesty and masque, along with hatred of home and passion for travel.―from "XII, The Crowd"The poetic masterpiece of the great nineteenth-century writer Charles Baudelaire, The Flowers of Evil is one of the most frequently read and studied works in the French language. In this compelling new translation of Baudelaire's most famous collection, Keith Waldrop recasts the poet's original French alexandrines and other poetic arrangements into versets, a form that hovers between poetry and prose. Maintaining Baudelaire's complex view of sound and structure, Waldrop's translation mirrors the intricacy of the original without attempting to replicate its inimitable verse. The result is a powerful new re-imagining, one that is, almost paradoxically, closer to Baudelaire's own poetry than any previous English translation. Including the six poems banned from the first edition, this Flowers of Evil preserves the complexity, eloquence, and dark humor of its author. Brought here to new life, it is hypnotic, frank, and forceful.

The poetic masterpiece of the great nineteenth-century writer Charles Baudelaire, The Flowers of Evil is one of the most frequently read and studied works in the French language. In this compelling new translation of Baudelaire's most famous collection, Keith Waldrop recasts the poet's original French alexandrines and other poetic arrangements into versets, a form that hovers between poetry and prose. Maintaining Baudelaire's complex view of sound and structure, Waldrop's translation mirrors the intricacy of the original without attempting to replicate its inimitable verse. The result is a powerful new re-imagining, one that is, almost paradoxically, closer to Baudelaire's own poetry than any previous English translation. Including the six poems banned from the first edition, this Flowers of Evil preserves the complexity, eloquence, and dark humor of its author. Brought here to new life, it is hypnotic, frank, and forceful.

"The Flowers of Evil" by Charles Baudelaire (translated by Cyril Scott). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Charles Pierre Baudelair (9 April 1821 – 31 August 1867) was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe.His most famous work, a book of lyric poetry titled Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in the rapidly industrializing Paris during the mid-19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé, among many others.

Baudelaire was a slow and very attentive worker. However, he often was sidetracked by indolence, emotional distress and illness, and it was not until 1857 that he published Les Fleurs du mal (The Flowers of Evil), his first and most famous volume of poems. Some of these poems had already appeared in the Revue des deux mondes (Review of Two Worlds) in 1855, when they were published by Baudelaire's friend Auguste Poulet Malassis. Some of the poems had appeared as "fugitive verse" in various French magazines during the previous decade.The principal themes of sex and death were considered scandalous for the period. He also touched on lesbianism, sacred and profane love, metamorphosis, melancholy, the corruption of the city, lost innocence, the oppressiveness of living, and wine. Notable in some poems is Baudelaire's use of imagery of the sense of smell and of fragrances, which is used to evoke feelings of nostalgia and past intimacy.The book, however, quickly became a byword for unwholesomeness among mainstream critics of the day. Some critics called a few of the poems "masterpieces of passion, art and poetry," but other poems were deemed to merit no less than legal action to suppress them. J. Habas led the charge against Baudelaire, writing in Le Figaro: "Everything in it which is not hideous is incomprehensible, everything one understands is putrid." Baudelaire responded to the outcry in a prophetic letter to his mother: "You know that I have always considered that literature and the arts pursue an aim independent of morality. Beauty of conception and style is enough for me. But this book, whose title (Fleurs du mal) says everything, is clad, as you will see, in a cold and sinister beauty. It was created with rage and patience. Besides, the proof of its positive worth is in all the ill that they speak of it. The book enrages people. Moreover, since I was terrified myself of the horror that I should inspire, I cut out a third from the proofs. They deny me everything, the spirit of invention and even the knowledge of the French language. I don't care a rap about all these imbeciles, and I know that this book, with its virtues and its faults, will make its way in the memory of the lettered public, beside the best poems of V. Hugo, Th. Gautier and even Byron."|Wikipedia|