Other editions of book Six Months at the Cape

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R. M. Ballantyne was a Scottish juvenile fiction writer. Born into a famous family of publishers he left at age 16 to work for the Hudson's Bay Company. He returned home to Scotland and published his first book Hudson's Bay. Ballantyne withdrew from business to become a full time writer and over the remaining years of his life he published upwards of a hundred books. With his work writing Ballantyne also was an accomplished artist exhibiting some of his water colours paintings at the Royal Scottish Academy.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Dear Periwinkle,—Since that memorable, not to say miserable, day, when you and I parted at Saint Katherine’s Docks, (see note 1), with the rain streaming from our respective noses—rendering tears superfluous, if not impossible—and the noise of preparation for departure damaging the fervour of our “farewell”—since that day, I have ploughed with my “adventurous keel” upwards of six thousand miles of the “main,” and now write to you from the wild Karroo of Southern Africa. The Karroo is not an animal. It is a spot—at present a lovely spot. I am surrounded by—by nature and all her southern abundance. Mimosa trees, prickly pears, and aloes remind me that I am not in England. Ostriches, stalking on the plains, tell that I am in Africa. It is not much above thirty years since the last lion was shot in this region, (see note 2), and the kloofs, or gorges, of the blue mountains that bound the horizon are, at the present hour, full of “Cape-tigers,” wild deer of different sorts, baboons, monkeys, and—but hold! I must not forestall. Let me begin at the beginning.

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(Excerpt): "Dear Periwinkle,—Since that memorable, not to say miserable, day, when you and I parted at Saint Katherine’s Docks, (see note 1), with the rain streaming from our respective noses—rendering tears superfluous, if not impossible—and the noise of preparation for departure damaging the fervour of our “farewell”—since that day, I have ploughed with my “adventurous keel” upwards of six thousand miles of the “main,” and now write to you from the wild Karroo of Southern Africa. The Karroo is not an animal. It is a spot—at present a lovely spot. I am surrounded by—by nature and all her southern abundance. Mimosa trees, prickly pears, and aloes remind me that I am not in England. Ostriches, stalking on the plains, tell that I am in Africa. It is not much above thirty years since the last lion was shot in this region, (see note 2), and the kloofs, or gorges, of the blue mountains that bound the horizon are, at the present hour, full of “Cape-tigers,” wild deer of different sorts, baboons, monkeys, and—but hold! I must not forestall. Let me begin at the beginning."

Dear Periwinkle,—Since that memorable, not to say miserable, day, when you and I parted at Saint Katherine’s Docks, with the rain streaming from our respective noses—rendering tears superfluous, if not impossible—and the noise of preparation for departure damaging the fervour of our “farewell”—since that day, I have ploughed with my “adventurous keel” upwards of six thousand miles of the “main,” and now write to you from the wild Karroo of Southern Africa.