Other editions of book Joe the Hotel Boy - Scholar's Choice Edition

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"What do you think of this storm, Joe?" "I think it is going to be a heavy one, Ned. I wish we were back home," replied Joe Bodley, as he looked at the heavy clouds which overhung Lake Tandy. "Do you think we'll catch much rain before we get back?" And Ned, who was the son of a rich man and well dressed, looked at the new suit of clothes that he wore. "I'm afraid we shall, Ned. Those black clouds back of Mount Sam mean something." "If this new suit gets soaked it will be ruined," grumbled Ned, and gave a sigh. "I am sorry for the suit, Ned; but I didn't think it was going to rain when we started." "Oh, I am not blaming you, Joe. It looked clear enough this morning. Can't we get to some sort of shelter before the rain reaches us?" "We can try." "Which is the nearest shelter?" Joe Bodley mused for a moment. "The nearest that I know of is over at yonder point, Ned. It's an old hunting lodge that used to belong to the Cameron family. It has been deserted for several years." "Then let us row for that place, and be quick about it," said Ned Talmadge. "I am not going to get wet if I can help it." As he spoke he took up a pair of oars lying in the big rowboat he and Joe Bodley occupied. Joe was already rowing and the rich boy joined in, and the craft was headed for the spot Joe had pointed out.

OUT IN A STORM. “What do you think of this storm, Joe?” “I think it is going to be a heavy one, Ned. I wish we were back home,” replied Joe Bodley, as he looked at the heavy clouds which overhung Lake Tandy. “Do you think we'll catch much rain before we get back?” And Ned, who was the son of a rich man and well dressed, looked at the new suit of clothes that he wore. “I'm afraid we shall, Ned. Those black clouds back of Mount Sam mean something.” “If this new suit gets soaked it will be ruined,” grumbled Ned, and gave a sigh. “I am sorry for the suit, Ned; but I didn't think it was going to rain when we started.” “Oh, I am not blaming you, Joe. It looked clear enough this morning. Can't we get to some sort of shelter before the rain reaches us?”

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All of Alger's juvenile novels share essentially the same theme, known as the "Horatio Alger myth": a teenage boy works hard to escape poverty. Often it is not hard work that rescues the boy from his fate but rather some extraordinary act of bravery or honesty. The boy might return a large sum of lost money or rescue someone from an overturned carriage. This brings the boy—and his plight—to the attention of a wealthy individual. By the time he died in 1899, Alger had published around a hundred volumes. Scholar John Geck observes that Alger's themes have been transformed in modern America from their original meanings into a male Cinderella myth and are an Americanization of the traditional Jack tales. Each story has its clever hero, its "fairy godmother", and obstacles and hindrances to the hero's rise. "However", he writes, "the true Americanization of this fairy tale occurs in its subversion of this claiming of nobility; rather, the Alger hero achieves the American Dream in its nascent form, he gains a position of middle-class respectability that promises to lead wherever his motivation may take him". The reader may speculate what Cinderella achieved as Queen and what an Alger hero attained once his middle-class status was stabilized, and "[i]t is this commonality that xes Horatio Alger rmly in the ranks of modern adaptors of the Cinderella myth".This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author’s words.Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.