Other editions of book Howards End & A Room with a View

The book is about three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who have much in common with the real-life Bloomsbury Group; and the Basts, a struggling couple in the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced.The Schlegels frequently encounter the Wilcoxes. The youngest, Helen, is for a short period intensely attracted to the younger Wilcox brother, Paul; each rejects the other for his or her own reasons. The eldest, Margaret, becomes friends with Paul's mother, Ruth Wilcox. Ruth's most prized personal possession is her family house at Howards End. She wishes that Margaret could live there, as she feels that it might be in good hands with her. Ruth's own husband and children do not value the house and its rich history, because such abstractions, while being very dear to Margaret, are lost to them. As Ruth is terminally ill, and Margaret and her family are about to be evicted from their London home by a developer, Ruth bequeaths the cottage to Margaret in a handwritten note delivered to her husband from the nursing home where she has died, causing great consternation among the Wilcoxes. Mrs Wilcox's widowed husband, Henry, and his children burn the note without telling Margaret about her inheritance. However, over the course of several years, Margaret becomes friends with Henry Wilcox and eventually marries him. The more free-spirited Margaret tries to get Henry to open up more, to little effect. Henry's elder son Charles and his wife try to keep Margaret from taking possession of Howards End.Gradually, Margaret becomes aware of Henry's dismissive attitude towards the lower classes. On Henry's advice, Helen tells Leonard Bast to quit his respectable job as a clerk at an insurance company, because the company stands outside a protective group of companies and thus is vulnerable to failure. A few weeks later, Henry carelessly reverses his opinion, having entirely forgotten about Bast, but it is too late, and Bast has lost his tenuous hold on financial solvency. Bast lives with a troubled, "fallen" woman for whom he feels responsible and whom he eventually marries. Helen continues to try to help young Leonard Bast (perhaps in part out of guilt about having intervened in his life to begin with, as Leonard had not wanted it and Henry had explicitly stated beforehand that he advised no one) but it all goes terribly wrong; because of Bast's wife's connection with Henry, Henry will not countenance helping them. It is later revealed that 10 years previously, as a teenager, she had been Henry's mistress in Cyprus, but he had then carelessly abandoned her, an expatriate English girl on foreign soil with no way to return home. Margaret confronts Henry about his ill-treatment, and he is ashamed of the affair but unrepentant about his harsh treatment of her. Because of Margaret's impending marriage into the Wilcoxes and situations such as these, the Schlegel sisters drift apart somewhat. In a moment of pity for the poor, doomed Bast, Helen has an affair with him. Includes a biography of the Author

NOW A MAJOR BBC ONE DRAMA STARRING HAYLEY ATWELL AND MATTHEW MACFADYENWhen a brief romance between Helen Schlegel and Paul Wilcox ends badly, their two very different families are brought into collision. The liberal, intellectual Schlegels, who had hoped never to see the capitalist, pragmatic Wilcoxes again, learn that Paul's family are moving from their country estate - Howards End - to a flat just across the road.As the lives of the Schlegels and the Wilcoxes become increasingly entangled, Helen befriends Leonard Bast, a man of lower social status. His presence further inflames the families' political and cultural differences, which are brought to a head in a fatal confrontation at Howards End.Considered by some to be E. M. Forster's finest work Howard's End blends humour and lyricism in this classic exploration of British class and character.

First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. Soon to be a limited series on Starz.At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life.

How is this book unique? Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes.Includes: 15 Colored Illustrations and BiographyHowards End (frequently mis-titled as Howard's End) is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct, and personal relationships in turn-of-the-century England.Howards End is considered by some to be Forster's masterpiece. In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), whose cultural pursuits have much in common with the real-life Bloomsbury Group; and the Basts, an impoverished young couple from a lower-middle-class background. The idealistically motivated, well read, highly intelligent Schlegel sisters seek to help the struggling Basts, wishing at the same time to rid the Wilcoxes of some of their deep-seated social and economic prejudices.The Schlegels had briefly met and befriended the Wilcoxes when both families were hiking in Germany. Helen, the youngest daughter, is romantically attracted to the younger Wilcox son, Paul; they get engaged in haste but soon afterwards regret their decision, each rejecting the other for different reasons. The engagement is consequently broken off without acrimony, by mutual consent, despite a somewhat awkward intervention by Helen's aunt, Juley. The eldest daughter, Margaret, then resumes her friendship with Paul's mother, Ruth Wilcox. Ruth's most prized personal possession is her family home at Howards End. She invites her friend to come and visit, feeling that Margaret would immediately connect with the values and history which the old house represents. Ruth's own husband and children do not greatly cherish Howards End, for all its rich cultural heritage; such abstractions, while being very dear to Margaret, are relatively insignificant to them, other than the property's real estate value on the housing market. However owing to a series of circumstances Margaret never gets a chance to visit Howards End while her friend Ruth is still alive. Equally she is unaware that, gravely ill, Ruth regards her as an ideal prospective owner of Howards End, trusting that her home would be safe and in very good hands with her, after she is gone. As Ruth's condition deteriorates quickly, and Margaret and her family are about to be evicted from their London home by a developer when the lease on their house expires, Ruth bequeaths Howards End to Margaret in a handwritten note. This last will and testament of Ruth's (about which Margaret herself knows nothing) is delivered to her husband from the nursing home where she died, causing great consternation and anxiety to the Wilcoxes. Mrs Wilcox's widowed husband, Henry, and his children, burn the note without telling Margaret anything about her inheritance. However over the course of the next several months, Henry Wilcox seeks Margaret's company and is very much impressed with her, as she is with him. Their friendship blossoms into romance and in due course, Henry asks for Margaret's hand in marriage. Margaret accepts. It soon becomes apparent that their personalities could not be more different from one another; the courageous, idealistic, compassionate, high-minded and romantically-inclined Margaret tries to get the fairly rigid, unsentimental, staunchly rational Henry to open up more, to little effect. Henry's children, while outwardly polite to Margaret, do not look upon her engagement to their father with a friendly eye.