Other editions of book Nightmares and Dreamscapes

Enter a place where nightmares come to life and terrifying dreamscapes wait to be explored. Stephen King's collection is a roller-coaster ride of horror, dark humor, and relentless suspense, with the gripping descriptions and gruesome details his fans expect.Stories include:• "It Grows on You" read by Stephen King• "The Fifth Quarter" read by Gary Sinise• "You Know They Got a Hell of a Band" read by Grace Slick• "The Night Flier" read by Frank Muller• "Popsy" read by Joe Mantegna• "Sorry, Right Number" read by an ensemble cast• "The Ten O'Clock People" read by Joe Morton• "Notes" read by Stephen King• "The Beggar and the Diamond" read by Dominic Cuskern

A solitary finger pokes out of a drain. Novelty teeth turn predatory. Flies settle and die on an old pair of sneakers in New York, and the Nevada desert swallows a Cadillac. Meanwhile the legend of Castle Rock returns . . . and grows on you. What does it all mean? What else could it mean? First there was Night Shift (1978), then Skeleton Crew (1985), and now Stephen King is back with a third collection of stories--a vast, many-chambered cave of a volume, with passages leading every which way to hell . . . and a few to glory. The long reach of Stephen King's imagination and the no-holds-barred force of his storytelling have never been so richly demonstrated. There's something here for readers of every stripe and predilection--classic tales of the macabre and the monstrous, cutting-edge explorations of the borderlands between good and evil, brilliant pastiches of Chandler and Conan Doyle, even a teleplay and a non-fiction bonus, a heartfelt piece of Little League baseball that first appeared in The New Yorker. In story after story, several published here for the first time, he will take you to places you've never been before, places that are both dark and vividly illuminated. Fair warning: You will lose a good deal of sleep. But Stephen King, writing to beat the devil, will do your dreaming for you. Can you believe? Then come . . .